Join us for a conversation about all the ways our creativity is fueled by our stories—the stories of who we are and what we have to tell. Guest W. Kamau Bell tells stories through so many mediums, and this episode explores his approach to creativity, conversation, and advocacy. We have a couple links we mention in the show that we’re dropping here: 1) a link to Kamau’s Substack, specifically a post from earlier this year about Gavin Newsom; and 2) a link to She Writes Press’s STEP contest that we hope you’ll share widely.

W. Kamau Bell is a stand-up comedian, Emmy-winning TV host, filmmaker, author, and podcast creator known for tackling race and social justice with humor and heart. He’s the director of We Need to Talk About Cosby, creator and host of CNN’s United Shades of America, and co-author of Do the Work. Kamau is also the author of the memoir, The Awkward Thoughts of W. Kamau Bell. He blends activism and storytelling across platforms, making space for honest conversations that challenge, connect, and inspire.

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This week Memoir Nation ventures into waters rarely touched except when speaking “about” the topic. Yep, it’s celebrity memoir.

Jeff Hiller is a Peabody‑winning actor (“Somebody Somewhere”), solo storytelling favorite (“Grief Bacon, Middle Aged Ingenue”), and memoirist whose essays reveal the surprising twists behind his “overnight success”—a path shaped by small‑town Texas, UCB improv, social work, and a late‑blooming acting career. He’s also an improv teacher, a proud pet parent, and married to artist Neil Goldberg.

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Memoir Nation has a touching episode this week with fashion designer Prabal Gurang, who shares about his relationship with his mother, who, in allowing him to pursue his joy, encouraged him also to pursue his dreams of fashion design. We discuss the power of reading a memoir aloud and the emotions that evokes, and about authenticity on the page when you set out just to write the best story you can write—not necessarily coming to your memoir as the best or most trained writer in the world, but rather as someone with a story that matters. Much inspiration here this week!

Prabal Gurang is a famous fashion designer who is also a memoirist. His new book, Write Like a Girl, tells the story of his childhood in Singapore and Nepal, education in India, and career in the U.S. fashion industry, where he was subjected to racial discrimination. A reviewer for Kirkus called the memoir “an insightful and entertaining look into the life of a famous fashion designer.”

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Molly Jong-Fast’s new memoir, How to Lose Your Mother, is celebrity memoir meets real literary merit. As fans of Molly’s podcast and political commentary, and also because we had Molly’s mother, Erica Jong, on the show back in 2023, we were eager to connect with Molly to talk about mother-daughter dynamics, the buzz and controversy this book is getting, and—importantly—opening a vein on the page (in the tradition of Erica Jong). This interview explores betrayal, reclamation, dementia, alcoholism, narcissism, the theme of bad mother/bad daughter, and so much more. As Brooke said, this is the kind of nepo baby memoir she can get behind—so come find out why.

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This week Grant and Brooke consider images as enhancements to memoir. Historically publishers have tended to regard images in memoir with reservation, but that’s been changing in recent years. Guest Jennifer Croft’s recent memoir, Homesick, is accompanied by her own Polaroids. When should photos be included, or central? And what are some other memoirs that have been improved by the addition of images? Whether to include images involves many considerations—from your reader, to style, to the interplay between words and image, and Jennifer Croft offers thoughtful insights around this and more.

Jennifer Croft is the author of the illustrated memoir, Homesick, and the translator of Polish of Nobel laureate Olga Tokarczuk’s Flights, for which she won the 2018 International Booker Prize. She won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for Homesick. She is a founding editor of The Buenos Aires Review and has published her own work and numerous translations in The New York Times, The Los Angeles Review of Books, Granta, VICE, n+1, Electric Literature, Lit Hub, BOMB, and many more.

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This week’s Memoir Nation show is an exploration of Hawai’i, heritage, and land—part of the story told in guest Sara Kehaulani Goo’s new memoir: Kuleana. Kuleana is a word that means “responsibility” in the most broad terms, but as you’ll hear in this interview, Kuleana can be anything that you are safeguarding for the world. As such, you’ll hear about Sara’s story of Kuleana, and be invited to ponder your own Kuleana, whether that’s your writing or something else you hold sacred. A beautiful episode and invitation!

