The Neapolitan chord and the Neapolitan Sixth chord add a very distinctive sound to a progression. You've heard it many times and you probably LOVED it. Now you're going to learn all about it! We will discuss how to build one, how it's used in a progression and we'll play a few examples you may recognize. This ain't just some boring ice cream favor. This is good music!

We wanted to end the year by letting us all get to know each other better. We're going to share some more of your stories and then a few of our own. We will also talk a little more about the genesis of this podcast, reveal some recording secrets and discuss where we want to go from here!

Composition is the art of simply creating music out of nowhere, from within, and organizing it into a finished piece. It can be an expression of what is going on with you emotionally. It can be an expression of something you've been inspired by, visually, sensually, socially, politically, or by other external sources. Either way, it all begins with you sitting down and taking the time to piece together a musical masterpiece. Let's talk about some of the processes involved, however simple or complex, with our own Matthew Scott Phillips!

We are bringing chromaticism to your doorstep! Today's special delivery? Mixed modes and borrowed chords! Learn how borrowing just two or three notes from a parallel key can allow for several new chords that can add intrigue to your progressions and help to smooth our your modulations.

Stringed instruments have a number of environmental and conditioning considerations that we need to be familiar with, if we want them to have a long and happy life. In this episode we will talk about the piano (really a percussion instrument but it does have many strings), the harp, the acoustic and electric guitars (along with other hollow-bodied and solid bodied, wooden instruments), the banjo and the symphony strings (bass, cello, viola and violin).

Continuing where episode 43 left off, this episode will review the previously discussed chords: I, II7, III, IV, V, VI and VII (in major and minor) and their inversions. We will now add some secondary dominants: (V/V, V/II). Listen for the chord qualities (major, minor, dominant 7th, minor 7th and diminished) and use your theory brain to find out how to decipher chord progressions. Use this skill to learn songs faster and know music better!

Just as you can use secondary dominant chords to aid in the movement to any diatonic chord, you can also use secondary leading tone chords for the same purpose. These chords can add intrigue, color and tension to any harmonic progression. We'll discuss how to identify them, how to spell them out and how to analyze them. Give them a listen. Give them a try.

The chord chart can be an essential tool for any musician, gigging or not. They allow you to get a lot more accomplished, in a lot less time, with your fellow musicians. In this episode, we're going to keep it simple but we're going to cover the three common types of chord charts. Get ready to learn about the lead sheet, the standard chord chart and the Nashville Number System.

In part one of our "Form and Analysis" series, we familiarized ourselves with the building blocks of a form, such as motives, phrases and periods. Now, we will begin our official discussion on small forms. We will cover rounded, simple, sectional and continuous binary forms. Then we will move into ternary and compound ternary forms. Finally, we will close it out with a brief discussion on theme and variations.

At this point, we've discussed the two most common diatonic 7th chords: V7 and II7. Now, we will discuss "The Others". These are the VII7, IV7, VI7, I7 and III7 chords. We will take a little time with each of these, give them a listen, discuss the way they sound and briefly discuss their functionality. Just because these are a little less common, that's no reason to not bring them up because they are often featured in great music!