Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies.

Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left.

Image: © 2023 Saronik Bosu

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In this interview Mary M. McGlynn, Professor of English at Baruch College, CUNY, discusses her new book Broken Irelands: Literary Form in Post-Crash Irish Fiction (Syracuse University Press, 2022).

While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish fiction of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they reflect and respond to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity. Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.

Colleen English is a scholar of Irish and Romantic literature based at Loyola University Chicago. She co-convenes the Irish Studies Scholarly Seminar at the Newberry Library. On Twitter.

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Many accounts of the scientific revolution portray it as a time when scientists disciplined knowledge by first disciplining their own behavior. According to these views, scientists such as Francis Bacon produced certain knowledge by pacifying their emotions and concentrating on method. In The Interlopers: Early Stuart Projects and the Undisciplining of Knowledge (Johns Hopkins Press, 2023), Dr. Vera Keller rejects this emphasis on discipline and instead argues that what distinguished early modernity was a navigation away from restraint and toward the violent blending of knowledge from across society and around the globe.

Dr. Keller follows early seventeenth-century English "projectors" as they traversed the world, pursuing outrageous entrepreneurial schemes along the way. These interlopers were developing a different culture of knowledge, one that aimed to take advantage of the disorder created by the rise of science and technological advances. They sought to deploy the first submarine in the Indian Ocean, raise silkworms in Virginia, and establish the English slave trade. These projectors developed a culture of extreme risk-taking, uniting global capitalism with martial values of violent conquest. They saw the world as a riskscape of empty spaces, disposable people, and unlimited resources.

By analyzing the disasters—as well as a few successes—of the interlopers she studies, Dr. Keller offers a new interpretation of the nature of early modern knowledge itself. While many influential accounts of the period characterize European modernity as a disciplining or civilizing process, The Interlopers argues that early modernity instead entailed a great undisciplining that entangled capitalism, colonialism, and science.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In recent years the niqab has emerged as one of the most ubiquitous symbols of everything that is perceived to be wrong with Islam: barbarity, backwardness, exploitation of women, and political radicalization. Yet all these notions are assigned to women who wear the niqab without their consultation; “niqab debates” are held without their voices being heard, and, when they do speak, their views are dismissed. Wearing the Niqab: Muslim Women in the UK and the US (Bloomsbury, 2021) brings niqab wearers' voices to the fore, discussing their narratives on religious agency, identity, social interaction, community, and urban spaces.

Anna Piela, Visiting Scholar at Northwestern University, situates women's accounts firmly within UK and US socio-political contexts as well as within media discourses on Islam. The picture painted by the stories told here demonstrates that, for these women, religious symbols such as the niqab are deeply personal, freely chosen, multilayered, and socially situated. In our conversation we discussed religious explanations for wearing niqab, public notions of what constitutes religious practice, mainstream media’s image of niqab wearers, niqabi inclusive journalism, contradictions between religious perspectives and secular frameworks, Muslim use of social media, religious identity and pious dress, and intersections of racism and sexism with wearing the niqab.

Kristian Petersen is an Associate Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected].

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The third Earl of Shaftesbury (1671-1713) was a troubled soul – negative, misanthropic, and deeply troubled by his negativity and misanthropy. In A Philosophy of Beauty: Shaftesbury on Nature, Virtue, and Art (Princeton University Press, 2022), Michael Gill shows how Shaftesbury’s efforts to work on himself resulted in his becoming one of the first philosophers writing in English to develop an aesthetic theory. 

Shaftesbury conceived of beauty as order or harmony exemplified by wild nature just as it is created by God, in sharp contrast to the prevailing seventeenth-century European view that nature was sinful and needed to be altered for human purposes before it could be aesthetically valuable. Gill, who is professor of philosophy at the University of Edinburgh, explains how Shaftesbury argued for seeing our lives as works of art, and how he responded to critics who claimed that admiring beauty was something only rich lords like himself could afford to do. Instead, Shaftesbury claimed, even the “lowly mechanic” is inherently invested in good craftsmanship and in making himself a good person.

Carrie Figdor is professor of philosophy at the University of Iowa.

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In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America’s empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess.

The basis of our conversation is Jed’s recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It’s a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn’t usually your cup of tea.

Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004).

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Scarcity: A History from the Origins of Capitalism to the Climate Crisis (Harvard UP, 2023) is a sweeping intellectual history of the concept of economic scarcity—its development across five hundred years of European thought and its decisive role in fostering the climate crisis.

Modern economics presumes a particular view of scarcity, in which human beings are innately possessed of infinite desires and society must therefore facilitate endless growth and consumption irrespective of nature’s limits. Yet as Fredrik Albritton Jonsson and Carl Wennerlind show, this vision of scarcity is historically novel and was not inevitable even in the age of capitalism. Rather, it reflects the costly triumph of infinite-growth ideologies across centuries of European economic thought—at the expense of traditions that sought to live within nature’s constraints.

