Way back in 2012, the Disney film Let It Shine, changed Coco’s life. But those dreams disintegrated when her LP was shelved and the movie sequel fell apart. Coco went back to school in Tennessee, and kept on grafting, auditioning, writing and releasing music independently while honing her craft. But when a fan tweeted “What happened to Coco Jones?” in 2020 she decided to jump on live and serve tea: where she’d been, what she’d been up to, plus her experiences with colorism and being a child star with a singing voice that belied her young years.

The Grammy winner stopped into the studio for the second time (more on that in the interview) to talk about all this, plus her upbringing, treading the musical boards in Jersey, and her star turn as Hilary Banks on the hit reboot Bel Air. She also gives us the skinny on her breakout hit ‘ICU,’ her debut album ‘Why Not More?’, and what the hell did Bella and Edward name their kid in the Twilight series?! A very important question.

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You probably know Joe Keery as Steve Harrington from Stranger Things, the zeitgeist-defining show that was Keery’s big — and honestly first — break, which then went on to define and change the following decade of his life. But the Massachusetts-born artist has been making music for as long as he’s been acting, first as part of Post Animal, with friends he made while studying theater in Chicago, and then under the solo moniker Djo (the D is silent).

We sat down with the 32-year-old to talk about his third album The Crux, an incredible compendium of classic songwriting, recorded at NYC’s legendary Electric Lady Studios. The record combines his love of Paul McCartney, ELO’s Jeff Lynn, The Beach Boys, and The Beatles, not to mention The Strokes, The Cars, glam rock, LCD Soundsystem, and MGMT, and the result is a collection that’s rich and textured and catchy as hell.

What Keery thought was going to be a break up album wound up spinning off into a beautiful exploration of the grounding forces of family and friends. Keery discusses his beginnings, his process, his family, and his monster hit ‘End of Beginning’ — 1.4 billion streams and counting. Plus his newfound clarity on what matters, romantic relationships, the ending of Stranger Things, what he swiped from set, partying with Charli XCX, and much more.

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Tanner Adell defies categorization. Raised between Wyoming and So-Cal in a Mormon household, this 28-year-old, bi-racial, country-loving singer who also embraces the syncopation and sass of hip-hop, moved to Nashville to make it, but not before she’d completed her LDS mission in Sweden. Nowadays she’s making waves not only with hits like ‘Buckle Bunny’ and ‘Trailer Park Barbie,’ but also as one of the harmonizing voices on Beyoncé’s Cowboy Carter renditions of ‘Blackbirrd’ and ‘Ameriican Requiem.’’

We talk about all this, plus her Rodeo queen mom, her experience with LDS and leaving the church, her scrappy, DIY beginnings, and embracing her pansexuality. We also get into the story behind her latest single ‘Going Blonde’ — an incredibly moving ode to her birth mother. Oh, and we try to give her buddy Shaquille O’Neal a call.

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From her beginnings as a choir girl at school, to trying out for X-Factor, and honing her sultry tones and R&B runs, to moving from Florida to LA at 19-years-old — with her supportive Cuban-Puerto Rican family in tow — Sabrina Claudio has been laser-focused on her dream, making it happen with real sense of DIY hustle from the jump.

Now she’s a GRAMMY-winner who’s written songs for Beyoncé (‘Plastic off the Sofa’), collaborated with artists including The Weeknd, Alicia Keys, Zayn, and Tyga. She talks about her journey up to this point, (initially) signing to a major, releasing independently, working with all the aforementioned artists, her broken wrist, dressing like a candy cane, a reindeer, and so much more.

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The Windsor, Canada-born, Montreal-raised actor joins us in the studio for the first time to discuss all aspects of Yellowjackets — a series which follows a high school girls' soccer team whose plane crashes, leaving them stranded in the wilderness and haunted for decades. Since its premiere in the fall of 2021, the psychological horror-cum-survival drama has gripped audiences with its twisted humor and dark, jaw-dropping plot twists. Not to mention the riveting interplay between the largely female cast whose storylines are split between two timelines.

As Shauna Shipman, Nélisse plays one of the central and increasingly mercurial and divisive characters. She lifts the lid on what it was like filming some of the series most difficult scenes, pit girl, funeral parties, the interplay and camaraderie between the cast, and how she approaches playing the progressively unhinged Shauna.

