This week we’re joined by Tommy Harper, who was a second assistant director on “M:I-3” and a co-producer of “Ghost Protocol.” Harper recounts the relatively smooth production on “3,” discusses the evolution of JJ Abrams’ style, and discusses how the humor of “Ghost Protocol” changed the franchise – we even get more details on the scrapped ending of “M:I-3.”

In the conclusion of our second trilogy of interviews with legendary "Star Wars" editor Paul Hirsch, he questions why we both love "Blow Out" and generally get into the nitty gritty of working with Brian De Palma. He also refuses to give us his Tom Cruise hair rankings, even though people's facial hair is a huge part of his memoir "A Long Time Ago in a Cutting Room Far, Far Away."

We're back with Paul Hirsch, the legendary editor and author of "A Long Time Ago in a Cutting Room Far, Far Away," who tells us about George Lucas' style of watching rough cuts, why the first "Mission: Impossible" was sent to theaters with the sound out of sync, and shares amazing stories from "Planes, Trains and Automobiles" and "Ferris Bueller's Day Off."

Amazingly, Paul Hirsch, Oscar-winning editor, agreed to come back on the show! The author of the new memoir "A Long Time Ago in a Cutting Room Far, Far Away" shares the truth about the rat in the Langley sequence of "M:I," discusses how they fixed the opening of "Ghost Protocol," and lets us know which shots weren't Tom Cruise in the aquarium sequence in the first film - and much more!

We are once again joined by Jack Howard (@JackHoward), a filmmaker and podcaster who also loves "Mission: Impossible" as much as us. In this installment, we talk about the just-announced casting of Pom Klementieff in the upcoming sequels, the bathroom fight in "Fallout" and we get Jack's hair and film rankings. Pow!

In this episode, we sit down with Jack Howard (@JackHoward), filmmaker, podcaster, and, as it turns out, "Mission: Impossible" superfan. Jack tells us why "Mission: Impossible - Rogue Nation" is his favorite film, we compare the "M:I" films to the 007 films, and Jack tells us what he's learned about filmmaking from "Mission: Impossible." Boom!

Hope you've still got your headphones on, because we conclude our conversation with Michael Kamper, one of the sound effects editors for "Mission: Impossible III." Learn the surprising animal sound that was utilized in the bridge sequence, plus hear Michael's overarching theory about Tom Cruise's many "Mission: Impossible" hairstyles. And learn what it was like to work on Dan Gilroy's "Nightcrawler."

Put your headphones on because this week we have Michael Kamper, one of the sound effects editors for "Mission: Impossible III." Find out what sequences he worked on and what he contributed to the film. Plus, hear a really hilarious anecdote from the equally hilarious "Team America: World Police" and find out which version of "The Exorcist" prequel he worked on. This episode really has it all.

We’re back with the second part of our conversation with production designer Scott Chambliss (“Mission: Impossible III”). In this half of the chat, he tells an amazing story about Tom Cruise and we probably talk too much about Brad Bird’s retro-futuristic “Tomorrowland.” Boldly go!

We’re so excited to talk to our first production designer, the incredibly awesome Scott Chambliss (of “Mission: Impossible 3”). Chambliss, if you don’t know, is a longtime JJ Abrams collaborator, having worked on everything from “Alias” to “Star Trek” (2009). In this episode he shares an alternate finale for “M:I-3” and tells us how he almost killed a guy in Shanghai! It’s a hoot!