Episode 344: Ashley Monroe moved to Nashville just after 10th grade from East Tennessee with a single-minded drive to sing and write country music. Her career would be the envy of many - Grammy nominations, several major label albums, and Pistol Annies, an influential supergroup - and yet many in roots music haven't recognized her as among the greats of our time. Following recovery from blood cancer, Monroe dove into her most ambitious and daring project yet, Tennessee Lightning.

Episode 343: Her name is made of flowers. And she's been spreading bouquets of joy and open-hearted country and rockabilly for more than 50 years. She is Rosie Flores, sounding great and enjoying the stage as much as she ever has as she cruised past her 75th birthday during Americanafest 2025. A couple days after that, we sat down to talk about her (outstandingly) supportive parents, the Los Angeles alt-country scene of the 1980s and 90s, and her new album Impossible Frontiers.

Episode #342: Daniel Donato became one of Nashville's more revered electric guitar players during his three years playing four nights a week at Robert's Western World on Lower Broadway. When he lost that gig in 2015, he had to start from scratch as a working musician and songwriting artist. In his second appearance on The String, Donato talks about landing some touring band gigs that sustained him while he developed his Cosmic Country concept. The band and his repute grew, and ten years after leaving Broadway, he headlined the Ryman Auditorium. Also on the table here, his two recent albums, Reflector and Horizons.

Episode 341: Since co-founding the history-making, history-preserving North Mississippi Allstars almost 30 years ago, Luther Dickinson has taken his guitar, his deep blues repertoire, and his Memphis soul around the world and into all kinds of collaborations. In his latest return to The String, we talk about the nature of improvising and some of his recent experimental and instrumental projects, plus the 2025 Allstars album Still Rollin', marking the 25th anniversary of the band's debut album.

Episode 340: Robert Randolph had no plans or dreams to take his fiery talents on the pedal steel guitar beyond the New Jersey church where he grew up and the network of pentecostal Black churches around the country that made the "sacred steel" a core part of their services. But his passionate sound and his joyful improvisational spirit were a perfect match for the jam/rock scene of the early 2000s. He's been a steady contributor ever since, through wide collaborations and a string of albums with his "Family Band." Now he's leading the band under his own name and he has a fabulous new record on the revitalized Sun Records.

Episode 339: South Carolina guitar wizard and powerhouse singer Marcus King has come through the valley of shadows, breaking self-destructive habits and arriving at a place of contentment and love on his latest album Darling Blue. In a career-spanning conversation, King talks about his unique path to finding his voice on the guitar, his collaborations with a series of very different world-class producers, and his place in the shifting ecosystems of jam band and Americana music.

Episode 338: North Carolina songwriter Tift Merritt became an instant star of Americana music when she emerged in the early 2000s with Bramble Rose (2002) and Tambourine (2004), but only with time have we learned that her relationship with her prestige record label - Lost Highway Records - was tumultuous and dispiriting. After a period of relative quiet on the music front, she's re-issued Tambourine on vinyl for the first time and put out a collection of demo/kitchen tapes that contextualize that classic. From her home in Raleigh, Tift lets us in on her diversified creative life. And we round out the hour catching up with Texas songwriter Tony Kamel, who's released We're All Gonna Live, his second in a row made with master Bruce Robison.

Episode 337: Ken Pomeroy, who turned 23 days after this interview, is a fresh voice not just from the Oklahoma lineage of great roots songwriting and musicianship, but also from a new generation of Native American voices in popular music. She talks about her Cherokee heritage and the stewardship that comes with it, plus her emotional bond to music in this introspective hour. You'll also hear incisive and sometimes sad songs from her acclaimed national debut Cruel Joke, out this spring on Rounder Records.

Episode 336: In a time when bluegrass is surging with young talent and mainstream dreams, Danny Burns and Shelby Means offer two profiles in making the string band business work in 2025. Burns is an Irish immigrant who brought his trad training and hearty work ethic from his native County Donegal. Even before releasing North Country in 2018, he'd made a name and reputation among roots music elites, and he shows his flair for cover songs on the new Southern Sky. Shelby Means played bass for Della Mae during their breakout years and became stylishly famous working with Molly Tuttle's Golden Highway Band. When that came to an end this year, she had her debut solo album ready to go.

Episode 335: Leslie Jordan, the Nolensville, TN-based songwriter not the late comic actor and singer, makes a major statement in her pivot from a robust career in Christian folk/pop to storytelling Americana with The Agonist. It's a song cycle that fleshes out the story of her late grandfather, a conflicted and complex man who left his family in Indiana when Leslie's mother was four years old. Through a unique collaboration with a collection of his posthumous journals and writings, she builds a world and a character, holding him accountable while investing his story with dignity. It's beautifully produced with Kenneth Pattengale and is one of the most impressive albums of 2025.