The dominant conception of scarcity today holds that, rather than master our desires, humans must master nature to meet those desires. Albritton Jonsson and Wennerlind argue that this idea was developed by thinkers such as Francis Bacon, Samuel Hartlib, Alfred Marshall, and Paul Samuelson, who laid the groundwork for today’s hegemonic politics of growth. Yet proponents of infinite growth have long faced resistance from agrarian radicals, romantic poets, revolutionary socialists, ecofeminists, and others. These critics—including the likes of Gerrard Winstanley, Dorothy Wordsworth, Karl Marx, and Hannah Arendt—embraced conceptions of scarcity in which our desires, rather than nature, must be mastered to achieve the social good. In so doing, they dramatically reenvisioned how humans might interact with both nature and the economy.

Following these conflicts into the twenty-first century, Albritton Jonsson and Wennerlind insist that we need new, sustainable models of economic thinking to address the climate crisis. Scarcity is not only a critique of infinite growth, but also a timely invitation to imagine alternative ways of flourishing on Earth.

Fredrik Albritton Jonsson is the Associate Professor of British History at the University of Chicago. His current research deals with a set of closely related themes in environmental history, history of science, and political economy. 

Carl Wennerlind is the Professor of History and Chair at Barnard College, Columbia University. He specializes in the history of early modern Europe, with a focus on intellectual history and political economy. He is particularly interested in the historical development of ideas about money and credit; ideas on the relationship between economy and nature; and ideas about "improvement" and "modernization."

Thomas Edward Kingston is a Berkeley Fellow in South and Southeast Asian Studies and PhD Student with a designated emphasis in Political Economy at the University of California, Berkeley

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George Orwell was born in India and served in the Imperial Police in Burma as a young man. Douglas Kerr's book Orwell and Empire (Oxford UP, 2022) is a study of his writing about the East and the East in his writing. It argues that empire was central to his cultural identity and that his experience of colonial life was a crucial factor, in ways that have not been recognized, in shaping the writer he became.

Orwell and Empire is about all his writings, fictional and non-fictional. It pays particular attention to work that derives directly from his Burmese years including the well-known narratives 'A Hanging' and 'Shooting an Elephant' and his first novel Burmese Days. It goes on to explore the theme of empire throughout his work, through to Nineteen Eighty-Four and beyond, and charts the way his evolving views on class, race, gender, and authority were shaped by his experience in the East and the Anglo-Indian attitudes he had inherited. Orwell's socialism and his hatred of authoritarianism grew out of his anti-imperialism as The Road to Wigan Pier makes explicit. But this was not a straightforward repudiation or a painless process. He understood that, 'it is very difficult to escape, culturally, from the class into which you have been born.' His whole career was a creative quarrel with himself and with his Anglo-Indian patrimony. In a way that anticipates current debates about the imperial

legacy, he struggled to come to terms with his own history.

Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.

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The eighteenth-century Bank of England was an institution that operated for the benefit of its shareholders--and yet came to be considered, as Adam Smith described it, "a great engine of state." In Virtuous Bankers: A Day in the Life of the Eighteenth-Century Bank of England (Princeton UP, 2023), Anne Murphy explores how this private organization became the guardian of the public credit upon which Britain's economic and geopolitical power was based. Drawing on the voluminous and detailed minute books of a Committee of Inspection that examined the Bank's workings in 1783-84, Murphy frames her account as "a day in the life" of the Bank of England, looking at a day's worth of banking activities that ranged from the issuing of bank notes to the management of public funds.

Murphy discusses the bank as a domestic environment, a working environment, and a space to be protected against theft, fire, and revolt. She offers new insights into the skills of the Bank's clerks and the ways in which their work was organized, and she positions the Bank as part of the physical and cultural landscape of the City: an aggressive property developer, a vulnerable institution seeking to secure its buildings, and an enterprise necessarily accessible to the public. She considers the aesthetics of its headquarters--one of London's finest buildings--and the messages of creditworthiness embedded in that architecture and in the very visible actions of the Bank's clerks. Murphy's uniquely intimate account shows how the eighteenth-century Bank was able to deliver a set of services that were essential to the state and commanded the confidence of the public.

Anne L. Murphy is Professor of History and Executive Dean of the Faculty of Humanities and Social Sciences. She joined the University of Portsmouth in March 2021. Prior to this she worked at the University of Hertfordshire and the University of Exeter.  Previously she spent twelve years working in the City trading interest rate and foreign exchange derivatives.

Her research focuses on early modern financial markets and publications include articles in Past and Present, Economic History Review, History, Financial History Review and Women's History Review. Her previous monographs are The Origins of English Financial Markets: investment and speculation before the South Sea Bubble (2010) and  The Worlds of the Jeake Family of Rye, 1640-1736 (2018).

References: 

-Previous NBN podcasts on money, namely Lawrence H. White and Dror Goldberg. 

-Books by Amy Froide's Silent Partners: Women as Public Investors during Britain's Financial Revolution, 1690-1750 and Daniel Abramson's Building the Bank of England: Money, Architecture, Society 1694-1942. 

Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo

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In The Story of Follies: Architectures of Eccentricity (Reaktion, 2023), Celia Fisher presents an amusing, informative guide to a fanciful and charming building, the folly.

Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but suggest another purpose through their appearance. In this superbly illustrated book Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance and highlights their relevance today. She explores follies built in protest, follies in oriental and gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain, Ireland and throughout Europe and beyond, this is an amusing and informative guide to fanciful, charming buildings.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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