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It’s spooky season! Time to take on the beloved camp classic Little Shop of Horrors, directed by Frank Oz. Come for the catchy tunes and impeccable comedic choices, stick around for the white flight narrative.
"Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse.
Instagram / Twitter and share your thoughts with us about the movie!
Email [email protected] with any thoughts and takes and we may read it on the next episode!
#MadeonZencastr
References
Sontag, “Notes on Camp”
Scooby Doo deep dive
Director’s cut ending of Little Shop
Musicals with Zack, The Complete(ish) History of the Original Ending of Little Shop of Horrors
How to make split pea soup
Cher playing all the parts in West Side Story
Rothstein, Richard. The Color of Law: A Forgotten History of How Our Government Segregated America. Liveright, 2017.
Redlining map of Saint Paul
Mandracchia, Christen. “‘Don’t Feed the Plants!’: Monstrous Normativity and Disidentification in Little Shop of Horrors.” Studies in Musical Theatre, vol. 13, no. 3, Dec. 2019, pp. 309–16.
By The Ampliverse4.9
3131 ratings
It’s spooky season! Time to take on the beloved camp classic Little Shop of Horrors, directed by Frank Oz. Come for the catchy tunes and impeccable comedic choices, stick around for the white flight narrative.
"Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse.
Instagram / Twitter and share your thoughts with us about the movie!
Email [email protected] with any thoughts and takes and we may read it on the next episode!
#MadeonZencastr
References
Sontag, “Notes on Camp”
Scooby Doo deep dive
Director’s cut ending of Little Shop
Musicals with Zack, The Complete(ish) History of the Original Ending of Little Shop of Horrors
How to make split pea soup
Cher playing all the parts in West Side Story
Rothstein, Richard. The Color of Law: A Forgotten History of How Our Government Segregated America. Liveright, 2017.
Redlining map of Saint Paul
Mandracchia, Christen. “‘Don’t Feed the Plants!’: Monstrous Normativity and Disidentification in Little Shop of Horrors.” Studies in Musical Theatre, vol. 13, no. 3, Dec. 2019, pp. 309–16.

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