John Paterno is a Grammy-winning producer, mixer, composer, engineer, mastering engineer, teacher, and musician who has worked with a diverse range of artists including Gov’t Mule, Robbie Williams, Steve Gadd Band, Soraya, Michael Landau, Band of Other Brothers, Robben Ford, Eros Ramazzotti, the Thrills, Tim McGraw, Bonnie Raitt, and Badly Drawn Boy, in his 30-plus-year career. 

Paterno moved to Los Angeles two weeks after graduating from the University of Miami's music engineering (MUE) program. A short period of freelance assisting concluded with a staff position at Sunset Sound/Sound Factory in Hollywood, where for five years he was exposed to many great engineers, producers, and artists. After breaking out of assisting, he worked with a wide range of producers, including Mitchell Froom, Joe Chiccarelli, Byron Gallimore, Celso Valli, and Stephen Duffy. He won a Latin Grammy for his work with artist/producer Soraya.

Paterno has produced or co-produced projects for Gov’t Mule, Michael Landau, Andrew Synowiec, the Black Mollys, Mitchell Froom, Lustra, Robbie Williams, the Lilac Time, and many other artists. He has also co-written songs with artists and written pieces for TV and film.

IN THIS EPISODE YOU’LL LEARN:

• Lessons learned from working with Tchad Blake
• The importance of focus
• Why you don’t want people to feel like they’re in a recording studio
• How to gain the trust of musicians
• Why cell phones need to be banned from the studio
• Coaching musicians to understand the difference between timing and groove
• Why you should always do preproduction before entering the studio
• Getting great drum sounds
• When to avoid using compression
• How Seinfeld and mixing have a lot in common

To learn more about John Paterno, visit: https://www.musicdafoz.com/

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