Middle Ages music occurred roughly between the dates of 500-1400 CE. In this episode, we will mainly talk about monophony. We will discuss plain chant, Gregorian chant and the antiphon, as the common types of vocal music within the church. We will also cover some of the secular music, made popular by the troubadours, trouvères and Minnesängers. Climb inside our time machine!

Solfege has been used for centuries to help vocalists and music students acquaint vowel sounds with certain notes. In this episode, we will discuss solfege in major, minor and chromatic terms. We will also cover the two different kinds of solfege ("fixed do" and "movable do") and the advantages of these systems. Finally, we will address the Curwen Hand Signs and try some exercises that you might find useful.

Continuing where episode 63 left off, this episode will review our previous discussions on diatonic chords and secondary functions. We will now add the secondary seven of V and seven of ii (iiº) chords. Listen for the chord qualities and use your theory brain to find out how to decipher these chord progressions. Use this skill to learn songs faster and know music better!

It's time to try something different, though "music-adjacent"! The Schumann resonances are the vibrations of the Earth's atmosphere. Some believe that if we tune our instruments to these resonances, using 432Hz as our tuning standard, our music will be more satisfactory and enhance our well being. Let's talk a little about the physics behind this and why it has become a topic of controversy!

Picking up from where we left off on episode 69, we will now learn how to modulate to distantly related keys using chords that are diatonic, or chromatic, in either key (or any combination thereof). Some pivot chords we will use to pull this off will include the German augmented 6 chord (Gr+6), the Neapolitan chord (N) and secondary seven diminished vii chord (viiº7 of ?). Let us invite a few more accidentals to the table, shall we? Join us!

We've long dreamed of having an episode dedicated entirely to showcasing the composing and songwriting talents of our listeners. Finally, the dream is alive! This episode will feature the original music of Marc McDowell, Eamon Kelly, Nancy Mitchell, Chris "Tex" Owen, Andersonlane, Don Ferguson, Jason LaRay Keener and Jon Magnusson Monreal.

Picking up from where we left off on episode 50, we will continue our discussion on modulation to closely related keys. We will talk about modulating to relative keys. We will discuss chromatic modulations, with and without pivot chords. We will also take on sequential and phrase modulation and we may get blind sided by a direct, or abrupt, modulation or two. Finally, we will take a moment to harmonize some modulating melodies!

When we compose for film or television, we have many considerations at hand. We want to accent the mood and the emotions involved in the picture. We want to do our part to tell the story. But we also have to make our client happy. Our special guest, Craig Brandwein, is here to answer some questions and share his experiences in the world of film composition.

The hexatonic scales are six note scales. In many cases we are simply adding a note to a pentatonic scale or deleting one from one of the seven modes. But there are other interesting possibilities: the blues scales, the whole tone scale, the augmented scale, the tritone scale and the elusive Prometheus scale. We will also create some of our own by combining triads. Let's listen!

Just like any instrument, your voice needs a great amount of care and attention in order to perform at it's peak potential. If you're a singer, a public speaker, a bartender or a cheerleader, you have to use your voice at loud volumes for extended amounts of time. Let's find out how to best accomplish this while keeping your voice strong and healthy.