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Jane Smiley, whose latest novel is “Perestroika in Paris,” in conversation with host Richard Wolinsky.
The author of sixteen adult fiction novels, two short story collections, five non-fiction works plus several young adult novels, Jane Smiley is the Pulitzer Prize winning author of “A Thousand Acres,” and more recently The Last Hundred Years Trilogy. She current teaches creative writing.
“Perestroika in Paris” is a departure from her other works. Clearly an adult novel, it focuses on several animals on the loose in Paris in 2008, including a horse named Perestroika (Paras), based in part on Jane Smiley’s own horse of the same name, a dog named Frida (based in part on Jane Smiley’s own German short-haired pointer) and an array of other creatures, all of whom communicate with one another, and create a bond with a young orphan named Etienne, who lives with his elderly grandmother near the Eiffel Tower.
As Jane points out in the interview, in an era when we are overwhelmed with angst in politics and during the pandemic, a book that takes us far away can often seem like a necessary relief.
The post Jane Smiley, 2021: “Perestroika in Paris” appeared first on KPFA.
Gore Vidal, in conversation with Richard Wolinsky, recorded November 2006, on the publication of the memoir, “Point to Point Navigation.”
The post Gore Vidal (1925-2012), 2006 appeared first on KPFA.
Frederik Pohl (1918-2013) recorded at the Octocon Science Fiction Convention, October 15-16, 1978. Interviewers: Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, for KPFA’s Probabilities radio program. Digitized, remastered and re-edited February, 2021 by Richard Wolinsky. This interview has not been heard in any form since 1978.
Frederik Pohl, who died in 2013 at the age of 93 in September, 2013, did almost everything in the world of science fiction, as a writer, an agent, and a magazine and book editor. He grew up in Brooklyn, began writing at an early age, and in his twenties was a member of a leftist group of science fiction writers known as The Futurians, publishing for pennies a word in the sf pulps of the era. In 1937, in order to make money, he became an agent, and two years later a pulp magazine editor himself, often buying his own stories along with collaborations with various other writers, all under pseudonyms. In the late 1960s, he became editor of Galaxy Magazine, and its sister publication, Worlds of If, and in the 1970s became the science fiction editor at Bantam Books which he left shortly before this interview.
In the mid 1970s, Fred Pohl emerged as one of science fictions pre-eminent novelists with Man Plus in 1976 and Gateway in 1977. In 1978, on the heels of novelist Damon Knight’s memoir, The Futurians, he came out with his own memoir, The Way the Future Was.
And that was where his career stood when the three of us interviewed him. We were all still new at interviewing, particularly in placement of the microphone.
Fred Pohl’s success continued for many years after this interview. Jem, published in 1979, won the National Book Award the only year there was an award for science fiction. The sequel to Gateway, Beyond the Blue Event Horizon was a finalist for both the Hugo and Nebula Awards in 1980. In all, there eventually were seven novels in the Gateway (Heechee) series, and after 1979, all told, he wrote 17 more novels, the last being The Lives He Led, published in 2011, along with several collections, even more collaborations, and some non-fiction as well. At the time of his death at 93 in 2013, he was working on a second memoir, which has to date not been published.
NOTES. Judy Lynn Del Rey was the sf editor at Ballantine Books starting in the early 1970s and soon had her own imprint, Del Rey Books (in collaboration with her husband, writer Lester Del Rey). Judith Merrill was a writer and anthologist, noted for her Year’s Best SF Stories collections, which she edited from 1956 to 1968. John Michel was a key member of the Futurians who never fulfilled his promise. John W. Campbell was the editor of Astounding Stories, later Analog, from 1937 into the 1970s, and is credited with discovering such writers as Isaac Asimov and Robert Heinlein. His influence on science fiction was all-encompassing, even as his politics were, as Isaac Asimov quipped, somewhere to the right of Hitler. Horace Gold was the first editor of Galaxy, before Fred Pohl. It was the magazine that brought literary style into science fiction. Other names mentioned are Anthony Boucher and F. Francis McComas, the first editors of the Magazine of Fantasy and Science Fiction, F&SF.
The post The Probabilities Archive: Frederik Pohl (1918-2013), October 1978 appeared first on KPFA.
Charles Yu, whose novel Interior Chinatown just won the 2020 National Book Award for fiction, is interviewed by host Richard Wolinsky.
Interior Chinatown takes place in a meta-world in which Hollywood’s Chinese stereotypes are portrayed by Asian immigrants and second-generation Asian Americans in films and TV shows. The book uses tropes from screenplays as well as prose fiction to illuminate these tropes, switching between narrative, entertainment history, and polemic in a highly original way.
Charles Yu is the author of two previous short-story collections and one novel, has worked as an attorney, and also has worked in the writers’ room of several television shows, most notably during the first season of HBO’s Westworld.
The post Charles Yu: “Interior Chinatown” appeared first on KPFA.
Carl Hiaasen is a novelist best known for writing humorous and satiric crime thrillers set in Florida. His latest novel, Squeeze Me, satirizes life in Palm Beach during the era of the last president, and features a thinly disguised Trump waddling through his digs at Mar a Lago, here called Casa Bellacosa. He is also a regular columnist for The Miami Herald, appearing every Sunday to discuss political and social issues. He is interviewed by host Richard Wolinsky.
In this in-depth interview, he discusses the writing of Squeeze Me and how difficult it has been to create satire during the Trump years, his views on the current Governor of Florida, Rudy Giuliani as a satirical character, the awfulness of the Trump regime, and the process of writing comic thrillers. The interview was recorded shortly before the events of January 6, 2021.
The post Carl Hiaasen: “Squeeze Me.” appeared first on KPFA.
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