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Kurt Weill & Vernon Duke
Kurt Weill (born March 2, 1900) and Vernon Duke (born Vladimir Dukelsky, October 10, 1903) were both European born composers who composed “serious” concert music before emigrating to the United States and becoming two of the greatest exponents of American popular song. Kurt Weill felt strongly that music should have a political point of view, his "Three Penny Opera" and "Mahagony", both composed in Germany before he emigrated to the United States are biting social commentaries on the drawbacks of capitalism run amuck.
Vernon Duke wrote concert music throughout his career under his birth name. His music was commissioned by Diaghalev for his ballet company that also commissioned Stravinvisky’s groundbreaking work, as well as Koussevitsky for the New York Philharmonic. He had a close personal relationship with Russian composer Prokofiev. His Broadway career was no less stellar, over the course of 30 odd years they produced a number of songs that have become standards in the great American songbook.
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By Jazz Legends
4.7
3232 ratings
Kurt Weill (born March 2, 1900) and Vernon Duke (born Vladimir Dukelsky, October 10, 1903) were both European born composers who composed “serious” concert music before emigrating to the United States and becoming two of the greatest exponents of American popular song. Kurt Weill felt strongly that music should have a political point of view, his "Three Penny Opera" and "Mahagony", both composed in Germany before he emigrated to the United States are biting social commentaries on the drawbacks of capitalism run amuck.
Vernon Duke wrote concert music throughout his career under his birth name. His music was commissioned by Diaghalev for his ballet company that also commissioned Stravinvisky’s groundbreaking work, as well as Koussevitsky for the New York Philharmonic. He had a close personal relationship with Russian composer Prokofiev. His Broadway career was no less stellar, over the course of 30 odd years they produced a number of songs that have become standards in the great American songbook.
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