Knowledge = Power

Galahad is  a word from the Old Testament that means Mountain of Testimony; [Sir  Galahad] is a mountain of testimony to Christ. The whole tradition of  the virgin knight as the Grail knight belongs to a Cistercian monastic  line.

Whereas the line of Wolfram is the secular line of a secular  knight [Parcival] who is married. And as we’re going to see it’s because  of his loyalty to his marriage under all circumstances and his courage  and resolution in combat, fearlessness and also integrity in love that  he becomes finally the Grail King. —Joseph Campbell

Joseph Campbell explores the historical roots of the Grail legend. He  discusses the development of the Roman Catholic Church in the Dark  Ages, and shows how new conceptions of love, marriage, and worship gave  rise to a secular “religion,” that of courtly romance. He then examines  the quest for the Holy Grail, both as an expression of these new ideas  of love and as a reaction against the dogmatic practices of the medieval  Church. Finally, in his own inimitable style, he recounts the Grail  Legend.

Joseph Campbell’s collected writings on dance and art, edited  and introduced by Nancy Allison, CMA, the founder of Jean Erdman Dance,  and including Campbell’s unpublished manuscript “Mythology and Form in  the Performing and Visual Arts,” the book he was working on when he  died.

At the beginning of his career, Joseph Campbell developed a lasting  fascination with the cultures of the Far East, and explorations of  Buddhist and Hindu philosophy later became recurring motifs in his vast  body of work. However, Campbell had to wait until middle age to visit  the lands that inspired him so deeply. In 1954, he took a sabbatical  from his teaching position and embarked on a yearlong voyage through  India, Thailand, Cambodia, Burma, Hong Kong, Taiwan, and finally Japan. Asian Journals combines the two hardcover editions of Campbell’s journals, Baksheesh & Brahman and Sake & Satori,  into one paperback volume, an edited day-to-day travel diary of the  people he met and the historical places he visited on his trek through  Asia. Along the way, he enlivens the narrative with his musings on  culture, religion, myth, and politics, describing both the trivial and  the sublime. As always, Campbell’s keen intellect and boundless  curiosity shine through in his lucid prose. From these pages, Campbell  enthusiasts will come away with a deeper understanding of the man, his  work, and his enduring legacy.

Joseph Campbell - A Joseph Campbell Companion Reflections on the Art of Living

A prize-winning historian reveals how Stalin—not Hitler—was the animating force of World War II in this major new history.

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Hero with a Thousand Faces is a work of comparative mythology by Joseph Campbell, in which the author discusses his theory of the mythological structure of the journey of the archetypal hero found in world myths.

William Shakespeare may have been  the greatest playwright in the English language, but how does he measure  up as a historian? In this brilliant comparison between the events and  characters in Shakespeare's history plays and the actual events that  inspired them, acclaimed historian John Julius Norwich examines the nine  works that together amount to an epic masterpiece on England's most  fascinating period.

Beginning with the newly authenticated  "Edward III," and proceeding through "Richard II; Henry IV Parts I" and  "II; " and "Henry V; Henry VI Parts I, II," and "III; " and finally  "Richard III," Norwich holds the plays up to the light of history,  answering questions such as: Who was the real Falstaff? How realistic is  Shakespeare's depiction of Joan of Arc? At the same time, he provides a  vibrant narrative of medieval life from 1337 to 1485, the era of the  100 Years War and the Wars of the Roses. It was a time of uncertainty  and incessant warfare, a time during which the crown was constantly  contested, alliances were made and broken, peasants and townsmen alike  arose in revolt. Here was the raw material that Shakespeare used to  explore the role of the monarch and the meaning of statehood.

But  where does history stop and drama begin? Norwich concludes that  Shakespeare was a reliable enough historian. He was, however, always  willing to take liberties with the facts for the sake of his drama. As  Norwich explains, "In the vast majority of instances when Shakespeare  departed from the historic truth he did so for the best of all reasons:  to make a better play." Beyond assessing Shakespeare's accuracy, Norwich  provides the crucial knowledge that will enhance everyone's  appreciation and understanding of these glorious plays.

No one  but John Julius Norwich, praised for his three-part history of  Byanztium, could weave drama and history together into such a lucid and  absorbing account of a distant yet vitally important era. Illuminating  and accessible, Shakespeare's Kings is an indispensable companion  to Shakespeare's rich imagination -- an imagination that continues to  inform the way we view the past today.

“This is an essential book for those who wish to understand a city that remains a nexus of world affairs.” —Booklist (starred)

An absorbing and original narrative history of American capitalism