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Contemplations by Anne Bradstreet
To a LADY on her remarkable Preservation in an Hurricane in North- CarolinaPhillis Wheatley
The Star-Spangled Banner By Francis Scott Key
Home, Sweet Home By John Howard Payne
The Wild Honeysuckle By Philip Freneau
Thanatopsis By William Cullen Bryant
The Village Blacksmith By Henry Wadsworth Longfellow
Seed-Time and Harvest By John Greenleaf Whittier
The Snow-Storm By Ralph Waldo Emerson
In Vain By Emily Dickinson
Woodman, Spare that Tree! By George Pope Morris
Spring By Eliza Paul Kirkbride Gurney
Lenore By Edgar Allan Poe
The Mocking-Bird By Sidney Lanier
The Path that Leads to Home By Edgar A. Guest
March into Virginia, Ending in the first Manassas (July, 1861) By Herman Melville
Whoever You Are Holding Me Now in Hand By Walt Whitman
May By Helen Hunt Jackson
Sweeney Among the Nightingales By T. S. Eliot
A Late Walk By Robert Frost
Sheltered Garden By Hilda Doolittle
Pauline Barrett By Edgar Lee Masters
Springfield Magical By Vachel Lindsay
Five Sonnets By Edna St. Vincent Millay
Manhattan By Lola Ridge
Ships that Pass in the Night By Paul Laurence Dunbar
O Black and Unknown Bards By James Weldon Johnson
The Heart of a Woman By Georgia Douglas Johnson
Translation By Anne Spencer
Queen Anne's Lace By William Carlos Williams
Wild Peaches By Elinor Wylie
Spring Night By Sara Teasdale
Mourn Not the Dead By Ralph Chaplin
Poem XII, from Hugh Selwyn Mauberley By Ezra Pound
Reformers: A Hymn of Hate By Dorothy Parker
Lilacs By Amy Lowell
Tetelestai By Conrad Aiken
Genesis 2 (KJV)
Numbers 31 (KJV)
Deuteronomy 13 (KJV)
Judges 11 (KJV)
1 Samuel 15 (KJV)
Psalm 19 (UKJV)
Psalm 23 (KJV)
Psalm 46 (UKJV)
Psalm 51 (UKJV)
Psalm 103 (UKJV)
Proverbs 3 (KJV)
Isaiah 53 (KJV)
Matthew 1 (DRV)
Matthew 5 (OEB)
Matthew 6 (OEB)
Matthew 7 (OEB)
Mark 1 (KJV)
John 14 (KJV)
Acts 2 (KJV)
Hebrews 7 (KJV)
James 1 (Leipzig 1746)
Jude (ERV)
Translated by Nathan Haskell Dole (1852 - 1935)
”War and Peace” is a panoramic novel: It is its own justification, and perhaps needs no introduction. It always reminds the translator of a broad and mighty river flowing onward with all the majesty of Fate. On its surface, float swiftly by logs and stumps, cakes of ice, perhaps drowned cattle or men from regions far above. These floating straws, insignificant in themselves, tell the current. Once embark upon it, and it is impossible to escape the onward force that moves you so relentlessly. What landscapes you pass through, what populous towns, what gruesome defiles, what rapids, what cataracts! The water may be turbid, or it may flow translucent and pure, – but still it rushes on. Such to me is “War and Peace.”
“War and Peace,” like all of Count Tolstoi’s works, is a mighty protest against war. There is no arguing in it about the waste, and the demoralization, and the cruelty, and the unmanliness of it, but, like all Russian argument, it is by vivid pictures such as no one can resist.
The present translation has been made from the original Russian. Tolstoi has been felicitously called “the Russian Rembrandt.” It is not fair to reproduce Rembrandt as a Teniers. One may be sometimes tempted to substitute the curved line of beauty for the straight line of duty, or soften a harsh silhouette, but beyond certain unavoidable issues of the sort necessary for reproducing the impression given by the original, the translator ought to be as faithful as possible. Here the old law of an eye for an eye and a tooth for a tooth, repudiated by Count Tolstoi, ought to have a new application. (from the Preface by N.H. Dole)
Translated by Thomas Common (1850 - 1919)
Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche's influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism.
Thus Spake Zarathustra (Also sprach Zarathustra), is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Overman, which were first introduced in The Gay Science. Described by Nietzsche himself as "the deepest ever written", the book is a dense and esoteric treatise on philosophy and morality, featuring as protagonist a fictionalized Zarathustra. A central irony of the text is that the style of the Bible is used by Nietzsche to present ideas of his which fundamentally oppose Judaeo-Christian morality and tradition.
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