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We're on the edge of great courtesy ofJulie and the Phantoms, the candy coloured confection of a Netflix trifle that isn't good per se, but is incredibly enjoyable.
Up for discussion: the surprisingly heartfelt exploration of grief and music (shocking no one, both of us cried watching!); the very Vancouver production, Brenna's bemusement at Julie's "hologram" box and an appreciation of "out" director Ortega's cultural contributions.
Plus: our first game on the fully redesigned Book Three YA BINGO board!
Wanna connect with the show? Use #HKHSPod on Twitter:
Have something longer to say or a minisode topic? Email us at [email protected]. See you on the page and on the screen!
Hosted on Acast. See acast.com/privacy for more information.
By Brenna Clarke Gray and Joe Lipsett4.3
5050 ratings
We're on the edge of great courtesy ofJulie and the Phantoms, the candy coloured confection of a Netflix trifle that isn't good per se, but is incredibly enjoyable.
Up for discussion: the surprisingly heartfelt exploration of grief and music (shocking no one, both of us cried watching!); the very Vancouver production, Brenna's bemusement at Julie's "hologram" box and an appreciation of "out" director Ortega's cultural contributions.
Plus: our first game on the fully redesigned Book Three YA BINGO board!
Wanna connect with the show? Use #HKHSPod on Twitter:
Have something longer to say or a minisode topic? Email us at [email protected]. See you on the page and on the screen!
Hosted on Acast. See acast.com/privacy for more information.

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