Motown Records is one of the most successful musical industry endeavors of all time. The music and the megastars Motown produced, like Smokey Robinson, Diana Ross, Stevie Wonder, and the Jackson 5, defined a generation. But that success is marred by rumors – rumors that the record label and its innovative owner were controlled by the "black hand" of the white American mob.To see the full list of contributors, see the show notes at <a href="https://cms.megaphone.fm/organizations/c83125d2-8508-11ed-bd28-ff0aff7ee233/podcasts/efca2ef8-85f9-11ed-8fe3-bb208936046f/episodes/29bc673e-85fa-11ed-9d9c-cffe44583488/www.disgracelandpod.com">www.disgracelandpod.com</a>.This episode was originally published on October 8, 2019. To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">https://podcastchoices.com/adchoices</a>

Motown Records is one of the most successful musical industry endeavors of all time. The music and the megastars Motown produced, like Smokey Robinson, Diana Ross, Stevie Wonder, and the Jackson 5, defined a generation. But that success is marred by rumors – rumors that the record label and its innovative owner were controlled by the "black hand" of the white American mob. To see the full list of contributors, see the show notes at www.disgracelandpod.com. This episode was originally published on October 8, 2019. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Motown Records is one of the most successful musical industry endeavors of all time. The music and the megastars Motown produced, like Smokey Robinson, Diana Ross, Stevie Wonder, and the Jackson 5, defined a generation. But that success is marred by rumors – rumors that the record label and its innovative owner were controlled by the "black hand" of the white American mob.To see the full list of contributors, see the show notes at&nbsp;<a href="https://cms.megaphone.fm/organizations/c83125d2-8508-11ed-bd28-ff0aff7ee233/podcasts/efca2ef8-85f9-11ed-8fe3-bb208936046f/episodes/29bc673e-85fa-11ed-9d9c-cffe44583488/www.disgracelandpod.com" rel="noopener noreferrer">www.disgracelandpod.com</a>.This episode was originally published on October 8, 2019. To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy" rel="noopener noreferrer">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices" rel="noopener noreferrer">https://podcastchoices.com/adchoices</a>

Motown Records: Pimps, Prostitutes, the Detroit Mafia and the Sound of Teenage America

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.

New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.

DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.

To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at www.disgracelandpod.com/membership.

Society & Culture

True Crime

Music

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties. New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments. DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com. To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at www.disgracelandpod.com/membership.

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.

New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.

DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.

To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at&nbsp;www.disgracelandpod.com/membership.

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Motown Records: Pimps, Prostitutes, the Detroit Mafia and the Sound of Teenage America

Motown Records: Pimps, Prostitutes, the Detroit Mafia and the Sound of Teenage America

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