Sara Kehaulani Goo is a journalist and senior news executive who has led several news organizations including Axios, NPR and The Washington Post. She is the former editor-in-chief at Axios, where she launched the company’s editorial expansion into national and local newsletters, podcasts and live journalism. Before Axios, she led online audience growth as a managing editor at NPR, overseeing the newsroom's digital news operation. Sara lives in Washington, D.C.

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Victoria Chang has been one of the country’s most prolific poet-writers of the past few years, with a series of books exploring universal topics of grief, shame, silence, legacy, and identity. This week Brooke and Grant chose to explore silence and its impact on families, on selfhood, and of course on our writing. Victoria’s insights and disclosures will leave you feeling validated and inspired in your own explorations of even the most complicated and emotionally challenging subjects. A true treat!

Victoria Chang’s most recent book of poems is With My Back to the World, published in 2024. It received the Forward Prize in Poetry for Best Collection. Some of her other books include The Trees Witness Everything, OBIT, and Dear Memory: Letters on Writing, Silence, and Grief. She has written several children’s books as well. She has received multiple fellowships and prizes and is the Bourne Chair in Poetry at Georgia Tech and Director of Poetry@Tech.

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All memoirists at some point in the writing process will grapple with what’s theirs to tell. This week's show focuses on this all-important topic of permission. When do you need it? Who gives it to you and when and for what purpose? And do you need permission at all—from anyone but yourself? Centered around topics in guest Elissa Altman’s latest book, which is titled Permission, this is an empowering, deep-felt, and permission-giving episode—and something all writers, especially memoirists, can use to stay the course and keep going.

Elissa Altman is the author of the Permission: The New Memoirist and the Courage to Create and the award-winning author of three memoirs: Motherland; Treyf; and Poor Man’s Feast. Altman’s work has appeared everywhere from Bitter Southerner and Orion to The Guardian, Narrative, O: The Oprah Magazine, Lion’s Roar, Krista Tippett’s On Being, the Wall Street Journal, and the Washington. She has a popular Substack, Poor Man’s Feast, and she’s also a James Beard Award-winner for narrative food writing and was a finalist for the 2020 Lambda Literary Award in Memoir.

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This week’s show is a fun and fascinating consideration of all the ways we’re shaped by technology and how we are technological beings, more and more with each passing year. Grant and Brooke share their earliest internet, email, and social media interactions, and connect with guest Vauhini Vara, whose new book, Searches, explores our online footprints, how technology shapes us, and how we both exploit and get exploited by big tech—like Google, YouTube, and social media companies. A truly interesting consideration of how far we’ve evolved alongside technology.

Vauhini Vara began her journalism career as a technology reporter at The Wall Street Journal and later launched, edited and wrote for The New Yorker. Her latest book is Searches, a work of journalism and memoir about how big technology companies are changing our understanding of our selves and our communities. Her debut novel, The Immortal King Rao, was a finalist for the Pulitzer Prize, and her story collection, This is Salvaged, was longlisted for The Story Prize and the Mark Twain American Voice in Literature Award.

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This week, Amanda Knox granted us a special interview that delves into the power of memoir to reclaim your own narrative. This episode touches upon themes that run through Amanda’s new memoir—about what it means to be free, how we live with the stories that are told about us, and how memoir can be a vehicle to release yourself from the stories others tell to center the story you need to tell. There’s so much insight in this interview, and permission and encouragement for writers to write, write, write! Not to be missed.

Amanda Knox is an author, journalist, and podcast host whose work explores criminal justice, media ethics, and the human experience. She is the author of two memoirs—Waiting to Be Heard and Free: My Search for Meaning—and co-hosts the podcast, Labyrinths. Her writing and public speaking focus on wrongful convictions, storytelling, and personal transformation. 

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