Is the 5th gen of K-pop truly lacking or are we just caught in the golden glow of nostalgia? In this episode, I explore the love for 2nd and 3rd gen idols shapes our expectations for newer acts AND stops us from finding joy in the moment. 

From fan culture and music styles to performance trends and emotional connection, let’s break down why the past feels so powerful… and whether the present deserves more credit.

Although what started it all for me was a NON K-pop group lol I think discussing shipping without bringing them up just wouldn't cover it all! 
Very excited to hear your thoughts on this topic too! 

It's only as I'm posting this now I realised I didn't mention charts once LOOOL. I personally believe it's a mostly irrelevant measurement to a successful solo career because numbers do not mean everything, but your messaging and intention does. 

Also everyone discussed in this video is insanely successful already so their numbers are bound to do well but here we're looking at whether they managed to do something true to their identity or were just given songs anyone could sing and how fans can perceive this as a failure in establishing a good solo career. 

Many wanted to know what it was like for me to see my favourite artists live. It was surreal to say the least! 

What actually makes a K-pop vocalist good? In this episode, I break down the vocal technique markers I personally use when listening to idols, from tone quality and larynx positioning to phrasing and delivery. Whether you're tired of the “support = talent” myth or just want to understand WHY some voices hit harder than others, this is the deep-dive you’ve been waiting for.

I’m not here to rank, I’m here to decode. Let’s talk nuance, let’s talk execution, and most of all, let’s talk sound.

ARGH It was going so WELL! 
Watching their training journey and seeing the range, personality, and raw talent these girls have, it built real anticipation. But to go from that to hearing them debut with underwhelming, generic songs that don’t reflect their capabilities? Honestly, it’s been rough.

Still, I’m not losing hope. ‘GNARLY’ proved that when they’re given the right material, they can be electric. All I want now is for KATSEYE to get songs written for them! Songs that reflect their identity, showcase their vocals, and embrace the boldness they’ve already proven they can pull off. They deserve that. And frankly, so do we.

Let go off the pearls you're clutching for the moment and consider some of these points. 

This topic has bugged me for a MINUTE and though I've discussed it on discord before it was due a deep dive because I'm sick of people projecting their fears onto kids whose dreams and aspirations are just as valid as an adults because newsflash, exploitation doesn't magically stop as an adult either so ... should they not work todays the careers they wish for?

This reminds me of conservatives only caring about foetuses or embryo's but then not giving a shit once the child is here. You either care about exploitation all the way round or you're trying to be controlling but guising it as control cos the adults aren't fairing much better. 

Possibly there's envy for the fact that younger kids have an opportunity to learn and train in a way that is not easily accessible. 

AESPA didn’t always feel cohesive — from polarizing opinions on their performances in their rookie era to questions regarding their AI concept. But now they radiate icon energy with a brand and sound that feel untouchable. In this episode, we break down how smart A&R and focused branding helped transform AESPA into the blueprint for modern girl groups.

PSA- DO NOT use how I feel to invalidate other black people who feel how they feel. Thanks :)

*Note: Teddy Park did NOT actually produce "Batter Up" that was my mistake however him having a similar sonic formula for Meovv says a lot.*

In this episode, I'm briefly unpacking the backlash and obsession surrounding TARZZAN, ALLDAYPROJECT, and expanding on my feelings regarding YG Entertainment Teddy and The Black Label. Why do fans react the way they do?  What’s behind the hate — and what are our TRUE intentions behind the dragging? 

Most of my takes may be unpopular opinions but that's how I feel which doesn't take away from how you should feel! 

Let's talk about the realities of it and how it was getting started as a creator and things I discovered along the way and some of the good things and frustrations about being so visible online.