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THE NEW YORK OBSERVER
—
“I finally went up to Graydon and I said, ‘Hey, you know, I know you like me. I know you wanted me to be here, but I can also do covers.’”
• • •
That’s today’s guest, Mark Seliger. He’s the same Mark Seliger who, at the moment of this exchange with Vanity Fair editor Graydon Carter, had already shot over 180 covers for Rolling Stone, where he was the chief photographer from 1992-2002.
Seliger had been heavily recruited by GQ and Vanity Fair to move to Condé Nast. But, as he learned, the days of being Fred Woodward’s go-to image maker were over. Once again, he was the new guy. And he saw an opportunity to reinvent himself.
Fortunately, reinvention is Seliger’s middle name.
A production of Magazeum LLC ©2021–2025
By Patrick Mitchell4.8
6060 ratings
THE NEW YORK OBSERVER
—
“I finally went up to Graydon and I said, ‘Hey, you know, I know you like me. I know you wanted me to be here, but I can also do covers.’”
• • •
That’s today’s guest, Mark Seliger. He’s the same Mark Seliger who, at the moment of this exchange with Vanity Fair editor Graydon Carter, had already shot over 180 covers for Rolling Stone, where he was the chief photographer from 1992-2002.
Seliger had been heavily recruited by GQ and Vanity Fair to move to Condé Nast. But, as he learned, the days of being Fred Woodward’s go-to image maker were over. Once again, he was the new guy. And he saw an opportunity to reinvent himself.
Fortunately, reinvention is Seliger’s middle name.
A production of Magazeum LLC ©2021–2025

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