Jordon Beal is a songwriter, producer, and engineer based in Chicago, IL. He made the leap into audio full-time in 2010 after working with legendary producer Sylvia Massy on a series of singles with his former band. Although his position in the band was uncertain, the studio experience sparked a deeper passion—he realized he felt far more fulfilled behind the glass than on stage. That moment became the catalyst for his career in audio.

Since then, Jordon has built an impressive portfolio, working on records for artists such as Intervals (including their Juno Award-winning album), Silverstein, The Devil Wears Prada, Architects, Conquer Divide, Veil of Maya, Divide The Fall, Cane Hill, Janus, and LIMBS. His behind-the-scenes collaborations have also connected him with top-tier producers and engineers, including Sam Guaiana, Adam “Nolly” Getgood, Joey Sturgis, Sylvia Massy, and Phil Pluskota. In addition to production, he’s carved out a niche in editing and session prep work—an area that now makes up a significant portion of his schedule and showcases his precision and attention to detail.

IN THIS EPISODE YOU’LL LEARN:

• Working with Sylvia Massy as an artist
• How to eliminate “red-light syndrome”
• Going with your gut instinct
• Recording keeper takes while writing songs
• Making moves with intent
• Adjusting your processes to fit the artist’s preferences
• Why double tracking with the same guitar can be problematic
• The secret to getting your guitars to sound massive
• Why good editing starts at the tracking stage
• Editing guitars: Where you should make your cuts if you want the best sound
• The pros and cons of time-stretching
• Using different time-stretching algorithms
• Using drum trigger spikes: Why they’re so helpful 
• Using Soundflow to save time and work efficiently

To learn more about Jordon Beal, visit: https://www.facebook.com/jordon.popp

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