She also talks about living with her co-star Courtney Eaton (who plays Lottie) and the project they’re working on together, not to mention her beginnings in gymnastics (training for the Olympics), getting her start at 11 in the Oscar-nominated film Monsieur Lazhar, the cult of Yellowjackets, her klutzy-ness, and so much more.

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LA-based indie rock band OK Go join us in the studio for the first time, back with their first album in 11 years: The Adjacent Possible. The band are perhaps best known for their iconic 2006 treadmill video for ‘Here It Goes Again’ — which was really one of the first viral videos, exploding barely a year after the launch of YouTube. They talk about this, the changing landscape of music and the industry, plus we discuss how they’ve continued to push the creative envelope with their videos, eschewing AI in favor of laborious practical effects and mind-expanding, how-the-hell-did-you-do-that concepts. And the mishaps that come along with that.

They reminisce about meeting each other at art camp at age 11, what the DIY scene looked like back then versus now, working with the muppets, doing videos in zero gravity, and the effect of kids on their creativity. Plus their attempts to get hipsters to dance, not to mention singer Damian Kulash taking a break to co-direct Apple TV movie The Beanie Bubble (starring Zach Galifinakis, Elizabeth Banks, and Sarah Snook), plus much, much more.

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Back on the sofa for the first time since 2019 — this time without her trenchcoat — Grace WanderWaal joins us for a refreshingly frank conversation about her experiences in the entertainment industry. Now 21, VanderWaal won America’s Got Talent when she was just an improbably precocious, ukulele-toting 12-year-old. She discusses that experience, candidly sharing her feelings as she navigated childhood to early adulthood in the spotlight.

VanderWaal also unpicks the themes in her new album CHILDSTAR, sharing her thoughts on destructive archetypes and oppressive expectations — she’s rewriting her narrative as a newly independent artist, collaborating with the likes of Aliyah’s Interlude, getting playful with alter egos, and channeling the unflinching honesty of artists such as Fiona Apple. She also discusses her thoughts on acting, what it was like working with Francis Ford Coppola in Megalopolis (for which she also contributed two original songs), plus heartbreak, bad tattoos, moving through familial and childhood trauma, her disdain for black and white interpretations in areas that are clearly gray, and so much more.

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Wildly talented multi-instrumentalist and songwriter Eddie Benjamin is a solo artist in his own right — check out his latest single ‘MANIAC’ and his 2023 EP ‘Weatherman’ — but he’s also working behind the scenes (and sometimes on stage, in the case of Shawn Mendes) with everyone from Justin Bieber to Willow, RAYE to Meghan Trainor.

The 23-year-old Byron Bay-born artist joins us in the studio to talk about leaving Australia for LA, moving in with Sia and what it’s like to work in her creative orbit, plus his approach to music and improvisation, and why it’s taken a minute to hone in on his forthcoming debut album. Plus he discusses what he learned from working with Willow on her Grammy nominated LP ‘empathogen,’ and the energetic vibes of working with Mike Sabath, Justin Bieber, and the inspirational force that was and always will be Prince.

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Back for the first time as a trio and with their first record since 2018’s Delta, UK indie-folk troupe Mumford & Sons join us in the studio for the first time while in the midst of their underplay tour — which just happens to take in tiny venues such as Sydney Opera House and the Hollywood Palladium.

Having cut their teeth in the London folk-pop scene in the late 2000s alongside the likes of Laura Marling, Noah and the Whale, and Johnny Flynn and the Sussex Wit, amongst others, Mumford swiftly rose to international, GRAMMY-winning acclaim, releasing four, and now five records in the process.

We talk about the writing process, working with Pharrell Williams and producer David Cobb, how they’re now functioning as a trio, plus religion, fatherhood, and the unexpected influence of dance music on their sound. They also open up about the joy of performance, to banjo-or-not-to-banjo, where have all the waistcoats gone, how Marcus met his wife, actress Carey Mulligan, and much, much more.

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Why Don’t We’s Jonah Marais joins us in the studio for the first time—on his own and since the lawsuit verdict. He opens up about what really happened in the courtroom and the mental and physical toll the court case, along with his years in WDW, took on him.

The 26-year-old is stunningly candid about his struggles with mental health and substance use, openly discussing his rock-bottom moment, how Liam Payne’s passing was a wake-up call, and how faith and friendship helped set him on a new path. In this incredibly intimate and grounded conversation, Marais also talks about the future of WDW, how working with Ryan Lewis on his new solo music changed the game, the importance of communication and rejecting toxic masculinity, plus so much more.

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