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What do we talk about when we talk about Europe? Is it defined by geography? Or is it politics, or shared culture? In Europe: A New History (Allen Lane, 2026),
Since
Grappling with the multilayered identities that have always come with being European, Europe places the Europe of today in a long arc of history stretching back more than 2,500 years.
Roderick Beaton
Morteza Hajizadeh
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In this episode, host Andrea Talabér (CEU Press) talks with Karène Sanchez Summerer and Sary Zananiri, the editors of Palestine in Transition: Frank Scholten's Visual Archive of the British Mandate Period. They discuss who Frank Scholten was, the breadth and depth of the images he took in Palestine, and the archival holdings themselves.
You can browse Frank Scholten’s images here.
Follow the City Sarha Instagram account to be updated on when the app exploring Jerusalem’s modern cultural history will launch.
You can purchase a copy here. The book is also available Open Access here.
The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.
Interested in CEU Press’s publications? Click here to find out more.
Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.
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Nuclear Archipelago: Secrets, Power and the Biggest Atomic Blast in Australia
The book explores the politics, the secrecy and the controversies,
Elizabeth Tynan
Morteza Hajizadeh
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Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”
Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.
By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.
Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
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Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England.
A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides
Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London
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Hindu nationalism is transforming India as an increasingly dominant
Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism
Sachin Nikarge has
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Life Writing and the End of Empire: Homecoming in Autobiographical Narratives (Bloomsbury Academic, 2024) examines how autobiographical writing reflects the psychological and cultural afterlives of the British Empire. Rather than treating decolonization as a completed historical moment, Emma Parker shows how empire continues to haunt personal memory, identity, and ideas of home. Through close readings of memoirs and autobiographical texts by writers such as Penelope Lively, J. G. Ballard, Doris Lessing, and Janet Frame, the book explores how individuals who grew up in colonial settings experienced their later arrival in Britain as a complex and often disorienting “homecoming.” Many of those writers traveled to Britain in the decades following WWII, during a period of rapid decolonization. Yet when they arrived in London, they often discovered that the imperial “mother country” they had imagined from afar did not match the reality of postwar Britain. Their autobiographies reveal a profound sense of displacement, being both connected to and estranged from the imperial center.
In this episode, Ibrahim Fawzy sat down with Emma Parker to discuss the relationship between life writing and the end of the British Empire; the disorienting experience of colonial “homecoming;” and what autobiography can reveal about empire that other literary forms may conceal. They also explore colonial childhood and domestic space in the writings of Lively, Ballard, Lessing, and Frame, examining settler identity, displacement, memory, and the material afterlives of colonialism.
Emma Parker is Lecturer in Postcolonial Literature at Keele University, UK. Her research focusses on life writing, contemporary literature and colonialism. She has published articles in Critical Quarterly, Auto/Biography Studies, Life Writing, Wasafiri and Moving Worlds, and is a contributor to Documenting Trauma in Comics (2020). She is also co-editor of the collection British Culture After Empire (2022).
Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
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Henry VIII is England’s most famous king. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant, the religious disruptor and the much-married glutton.
Overlord: The Life and Reign of Henry VIII (Birlinn, 2026) is a groundbreaking study of Henry’s life examines and destroys many of the long-repeated myths about this complex monarch: he was not particularly gluttonous, not particularly prudish, and not particularly messy in his religious changes. Nor did he see himself as simply King of England. Drawing on archival sources from across the British Isles, Dr. Steven Veerapen reveals how Henry fashioned an image of himself as a law-abiding and benevolent emperor who dreamed of uniting England, Scotland, Ireland, Wales and swathes of France under Tudor rule.
Yet the image was false and the dream a nightmare for his queens, his ministers and many of his subjects. This new portrait shows Henry for what he really was: a self-aggrandising actor who, by fair means and foul – murder plots, marriage negotiations and military ventures – did all he could to realise his imperial fantasy.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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"In my home country, they call me a 'bornfree'." Simukai Chigudu was born in Zimbabwe, two years after the end of its bitter war of liberation - a war in which his father had fought. This is the story of his childhood journey through the chaos of that new country's birth to Britain, where he arrived alone, a teenager, burning with ambition but utterly lost in ways he had yet even to discover. Told with astonishing insight, his memoir describes the drama of his quest to belong and to succeed, and how his worldview was both shaped and shattered by Britain, ultimately setting him on a quest to uncover the truth of his parents' past. In excavating their story alongside his own, he brings us closer than ever before to understanding one of the greatest upheavals in modern times - the freeing of a continent from colonial rule - not as history or politics but as a psychological and emotional force, one that divides families from within, even while those same divisions bind them fiercely together across time.
Read the transcript here.
Simukai Chigudu is Associate Professor of African Politics at the Oxford Department of International Development and Fellow of St Antony’s College, Oxford University. He is broadly interested in the politics of global health and epidemics, race and identity, citizenship and activist movements, with a regional focus on Africa and the African diaspora.
Simukai is the author of The Political Life of an Epidemic: Cholera, Crisis and Citizenship in Zimbabwe (Cambridge University Press, 2020), an examination of the social and political causes and consequences of Zimbabwe’s catastrophic cholera outbreak in 2008/09, the most extensive in African history. This monograph won the Theodore J. Lowi First Book Award from the American and International Political Science Associations. He has conducted research in Zimbabwe, Uganda, The Gambia, and Tanzania, and has publications in several leading social science and medical journals.
Simukai has recently published his first book for the trade, Chasing Freedom: Coming of Age at the End of Empire, published by The Bodley Head and Crown in March 2026. This book combines memoir, political history and cultural criticism to show how colonialism continues to shape politics, society and culture in Africa and in Britain and to explore what it really means to decolonise.
Prior to working in academia, Simukai was a medical doctor in the UK’s National Health Service. He holds a DPhil in International Development from the Oxford University for which he was awarded the biennial Audrey Richards Prize for the best doctoral thesis in African Studies examined at a UK university.
Simukai teaches on the MPhil in Development Studies and supervises DPhil students.
Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop.
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Roger Bowdler and Brent Elliott’s The British Cemetery: Architecture, Landscape, Sculpture, published by Historic England (2026), traces the history of the cemetery from the 17th century to the present day. The cemetery emerged as a new landscape form in the 19th
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