Strap in because a conversation with King Princess is an unstoppable stream of top-notch banter, whipsmart quips, real talk, and tea. Brooklyn-born Mikaela Strauss joins on the couch for the first time to discuss her third album, Girl Violence, her hookiest, most vulnerable record to date. Since dropping ‘1950’ back in 2018 when she was still a teenager (it became a viral sensation; Harry Styles tweeted about it), the singer/producer/multi-instrumentalist has upped the ante with every release.

With Girl Violence the 26-year-old holds a magnifying glass to drama, heartbreak, and “emotional warfare” of lesbian relationships. We take a deep dive into her theories and the stories behind her songs, plus her fantastical queer dress-up party Bazongas (you’re invited), the fetishistic angle of her Instagram algorithm, how she got the iconic Lisa Rena to take part in her album campaign, and who the hell is chaos-demon Cherry.

She also discusses collaborating with IDLES’ Joe Talbot, jumping in the studio with Charli XCX, and what it’s like to go from zero to 100 on your first release — the pressure, the ego, the destabilization. Plus there’s a whole sidebar about her former home in LA being invaded by 30,000 bees and we get the full story of her great-great grandparents, who were immortalized as the old couple spooning in bed in James Cameron’s Titanic. No, really.

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With songs like ‘Santeria,’ ‘What I Got,’ and ‘Wrong Way,’ ska-punk band Sublime’s music is a forever slice 90s SoCal, their songs ultimately becoming the soundtrack to pop culture from the era and beyond. Tragically, in 1996 singer Bradley Nowell died from a heroin overdose at 28-years-old before the Long Beach trio made it big.

In the subsequent years the remaining members, Bud Gaugh and Eric Wilson, joined forces with Rome Ramirez to form Sublime with Rome, but in 2024 they revealed a whole new line-up, making their official live debut at Coachella with Nowell’s son, Jakob taking centerstage on the mic.

The now 30-year-old was just ten months old when his dad passed, a legacy and loss which has and continues to loom large. An artist in his own right as the driving force between emo-glitch-ska band Jakobs Castle, the singer/guitarist hasn’t had the easiest ride, including a troubled childhood, substance issues which has ultimately resulted in nearly a decade of sobriety.

We get into all this, plus he explains how the creative process with Sublime works today, exclusively announcing an album of brand new Sublime album — Till the Sun Explodes — coming early next year and letting us hear sneak peaks of not one, but two new tracks. Turns out the new Sublime cuts are not only a collaboration with Bud and Eric, who he affectionately calls his Uncs, but also Jakob’s peers and pals, including Zac from Fidlar.

We also discuss the possibility of a Sublime biopic, the passing of Jakob’s hairless cat, and his perhaps somewhat surprising stance on drugs, plus so much more.

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Meet The Runarounds — both the cast of Prime’s new YA series and an actual IRL band comprised of singer/guitarists William Lipton and Axel Ellis, guitarist Jeremy Yun, bassist Jesse Golliher, and drummer Zendé Murdock. We unravel their origin story: who’s known each other since they were kids, who got involved thanks to casting call for a band for the series Outer Banks (another YA series created by Jonas Pate, who also helms this show), and just where do the real life band and the characters they play begin and end. Spoiler alert — there’s a lot of overlap. Their creative development as a band does mirror the arc of the show and some of the stories of how they were raised do wind up being mirrored in the script.

With the exception of William Lipton, who had a long-running role on General Hospital, all these guys were diving into acting head first with zero experience. We talk about all this plus, their indie rock influences, stunts, plot twists, moral quandaries, anxiety issues, learning to act in front of the lens, and why this took half a decade to hit our small screens. You can catch the full series on Amazon Prime Video now.

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Perhaps you know KUN from the reality show Idol Producer and the band Nine Percent. Maybe you’re an OG fan from back in his SWIN days thanks to the Chinese reality show Super Producer. Or maybe you’re a latter day convert from his work on season 2 of Youth with You alongside Lisa of Blackpink, Ella Chen, and Jony J. Any which way you slice it — whether on reality shows or part of a group or as a solo star in his own right — the Wenzhou-born artist has packed a lot into his 27 years. A big deal, a fashion fiend, the guy has his own Madame Tussaud’s waxwork.

On the couch KUN opens up about his path to now — from his tough times as a teen in the idol system, the two years of rigorous training, far from home, not knowing the language, not to mention everything he learned — to how he feels about his past releases, and the old man inside him.

KUN also talks about his romantic side, the one who watches flicks like The Notebook and Titanic, and his new work, singles like ‘Deadman’ and ‘Jasmine’ which show off his soulful side, his vintage influences in clothes and music (Bowie, traditional Chinese ballads, Winehouse). He’s fun, funny, and a great hang. And he also has a crack at styling Dan’s hair.

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Incredibly — given the breadth and heft of his career — this is the first time Tom Odell has hopped on our couch. The English songwriter’s been soul-searching and plundering his own emotional depths to sett to piano-driven pop since 2013, signing to Lily Allen’s short-lived Sony imprint (more on that in the chat), and releasing instant smash ‘Another Love.’ It’s a song that’s taken on a whole new meaning and had a whole new lease of life thanks to TikTok, finding uplifting resonance for many amidst the ongoing Ukranian-Russian war.

Now an independent artist — let’s just say major label life was rough despite his success — Odell is back with his new, seventh album, A Wonderful Life. And he’s playing arenas! We find out about its creation, existential dread brought on by observances of this modern age, not to mention introspection and the dark before the light.

