I’ll never forget the first time I heard the music of the iconic noise-rock band The Jesus Lizard — it was more than thirty years ago, thanks to my older brother Michael playing me their song “Seasick,” from the band’s second studio album, Goat, released in 1991 and produced by the legendary Steve Albini.  That song blew my mind. It made me feel like I was actually inside of the tune itself, and that, like the narrator of the song, yowling about how he “can’t swim,” that I was somehow drowning in the music. Not in a scary way — in an empowering, visceral way. It’s a song I still go back to, and that album is one I go back to all the time. It was a thrill to get to ask David about that song, in particular, about working with Albini, and so much more. In this episode, David discusses his earliest creative inclinations as a visual artist, and as a music lover and musician, and how everything changed when he discovered punk rock at age twenty. We also delved into the making of the first new studio album by The Jesus Lizard in twenty-six years, their excellent, newly released LP Rack. Although he cites influences such as the Beatles and Queen and The Huns and Fear and Nick Cave’s band The Birthday Party, what David does is a thing unto itself. He is truly an inimitable performer and it was an honor to speak to him for this episode. 

Remi Wolf is my favorite kind of modern artist: a young music-maker who truly doesn't give a flying eff what genre names folks might use to try to neatly categorize her sound. Remi knows that, as she once said, "genres are pretty obsolete at this point." She continued (in this interview with Spin): "I think artists are their own genre, where every artist is creating such a world for themselves that they are becoming the sound and the thing." The world Remi has created over the course of the past several years and two full-length albums, including her awesome new sophomore LP Big Ideas, is kaleidoscopic and soulful and trippy and funky and full of humor. I had a blast talking to her about her childhood experiences with music and her own creativity, and how they overlapped with her experiences as a serious athlete who was involved in competitive skiing until music proved to be a stronger calling. We talked about the stuff she heard around the house -- Prince, Aerosmith, Led Zeppelin -- and the artists she got into on her own when she was a little older, from My Chemical Romance to the Red Hot Chili Peppers to Amy Winehouse to Snarky Puppy, and how they informed her own music. She also shares what she learned from her brief experience as a contestant on American Idol back when she was seventeen (you can see her audition here), and how she found began to find her own sound as a songwriter during her college years. Remi and her band just started a huge North American tour and you can get tickets here.

On the heels of Foster the People's first new album in seven years, their excellent, uplifting and highly danceable new album Paradise State of Mind, hear from the project's creative mastermind about key moments in his musical journey: how he learned to play piano by ear as a kid, and was later inspired to play guitar by hearing Nirvana's "Smells Like Teen Spirit" on a kiosk at Cleveland's Rock and Roll Hall of Fame; how he discovered the value of a local music community through his city's metalcore scene; how his dad talked him out of joining the Air Force and persuaded him to move to Los Angeles to pursue his music dream instead; what he learned from the rejection and adversity of his early years in LA; how he overcame the fear he felt after having a hit with "Pumped Up Kicks" that he might not be able to do it again; what it felt like to open for his heroes The Beach Boys; how his songwriting has evolved since then, and more. Paradise State of Mind is out now, and you can get tickets for Foster the People's upcoming shows here.

On the eve of the release of her beautiful third studio album, Chaos Angel, singer-songwriter and actor Maya Hawke talks about how she arrived at her finest collection yet - a group of songs inspired by the idea of fighting one's own guardian angel. I loved getting to ask Maya about the creative path that led to this album, the music she was into as a kid, how she discovered her own musicality, the way her approach to songwriting and lyric writing has changed, even just in the months since she finished Chaos Angel, and more.

Garage rock prince Ty Segall joins the LSQ podcast on the heels of his awesome fifteenth (!!!) studio album, Three Bells, to talk about the roots of his sound: how he first fell in love with rock and roll thanks to oldies radio (Beatles, Ronettes, Kinks) and a pile of vinyl records gifted by a Laguna Beach neighbor (Alice Cooper, Black Sabbath, Bowie), doing musical theater in high school, moving to San Francisco in search of like-minded weirdos and finding his community there, and more. We also talk about his quest to always be trying something new, and what sounds and styles he still hopes to explore. Ty and his band are on tour in North America now. Get tickets and details here.

Since there was a major influx of new listeners thanks to last week's episode 105 with Vampire Weekend's Ezra Koenig, I wanted to bring back this super fun 2021 interview with VW bassist (Chris) Baio, which we recorded in the lead-up to his solo album Dead Hand Control. This is an abbreviated version of the episode, but you can find the full interview HERE. We talked about Sex and the City, Burnt, Spin Doctors, "Bohemian Rhapsody," Akron/Family, his dad's Columbia House CD collection, seeing Cranberries at Jones Beach Amphitheater, VW's early days at Columbia University, and more.

Some bands, you love them almost instantly, and that was the deal for me with Vampire Weekend, who I was fortunate to be tipped off to early on, through some mutual friends in NYC. My love for them has only grown with each new album, as VW continue to explore new sonic terrain, including on their brilliant latest LP, Only God Was Above Us, which is out now. In this interview, VW frontman Ezra Koenig — one of my mega-favorite songwriters, and also one of my favorite dudes — talks about his mega favorites. And, somewhat unsurprisingly, we have at least a few in common — The Kinks and Belle and Sebastian, among the ones he talks about here. Ezra also shares how his music tastes were shaped by the 50s and 60s pop hits he loved listening to as a kid, on his local oldies station, and how that shifted into discovering Scott Walker and Neil Young and 90s hip-hop and early aughts Radiohead and a whole eclectic swath of other music, including 21st century faves like M.I.A. and Lana Del Rey. We also discuss the evolution of Vampire Weekend, and how his view of what the band can be continues to expand. 

There is no other artist quite like Beth Ditto, the brilliant singer, songwriter, actor, clothing and cosmetics designer, and frontwoman for the legendary indie band Gossip. Her voice is singular and her energy is magical. In episode 104, Ditto talks about the making of Gossip's exciting new album, Real Power, as well as her early experiences with music -- worshiping Cyndi Lauper and singing along with Skid Row during her childhood in Searcy, Arkansas, finding community in Olympia, Washington's riot grrrl scene in the late 90s and receiving crucial guidance from Sleater-Kinney back when Gossip was first starting, among other key moments. Find out more about the new Gossip album and their upcoming tour here.

Last fall, singer-songwriter and film score composer Dhani Harrison released a dynamic new solo album called Innerstanding, which gave me the perfect opportunity to finally interview him in depth. "To innerstand is to comprehend from a place of love and detachment, where you’re not forcing yourself or being forced," he explains. "If you come at things from a place of love, then you’ll always end up on the right side of history." 

I’ve known Dhani for nearly twenty years, and I was so glad to have him as a guest on the LSQ podcast, and to ask him about his personal musical evolution. We connected over Zoom late last year, and he shared memories of how he first discovered and explored his musical talents, with encouragement from his dad, George Harrison, how skateboarding with his cousin in LA as a kid sparked his obsession with the Wu-Tang Clan, why, in spite of his abiding love for Jimi Hendrix, he never wanted to be a shredder, why he was so geeked to have Blur's Graham Coxon play (both guitar and saxophone) on Innerstanding, how he started writing film scores back in 2013 with the music for Beautiful Creatures, why he returned to living in the forest in recent years, leading up to the new album, and more. Innerstanding is available on vinyl here.