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The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler’s work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler’s book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes.
Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern.
Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
By New Books Network4.3
1616 ratings
The Babylonian Talmud and Late Antique Book Culture (Cambridge UP, 2023) argues that the Talmud must be read and understood in the broader context of late ancient discursive and material contexts of books, rhetoric, and technology. As Dr. Amsler’s work reveals, the structure and form of the Talmud point to knowledge and mastery of rhetorical training and book production technologies they share with other late ancient books and literary compositions. Her project focuses on understanding this late ancient milieu and how the compilers of the Talmud might have thought of their own literary and compositional practices involved in the work of moving from scraps and excerpts from medical texts, commentaries, speeches, dialogues, and other source material to more composed and rhetorically stylized commentaries on lemmas from the Mishnah. Through attention to the materiality of production and composition as well as rhetoric, Dr. Amsler’s book challenges traditional narratives of the oral transmission of the Talmud. As The Babylonian Talmud and Late Antique Book Culture demonstrates, the traditional orality hypothesis misses this complexity and fails to consider the Talmud as enmeshed in late ancient book and aesthetic practices. Beyond the formation of the Babylonian Talmud, however, the book is relevant for anyone interested in ancient book production and data management processes.
Monika Amsler is a Senior Research Assistant in the Department of Ancient History and Classical Tradition at the University of Bern.
Dr. Lydia Bremer-McCollum teaches religious studies at Spelman College.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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