According to bestselling religious scholar Reza Aslan, the New Testament Gospels “are not, nor were they ever meant to be, a historical documentation of Jesus’s life." The Gospels are, Aslan claims, fictional compositions from early Christians who re-imagined a Jewish revolutionary named Jesus as an ethereal Christ of faith.

But is it really reasonable to read the New Testament Gospels as fiction? And, if the Gospels aren't fiction, what genre are they?

In the first half of this week’s program, New Testament scholar Jonathan Pennington joins Garrick Bailey and Timothy Paul Jones to explore these crucial questions: What literary genre best describes the New Testament Gospels? And are these compositions believable as history?

Michael Jackson, the king of pop, is the star of the second half of this week’s program as Garrick and Timothy go looking for signs of grace the bestselling single of the 1980s, “We Are the World” by U.S.A. For Africa. Along the way, Timothy reveals how he would still be single if it weren’t for REO Speedwagon, Garrick divulges his deep childhood fixation on Michael Jackson’s jacket, and Jonathan Pennington just can’t fight the feeling that he belongs in the band Pink Floyd.

The dilemma drawn from the bowels of the Infinity Gauntlet this week leads to a showdown between Wakanda and Hogwarts that threatens to rend the space-time continuum. The resulting clash of ideas nearly leads to a breaking of the fellowship that binds Garrick, Timothy, and Jonathan together. In the end, a reference to REO Speedwagon becomes the potion that saves their friendship.

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Jonathan T. Pennington, Ph.D., is associate professor of New Testament Interpretation at The Southern Baptist Theological Seminary, where he is also director of the Ph.D. program. Pennington is the author of The Sermon on the Mount and Human Flourishing, Reading the Gospels Wisely, and Heaven and Earth In the Gospel of Matthew. He is also on the preaching staff at Sojourn East in Louisville, Kentucky and the host of the YouTube show, "Cars, Coffee, Theology". Follow Dr. Pennington on Twitter at @DrJTPennington.

1.  What is the genre of a particular piece of literature?

2. What does the genre of books in Bible matter? Why should Christians care about their genre?

3. What genre are the New Testament Gospels? How do we know?

4. Were works in the bios genre always nonfiction or were they sometimes fictional? Why do we think that the New Testament Gospels aren't fictional?

5. Suppose someone listening to this program has a friend who is a skeptic and completely rejects the truth of the Gospels. What should a Christian do to help a skeptic see the truth of the Gospels?

6. Can you think of a particular time when God worked through the Gospels to convince you of the truth of his promises and his Word?

If you want to dig deeper into the historical integrity of the New Testament, one great place to start is In Defense of the Bible, edited by Terry Wilder and Steven Cowan. To download a sample chapter, visit http://www.bhacademic.com

B and H Academic

Zealot: The Life and Times of Jesus of Nazareth: book by Reza Aslan

What Are the Gospels?: book by Richard Burridge

The Four Gospels and the One Gospel of Jesus Christ: book by Martin Hengel

Reading the Gospels Wisely: book by Jonathan Pennington

"Cars, Coffee, Theology": YouTube show by Jonathan Pennington

"Can't Fight This Feeling": song by REO Speedwagon

"We Are the World": song by U.S.A for Africa

"Do They Know It's Christmas": song by Band Aid 20

"Thriller": song by Michael Jackson

"The Fly": song by U2

ThreeChordsApologetics.com

If you are interested in earning a master’s degree online or on campus that will equip you with the most comprehensive apologetics training available anywhere, go to http://www.sbts.edu/bgs/degree-programs/mdiv/apologetics/

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Music for the podcast has been licensed through Artlist.io and performed by the band Vegan Friendly—even though neither Garrick nor Timothy has ever been vegan friendly.

Brief excerpts of music played in each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. "The fair use of a copyrighted work ... for purposes such as criticism, comment, news reporting, teaching, ... scholarship, or research, is not an infringement of copyright" (U.S. Code § 107, Limitations on exclusive rights: Fair use).