In this episode, Steve and Tananarive talk to New York Times bestselling horror writer Grady Hendrix (My Best Friend's Exorcism, How to Sell a Haunted House) about how he started his career, why and how he writes so many women characters, and the role of grief in his storytelling. Also, hints about his upcoming new novel, Witchcraft for Wayward Girls. 

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In this episode, Steve and Tananarive talk to bestselling author Jeff Lindsay, creator of the iconic character of Dexter Morgan in his eight-book series that began with DARKLY DREAMING DEXTER. He also recently published books in his Riley Wolfe series (THE FOURTH RULE). 

On how he created his serial killer character, the unexpected success of Dexter, how he began his career, working in Hollywood, and the dark side of creating an iconic character when some readers think he's a little too real. 

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In this episode, Steve and Tananarive celebrate their 26th wedding anniversary and give tips on how to create characters that spring to life!

Learn more about characterization from Steve and Tananarive at their hybrid writing workshop in Southern California on Aug. 24th. More info at www.writerwebinar.com. 

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In this episode, Steve and Tananarive talk about the surprise rise of Vice President Kamala Harris as the presumptive Democratic nominee for president as a "plot twist" -- and how plot twists in narratives can create excitement both in real life and in storytelling. Tananarive also talks about how she came up with her biggest plot twist in her novel THE REFORMATORY (spoiler free) and how you can too! 

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In this episode, Steve and Tananarive welcome Vanity Fair contributing editor Maureen Ryan, author of the book everyone in Hollywood is reading -- BURN IT DOWN: Power, Complicity, and a Call for Change in Hollywood. They talk about why she wrote her book exposing Hollywood's ugly underbelly, the WGA strike, the sad demise of "Sleepy Hollow" and the racial overtones that helped doom the first horror series with a Black woman co-lead, and what can be done to create a better future. She also talks about how she stays centered in the storm her book is creating. 

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In this episode, Steve and Tananarive unpack the new film starring Lupita Nyong'o, A QUIET PLACE: DAY ONE. It's breaking box office records for the Quiet Place franchise, and for good reason. With shades of 28 DAYS LATER, CHILDREN OF MEN and THE GIRL WITH ALL THE GIFTS, this new horror film is both an action-packed story of a horror apocalypse and an intimate portrait of human mortality. 

Whether or not you've seen the film, don't miss this episode pointing out the craft lessons that make this an instant horror classic. 

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In this episode, Steve and Tananarive talk to horror writer Paul G. Tremblay about what it's like to have your novel (The Cabin at the End of the World) adapted into a major film by a major director, M. Night Shyamalan (Knock at the Cabin). Tremblay talks about why he loves horror, his choice to make his protagonists a queer married couple and their adopted Asian daughter, and what happens when Stephen King tweets about your book. 

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In this episode, Steve and Tananarive talk about the joys and challenges of stretching our self image as creators: Steve has a job opportunity in a new field, and they're both working toward co-directing their first short films! How even good news can be stressful, and how to maintain the tools to thrive no matter what we're facing. 

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In this episode, Steve and Tananarive break down why writers of all levels should embrace short stories and short scripts, whether it's to learn craft faster or to get published or produced sooner. They also discuss their first collaboration, a short story named "Danger Word" that also became their first short film: www.dangerwordfilm.com. 

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In this episode, Tananarive opens up about why it was so difficult for her to write her novel, THE REFORMATORY, and why it was such a thrill to win Best Novel at The Bram Stoker Awards -- the first Black author to win Best Novel! 

How she motivated herself to write a difficult novel based on her family history while juggling parenthood and screenplay assignments. And how the Lifewriting principles helped her keep going even when she wanted to give up. 

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