This week, Memoir Nation connects with comedian Roy Wood Jr. on the serious topic of legacy—what we inherit and what we pass on. Wood’s new memoir, The Man of Many Fathers, explores the many influences in his life, and how a complicated relationship with his own father, including losing him when Wood was just sixteen, informs how he parents his son. This is a touching and heartfelt interview about life, loss, and the hope we all have for our children, or the children in our lives. For the Book Trend, we tap into a bit of darkness in honor of Halloween, and offer up a few forthcoming true crime memoirs that are getting some early buzz.

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Memoir Nation is celebrating imperfection, unresolved storylines, and the art of positive obsession this week with guest Mallary Tenore Tarpley, author of the new memoir, Slip. This week’s episode has so much good stuff for memoirists—including Mallary’s story of tenacity (she was rejected many many times on her first time out the gate with this book); her pivot to memoir-plus, and her insights on writing a memoir with an unusual structure. This is fuel any memoirist needs to stay the course and believe in the project you’re being called to write. Also, over at Memoir Nation, we’ve formally launched our community, and we hope you’ll come and check it out under the “Community” menu tab at MemoirNation.com.

Mallary Tenore Tarpley is a journalism and writing professor at the University of Texas at Austin’s Moody College of Communication and McCombs School of Business. Her writing has appeared in The New York Times, The Washington Post, The Los Angeles Times, The Dallas Morning News, and The Tampa Bay Times, among other publications. She is the recipient of a prestigious Alfred P. Sloan Foundation grant, which has helped support her research and writing. Mallary holds bachelor’s degrees from Providence College, as well as a master’s of fine arts in nonfiction writing from Goucher College. She lives outside of Austin, Texas, with her husband and two children. Slip is her first book.

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This week we’re treated to the deep expertise, wisdom, and compassion of agent Regina Brooks. Regina has lots of experience shaping and selling memoirs to publishers. In this week’s show, we talk about what makes a memoir saleable, but also about what Regina looks for when memoir projects cross her desk. We cover author platform, celebrity memoir, and advice for memoirists looking to get published. Regina even invites our listeners (when they’re ready) to send her their proposals. A great and much-needed publishing interview, memoir-style. Also, in today’s Book Trend Brooke and Grant take the space to apologize for a recent ad spot run on Memoir Nation that they did not and do not endorse.

Regina Brooks is the founder and CEO of Serendipity Literary Agency in New York, the largest African American–owned agency in the US. She is the president of the Association of American Literary Agents (AALA) and coproducer of the People of Publishing Conference and a founding member of Literary Agents of Change (LAOC) and the Black Book Accelerator. Brooks is the author of Writing Great Books for Young Adults and You Should Really Write a Book: How to Write, Sell, and Market Your Memoir. Brooks is a copublisher with Open Lens, an imprint of Akashic Books. Brooks has been highlighted in The New York Times, USA Today, The Wall Street Journal, and elsewhere. When she’s not agenting, she’s gardening, fishing, and flying her own plane (always in a dress).

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This week’s episode is one that’s full of joy and inspiration and the payoffs of believing in yourself. Guest Kwame Alexander is one of the most upbeat, persistent, and tenacious people in book publishing, and we’re honored that he SAID YES to coming back to Memoir Nation seven years after his first appearance. This week’s show is about the power of yes and where yes can lead you—and we touch upon when and how to cultivate no, since sometimes you simply have to. Kwame shares stories from his past and how he became a 26-year overnight success story, and Grant and Brooke weigh in on how they balance (mostly) yes and (sometimes) no. Listen in!

Also, for those interested in learning more about the Anthropic case that’s this week’s Book Trend, we encourage you to visit Brooke’s Substack, Writerly Things, for this week’s update.

Kwame Alexander is an Emmy® Award-winning producer of The Crossover, his Newbery Medal-winning novel turned Disney+ TV series, the creator of the new animated PBS special Acoustic Rooster’s Barnyard Band, and the host of America’s Next Great Author, the first reality television show for writers which will premiere in 2026. He is the #1 New York Times bestselling author of 46 books, including his memoir, Why Fathers Cry at Night. A recipient of the 2025 NAACP Image Award, Kwame regularly shares his passion for literacy, books and the craft of writing around the world, including Ghana, West Africa, where he opened the Barbara E. Alexander Memorial Library and Health Clinic. His mission is to change the world—one word at a time.

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This week we welcome Melissa Febos back to Memoir Nation to discuss her latest book, The Dry Season. Melissa is a fountain of inspiration and information and this episode covers topics as diverse as how to cultivate discernment in our reading to why memoir is the opposite of self-indulgent. We drill down into solitude as a creatively regenerative space, and get into some memoir craft, too. Hard to resist when we have a writing professor on the show. Melissa never disappoints, and this interview is one you’ll come back to when you need to fill your creative well.

Melissa Febos is the author of five books, including the national bestselling essay collection, Girlhood; the craft book, Body Work (2022), which was also a national bestseller and an LA Times bestseller. Her new memoir, The Dry Season, was published in June 2025. She holds an MFA from Sarah Lawrence College and is the Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. 

