Episode 324: It’s hard to believe that Nashville’s SteelDrivers have been making their unique brand of hard-core string band music for nearly twenty years. They were the vehicle through which many of us were introduced to the epic voice of Chris Stapleton, back when he and Mike Henderson co-wrote that band’s high impact debut album of 2008. When Henderson and Stapleton had to move on, the band pulled its greatest trick, bringing on great new voices, growing bigger, and building a legacy that’s like nothing else in 21st century bluegrass. In Episode 324 of  The String, Craig talks with original members Mike Fleming, bass player and baritone vocal, and Tammy Rogers, the fiddler and harmony singer who now leads the way with the band’s songwriting. We talk about the whole ride, up to the new album Outrun, out now on a revived Sun Records. 

Special Episode: The story of how global banjo explorer Joe Troop (formerly of Che Apalache) met Venezuelan harpist and all-around folk music master Larry Bellorín is testimony to the magic of global culture and a cautionary tale about the stark turn US policy has taken against working asylum seekers this year. Over three years as the bilingual, genre-fusing, and multi-instrumental duo Larry & Joe, they’ve toured widely and made two albums together to great acclaim among folk music lovers. They’re one of the most charismatic and culture-crossing acts to come out of roots music in the past decade. Here in a special episode of The String, they tell their story in an interview that took place in Knoxville, TN in March.

Episode 323: This episode of The String is a field report from the city that raised me in the 1970s and 80s and gave me my foundation in music, from college rock radio, to youth orchestra at Duke University, to jazz tutelage at a Black Muslim community center. It’s an arts-forward city that in the past decade has become something of a magnet for roots music, building on a history of gospel, blues and string band music, while Biscuits & Banjos, the new festival conceived by Rhiannon Giddens, has put itself in a position to be a bridge from the past to the future and give Durham the identity it’s lacked as a national music hotspot.

Episode 322: Texas songwriter Vincent Neil Emerson graduated from playing on the streets and in the bars of Fort Worth to tours with Colter Wall and American Aquarium and then a well-received debut album (2019’s Fried Chicken And Evil Women). That inspired none other than Rodney Crowell and Shooter Jennings in turn to take an interest in producing the young country troubadour, resulting in a self-titled release in 2021 and the more recent The Golden Crystal Kingdom of 2023. They heard what I hear - an artist pxrocessing his past and making his struggles universal, a singer with an honest voice and a distinct point of view. He paused during his ongoing touring to sit down with WMOT after a show at Skinny Dennis. 

Episode 321: Atlanta native Kristina Murray moved to Nashville in 2014 with a fresh and original debut album and steely determination. The country singer and songwriter carved out a respected space at honky tonks like Santa’s Pub and the American Legion. When hard work and critical acclaim for her two releases didn’t launch her career to a new orbit, it felt like defeat. That, plus the pandemic, fueled some challenging times and emotions that inspired her new one, Little Blue, a lovely, lament-filled album on New West’s Normaltown imprint. Murray is due for new waves of attention, and we talk about how hard that is to manifest in this edition of The String. 

Episode 320: JD Clayton is one of the first emerging artists to release music in an era of new leadership at the historic Rounder Records in Nashville. He’s an open-hearted guy who got the songwriting bug growing up in Fort Smith, AR and who then found his songs and his way on stage led to organic growth. His 2023 album Long Way From Home got him out on the road in a big way and led to some high profile opening shows. He produced his new album Blue Sky Sundays, a fresh and catchy take on country rock, with his brotherly band. He seems to embody the ethos of his feel-good song “High Hopes & Low Expectations.” 

Episode 319: This week’s split episode looks at songwriting and musicianship from two very different points of view. Toronto’s Jeremie Albino is a powerful roots rock singer/writer whose early love of blues and old rock and roll comes through in his self-effacing, easy grooving songs. A call from Dan Auerbach opened up new avenues for him through the production of his late 2024 album ‘Our Time In The Sun’. Champion guitarist Tyler Grant writes his material more about stories from the history and geography of the American west, where he’s been based for about 15 years. He’s also set aside his twangy electric country rock for a return to the bluegrass music that brought him to national attention. His newest is a mix of instrumentals and songs but the title indicates the focal point: ‘Flatpicker.’ 

Episode 318: Over a 15-year career that began in Boston’s jazz and old-time scene, Nashville-based Miss Tess has distinguished herself with a hybrid blend of contemporary songwriting and vintage, swinging Americana. On her newest, the widely traveled artist taps a long love affair with Cajun country in Louisiana, yet it’s her own blend rather than a traditional homage. Our conversation spans her upbringing in Maryland, her passion for early blues and jazz, her fascinating musical relationships and her annual immersion in the Blackpot festival in Lafayette, where she made the new Cher Rêve.

Episode 317: As the new year dawned, the first emerging artist that started buzzing on our radar was a California native living in Nashville with an emotional country-noir debut album called Silver Rounds. She was Olivia Wolf, and now months later, her album has proven its staying power, with critical acclaim and a long run on the Americana chart. She’s no youngster, so our conversation dives into her background and her long, patient journey to fully committing herself as a songwriter/artist. That story includes coming of age at the Hardly Strictly Bluegrass festival and a tragic event in her life that inspired many of her best songs. 

Episode 316: Sean McConnell was born to do this. His parents were working songwriters who helped him get started as a teen in Atlanta. He landed a long-term song publishing deal while still in school at MTSU and earned cuts by Tim McGraw, Martina McBride, Brett Young, and the TV show Nashville. Over 15 recordings - his latest is the lovely and agonizingly honest Skin - McConnell has become a beloved troubadour on the indie folk circuit and an honorary red dirt Texas poet through extensive touring there. Now he’s grown as a producer working out of his unique studio in Nolensville. I made a trip down there to interview Sean in his cozy working habitat.