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Today on Art of the Cut, we speak with the two editors of Guillermo del Toro’s stop-motion animation version of “Pinocchio” - Holly Klein and Ken Schretzmann, ACE.
Holly Klein has been in the animation business since leaving college. She was an animator on Blues Clues and other kids TV shows and transitioned into editorial including work as an assistant editor on Coraline and Paranormal.
Ken Schretzmann began his career in live action feature film editorial back in the mid-80s and worked as an assistant editor on films like “Fried Green Tomatoes” “Get Shorty” and “Men In Black.” He edited the live action feature “The Modern Adventures of Tom Sawyer” before transitioning to animation editorial working on PIXAR films such as “Toy Story 2” “Monsters Inc” “Cars” and “Toy Story 3.”
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Today on Art of the Cut, we speak with the two editors of Guillermo del Toro’s stop-motion animation version of “Pinocchio” - Holly Klein and Ken Schretzmann, ACE.
Holly Klein has been in the animation business since leaving college. She was an animator on Blues Clues and other kids TV shows and transitioned into editorial including work as an assistant editor on Coraline and Paranormal.
Ken Schretzmann began his career in live action feature film editorial back in the mid-80s and worked as an assistant editor on films like “Fried Green Tomatoes” “Get Shorty” and “Men In Black.” He edited the live action feature “The Modern Adventures of Tom Sawyer” before transitioning to animation editorial working on PIXAR films such as “Toy Story 2” “Monsters Inc” “Cars” and “Toy Story 3.”
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