Geraldine Rotella is unquestionably one of the most heard flutists in the world. In a career now spanning five decades, she performed as a freelance on many studio recordings in Los Angeles, thus becoming one of the first-call studio musicians working in the area. She’s also Principal Flutist for the Los Angeles Master Chorale and the Assistant Principal/Piccolo for the Pasadena Symphony.

Geri Rotella performed on thousands of session dates for film and television soundtracks, playing for some of Hollywood's most acclaimed composers including John Williams, for whom he's the piccolo player since 1990 and performed on such legendary scores as Hook, Jurassic Park, Schindler’s List, The Lost World, Amistad, The Patriot, A.I. Artificial Intelligence, Minority Report, Catch Me If You Can, Memoirs of a Geisha, War of the Worlds, Indiana Jones and the Kingdom of the Crystal Skull, The Adventures of Tintin, War Horse, The Book Thief, The BFG and the Star Wars sequel trilogy. She can be often heard playing high-pitched notes in the piccolo during the action scenes of those films (the Velociraptor sequences in the Jurassic Park movies being some of the trickiest she ever performed), but also performed a lot beautiful lyrical alto flute parts.

In this conversation, Geri Rotella talks her illustrious career as a studio musician in Hollywood, highlighting her family heritage and unique musical upbringing, the mentorship she received from Sheridon Stokes and Louise Di Tullio, and her many collaborations with John Williams throughout the years. Geri recollects the unforgettable experiences playing on such scores as Hook, Jurassic Park, The BFG and Indiana Jones among others, reflecting on Williams’ flute writing and also at his skills as a communicator on the podium.

For more information and the listing of the musical excerpts, go to https://thelegacyofjohnwilliams.com/2023/06/07/geri-rotella-podcast/