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This week we have a fun episode that examines point of view in memoir. We’re talking about personal narrative that falls outside of first person, which means points of view that are second, third, and plural. We consider this style, which used to be far less common in memoir than it is now, with author Elizabeth Crane, whose memoir, This Story Will Change, implements all the points of view to great effect. We had fun with this one and we hope our writer-listeners will have fun experimenting with point of view, too.

Don’t miss Brooke’s underrated Substack post on 5 Ways to Use “You” in Memoir. And especially don’t miss this incredible list of publishers that are accepting unsolicited manuscripts for memoir. Thank you, Becker!

Elizabeth Crane is the author of four collections of short stories,  two novels, and one memoir. Her work has been translated into several languages and has been featured in numerous publications including Other Voices, Nerve, Ecotone, Swink, Guernica, and many other outlets. She’s a recipient of the Chicago Public Library 21st Century Award, and her work has been adapted for the stage by Chicago’s Steppenwolf Theater company, and has also been adapted for film. She teaches in the UCR-Palm Desert low-residency MFA program.

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What a treat to connect with Roxane Gay about memoir. We cover topics of oversharing and boundaries, as well as when memoir becomes manifesto. Today’s show covers vulnerability and writing about shame, and how Roxane’s success and visibility has impacted her writing. Plus, we get Roxane’s take on Elizabeth Gilbert’s new memoir, and why she thinks it’s “not good.” Much worth listening to this week, including Brooke’s celebration of having Roxane on the show in the first place after having been declined a couple times. A lesson for all that a no is not a forever no. Tune in!

Roxane Gay’s writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, A Public Space, McSweeney’s, Tin House, Oxford American, and many others. She is a contributing opinion writer for The New York Times and the author of the books Ayiti, An Untamed State, The New York Times-bestselling Bad Feminist, the nationally bestselling Difficult Women, and The New York Times-bestselling Hunger. She is also the author of World of Wakanda for Marvel. And don’t miss out on her Substack newsletter, The Audacity. 

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This week we come back to a topic, the mother-daughter relationship, we’ve covered in various ways over the years. Author Jeannie Vanasco has a unique take, however, in that her mother lived with her while she was writing her new book, A Silent Treatment. She shares with us about writing from “within an experience” and why she wrote this book “for” her mother. There are endless nuances to explore when it comes to the mother-daughter relationship, and Grant and Brooke get into why this is a dynamic that memoirists will always be drawn to.

Jeannie Vanasco is the author of the memoirs Things We Didn’t Talk About When I Was a Girl—which was named a ​New York Times Editors' Choice and a best book of 2019 by TIME, Esquire, Kirkus, among others—and The Glass Eye, which Poets & Writers called one of the five best literary nonfiction debuts of 2017. Her third book,  A Silent Treatment, is out this month on Tin House. Born and raised in Sandusky, Ohio, she lives in Baltimore and is an associate professor of English at Towson University.

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This week, Memoir Nation podcast turns 8! And we’re kicking off our new season with guest Myriam Gurba, the brilliant if sometimes controversial critic and cultural writer who’s the author of multiple books, including her memoir, Mean, and the forthcoming Poppy State. This week’s podcast is focused on language—word choice, puns, clever language, reading aloud, being in love with language, and so much more. Myriam is a master of language, and her books are a delight to read because of it. And we’re bringing back the book trend this season, kicking off with a conversation between Brooke and Grant about the trend of authors using AI to enhance their writing, specifically chosen to juxtapose the kind of language we read in Myriam’s work. If you’ve been thinking about how to write better, more creative, more unique prose, we’re circling that and more this week. And welcome to our new season!

Myriam Gurba is the author of four books: Dahlia Season, Painting Their Portraits in Winter; Mean, and Creep. Myriam’s writing has been widely anthologized and has appeared in The New York Times, Los Angeles Times, Harper’s Bazaar, Believer, Paris Review, and elsewhere. She is a teacher, an editor, an anti-rape activist, a public speaker, a practitioner of plant-based magic, and a co-founder of Dignidad Literaria, a grassroots organization that combats white supremacy in the publishing industry. 

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This week’s Memoir Nation is the last of our summer best-of round-up episodes. We chose to pair Victoria Chang and Carvell Wallace because these were two of our most heartfelt guests who delved deeply and honestly into some of memoir’s deepest emotions: shame; love; anger; happiness; and more. These interviews were a couple that most touched us for Chang and Wallace’s articulation of process, making connections, and staying with the emotions that move you. We hope you enjoy and Memoir Nation will be back next week with a new season and a new episode. We can’t wait!

Victoria Chang’s most recent book of poems is With My Back to the World, published in 2024. It received the Forward Prize in Poetry for Best Collection. Some of her other books include The Trees Witness Everything, OBIT, and Dear Memory: Letters on Writing, Silence, and Grief. She has written several children’s books as well. She has received multiple fellowships and prizes and is the Bourne Chair in Poetry at Georgia Tech and Director of Poetry@Tech.

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