Let go off the pearls you're clutching for the moment and consider some of these points. 

This topic has bugged me for a MINUTE and though I've discussed it on discord before it was due a deep dive because I'm sick of people projecting their fears onto kids whose dreams and aspirations are just as valid as an adults because newsflash, exploitation doesn't magically stop as an adult either so ... should they not work todays the careers they wish for?

This reminds me of conservatives only caring about foetuses or embryo's but then not giving a shit once the child is here. You either care about exploitation all the way round or you're trying to be controlling but guising it as control cos the adults aren't fairing much better. 

Possibly there's envy for the fact that younger kids have an opportunity to learn and train in a way that is not easily accessible. 

AESPA didn’t always feel cohesive — from polarizing opinions on their performances in their rookie era to questions regarding their AI concept. But now they radiate icon energy with a brand and sound that feel untouchable. In this episode, we break down how smart A&R and focused branding helped transform AESPA into the blueprint for modern girl groups.

PSA- DO NOT use how I feel to invalidate other black people who feel how they feel. Thanks :)

*Note: Teddy Park did NOT actually produce "Batter Up" that was my mistake however him having a similar sonic formula for Meovv says a lot.*

In this episode, I'm briefly unpacking the backlash and obsession surrounding TARZZAN, ALLDAYPROJECT, and expanding on my feelings regarding YG Entertainment Teddy and The Black Label. Why do fans react the way they do?  What’s behind the hate — and what are our TRUE intentions behind the dragging? 

Most of my takes may be unpopular opinions but that's how I feel which doesn't take away from how you should feel! 

Let's talk about the realities of it and how it was getting started as a creator and things I discovered along the way and some of the good things and frustrations about being so visible online. 

This week I'm letting you all know how I got in to this genre that has changed my life in EVERY way! 
I also share some of of the songs that played a huge part in this journey I am still on and is only getting better by the day! 

In this episode I get into where I stand on the effects of globalization essentially and how influential these African genres are in a market that doesn't always credit where the music comes from whilst also at times discriminating against people of African descent. 

Is it all negative if black producers/choreographers are also finding work and opportunities via this channel? 

In this episode I briefly summarize ITZY's history and try and pin point where things went wrong for a group that literally BURST onto the scene in 2019! 
I wanted to wait for the latest album to drop first to see where I stood and IF they would do things differently ... in some ways they did and in some ways we still have some of the same issues. 

I had to get this off my chest cos I've not noticed this with any other group I've reacted to. 

What's with the dismissal and denial? Where does that stem from? OBVIOUSLY this is multi-layered and the music soundscape is not purely based off of NEWJEANS' sound however you can't help but see the parts that they HAVE influenced. 

Hope they have a comeback in the future. 

In my VERY first episode, I briefly unpack RIIZE's history and what unfolded in regards to Seunghan's mistreatment, hiatus and eventual dismissal. 
I also finally react to Another Life as it was highly requested and this felt like the right avenue for it as you can't get this anywhere else!