Rob's reading The Count of Monte Cristo for the first time, and it's a very long book, but not as long as a lot of these TV shows people keep talking about, and at least in the book, stuff happens on every page.

Rob pays money to sit in a Broadway theater to see a musical version of a movie he paid money to see in the movie theater without music or dancing a few years ago.

The complicated rituals involved when one writer steals another writer's material. 

Although he doesn't succeed in explaining all of the issues involved in the current contract negotiations between the Writers Guild and the producers, Rob does identify the key issue: it's all about the calendar

Rob checks Twitter during a live appearance and reads what people are saying about him.  And then he makes mid-course adjustments.  Not proud of it, but he does.

Rob tries to connect with the kids by having a bunch of meetings and coming up with a truly terrible idea. Just like Pepsi

This is Rob Long and on today's Martini Shot I actually do deliver today's Martini Shot. I've been gone for a bit. Please tell me you noticed. You did, right?

Rob comes up with alternative theories about hit movies and television shows, because that's how you know you've got a hit TV show or movie, because audiences insist on rewriting it totally.

Rob offers a depressing, comparison between being the executive producer of a television show, being an executive producer of a television show, and being president of the United States.