He also discusses his unique relationship with Billie Eilish (who he just finished touring with), and FINNEAS, the resurgence of ‘Another Love,’ and the power of audience and authenticity. We go deep into self-analysis, body-image and perception on new song ‘Ugly,’ anxiety, and the tough times he had in 2021, struggling to sell shows before leaving Sony and phoenix rising-style absolutely smashing it (to borrow British parlance). There was also quite a harrowing encounter with a rattlesnake in Utah, plus so much more.

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He’s a prolific country star who first emerged in 2017, but has been really hitting his stride in the past couple of years, solidifying the buzz with endless tours, high profile collabs with Ella Langley, Luke Combs, Thomas Rhett, and his latest, third album Don’t Mind If I Do (the deluxe just dropped).

The Jacksonville, Alabama former football star joins us in the studio for the first time to talk about building his grassroots fanbase, his time working in construction, his time on Redneck Island (twice!), and getting pelted by bras (and Spanx) onstage.

Other hot couch topics: the power of simplicity in songwriting, the influence of his grandaddies, fishing with Luke Bryan (plus to pose or not to pose with fish), the underground dating world of Facebook Marketplace mirror photos, his lowkey truck obsession, his budding Nashville bar-restaurant empire, plus so much more.

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Hall & Oates are the biggest selling American duo in music history. Let that just marinate for a second. The iconic pair made waves through the 70s and 80s with songs like ‘She’s Gone,’ ‘Rich Girl,’ ‘Private Eyes,’ ‘Maneater,’ and ‘I Can’t Go For That (No Can Do),’ to name a scant few, and while they continued to release albums well into their fourth decade, by 2023 they were locked in an acrimonious lawsuit with regards to Oates wanting to sell his stake in their business partnership. As of August 2025 the charttopping duo have resolved the issue, but this is of course a topic we touched upon when the legendary guitarist and songwriter stopped by the studio for the first time.

Where his last solo album was an exploration of his folk/blues/Americana roots, for his newly released seventh record, Oates, he pulls from his more groove-based back catalog, teaming up with and being inspired by young artists like Lawrence and Devon Gilfillian. As well as discussing all this, he also shares once in a lifetime encounters with Madonna, Andy Warhol, and Michael Jackson, the power music and visuals (in particular pertaining to 500 Days of Summer), his time as an Anteater on The Masked Singer (no, really), the stories behind songs like ‘Rich Girl,’ and their second LP Abandoned Luncheonette, plus so much more.

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John Fogerty will go down as an artist who’s written some of the most enduring songs in modern music: ‘Proud Mary,’ ‘Fortunate Son,’ ‘Have You Ever Seen The Rain?,’ ‘Centerfield,’ the list goes on and on. Equally, as the leader of Creedence Clearwater Revival, he’s part of a quartet who will go down in history as having signed one of the most exploitative record contracts ever inked (Fantasy Records, headed up by record exec Saul Zaentz.

Much of Fogerty’s life, while ablaze with creativity and music, has also been colored by the fact that his catalog was no longer his. Legal wranglings, depressions, bitterness, and many years feeling divorced from the lionshare of his own music ensued. Now at the age of 80, he is for the most part, back in control of his creations (thanks in large part to his wife Julie). This year he headed back into the studio to lay down Legacy: The Creedence Clearwater Revival Years, rerecordings of his greatest Creedence hits produced and performed with the help of his two youngest sons, Tyler and Shane.

We discuss all this: the circumstances that led up to the life-altering (in many ways) record deal, the complicated band dynamics that fractured the CCR, and the stories behind some of his aforementioned biggest hits and the cultural and personal shifts that inspired them. Plus he opens up about his wife of 30-years and the impact her manifestation and chutzpah has had on his life and career, his firsthand experiences getting drafted for Vietnam and San Francisco’s legendary Summer of Love in 1967, his collab with Eric Church for NASCAR 2025, and so much more.

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Don’t worry — no spoilers here — but the final season of Amazon Prime’s Upload is upon us. The surreally, funny, tech-prophetic series left us all on a cliffhanger at the close of season 3 with Robbie’s character cloned and one of them bites the dust: BUT WHICH ONE!? And who is Robbie Amell? The Canadian actor is commercially successful, prolific, and widely swooned over. He’s been part of big shows that are a part of fabric of people’s childhoods, True Jackson, VP, Scooby Doo, Life with Derek, but he’s also highly motivated and indie-minded: the runaway success of the crowd-funded film Code 8 — which he made with his pals and cousin Stephen Amell — alongside its Netflix-funded sequel is proof enough. Inspiring stuff. Next up, his film Racewalkers.

We talk about all this, but also meeting his wife and best pals on the set of American Pie: Beta House, The Duff, and of course we go deep on Upload, the project he’s had the longest history with. What it was like working with the screenwriting legend that is Greg Daniels (SNL alum, The Office, co-creator of Parks and Rec, and King of the Hill), plus talk character arcs, special effects, AI, and so much more.

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Self-described as the funniest dude in his high school, Kyle Gordon hit the viral jackpot back in 2023 with his Euro dance spoof song ‘Planet of the Bass,’ inhabiting the character DJ Crazy Times. He’s collabed with Ed Sheeran, shooting a video with him at Courtney Cox’s house (we talk about this), parlaying his clicks into 2024 comedy album Kyle Gordon Is Great. He returns this year — both to the studio and with a new album, the wildly iterative record Kyle Gordon Is Wonderful. On it he parodies everything from nu metal to UK Garage.

In this conversation he shows up for half of it as flaccid-beanie boy Kody Redwing (think Mumford and Sons produced by fun.-era Jack Antonoff), before segueing into plain ol’ Kyle to discuss fellow TikTok hit-boy Brendan Abernathy, the genius of Flight of the Concords, and South Park’s Trey Parker, and his early years in the cult of improv. Trigger warning: nude feet are featured herein.

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