In her latest book, Rude Girls: Women in 2 Tone and One Step Beyond (Sally Brown Publishing, 2023), Heather Augustyn explores the ska revival in the UK during the lates 1970s and 1980s. The 2 Tone label represented unity of black and white in both the content of the songs, and appearance of the bands. While race may have been central to this declaration, where did gender fit in? Many bands had few, if any, women in their lineup and so women had to do it for themselves. Empowered by punk and impassioned by Jamaican ska and reggae, they took up the microphone, the saxophone, drumsticks. Women demanded their space on the stage and in the studio. Through exclusive interviews with more than 50 women involved in ska in the UK during the '70s and '80s, Rude Girls: Women in 2 Tone and One Step Beyond tells their stories of adversity, perseverance, and sisterhood for an inspiring look at half of the story that has never been told.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Alan Marshall's book Intelligence and Espionage in the English Republic C. 1600-60 (Manchester UP, 2023) is a richly detailed account of the ideas and activities in the early-modern 'secret state' and its agencies, spies, informers and intelligencers, under the English Republic and the Cromwellian protectorate.

The book investigates the meanings this early-modern Republican state acquired to express itself, by exploring its espionage actions, the moral conundrums, and the philosophical background of secret government in the era. It considers in detail the culture and language of plots, conspiracies, and intrigues and it also exposes how the intelligence activities of the Three Kingdoms began to be situated within early-modern government from the Civil Wars to the rule of Oliver Cromwell. It introduces the reader to some of the personalities who were caught up in this world of espionage, from intelligencers like Thomas Scot and John Thurloe to the men and women who became its secret agents and spies. The book includes stories of activities not just in England, but also in Ireland and Scotland, and it especially investigates intelligence and espionage during the critical periods of the British Civil Wars and the important developments which took place under the English Republic and Oliver Cromwell in the 1650s.

Crawford Gribben is a professor of history at Queen’s University Belfast.

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Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book.

The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media.

The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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The surprise success of the German offensive in the West that commenced on May 10, 1940 caught the Allies completely off-guard, and France would soon capitulate to the Germans in late June. During the course of the campaign, large numbers of Allied forces would become trapped along the coast of the English Channel at the port of Dunkirk. The mass evacuation of Allied forces at the port of Dunkirk in 1940 is often considered one of the most iconic moments of the Second World War (1939-1945), demonstrating the resolve of the British in particular to carry on the fight against Nazi Germany. This image was portrayed in Christopher Nolan's blockbuster film Dunkirk (2017).

By extension, the mass evacuation of Allied forces is also often considered a "missed opportunity" on the part of the Germans to deal a decisive blow to the British war effort. How exactly did the German High Command and German soldiers interpret the situation at Dunkirk? Through extensive research into German military archives, historian Robert Kershaw was able to provide an answer in his book Dünkirchen 1940: The German View of Dunkirk (Osprey Publishing, 2022). 

Robert Kershaw is a graduate of Reading University. He joined the Parachute Regiment in 1973 and ultimately commanded 10 PARA. He attended the German Staff College, spending a further two years with the Bundeswehr as an infantry, airborne and arctic warfare instructor. He speaks fluent German. On leaving the British Army in 2006 he became a full-time author and a military analyst. He has recorded for BBC radio and published frequent magazine and newspaper articles. Two of his books have been serialized in the Daily Mail and the Daily Express. He lives in Salisbury, England.

Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Analysis, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history.

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How did Britain become a global superpower? Historian and classicist Ian Morris thinks geography has a lot to do with it. Prof. Morris discusses his latest book, Geography is Destiny: Britain and the World: A 10,000 Year History, which traces the long history of Britain's complex relationship with the European continent. He draws surprising parallels between characters ranging from the Roman Britons and Nigel Farage, to the Papacy and the European Union.

Prof. Ian Morris is the Jean and Rebecca Willard Professor of Classics and Professor in History at Stanford University, as well as the author of the critically acclaimed Why the West Rules—for Now.

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Tai Shani (Turner Prize winning artist, educator and author of Our Fatal Magic) and Amy Hale (anthropologist, folklorist, and writer) discuss the work of artist, occultist and writer Ithell Colquhoun to celebrate the publication of Amy’s book Ithell Colquhoun: Genius of The Fern Loved Gully.

This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.

Although her paintings are represented in such major collections as Tate Britain and the National Portrait Gallery, Colquhoun's rejection of both avant-garde and occult orthodoxies resulted in a life of relative obscurity. Her visual and written works have only recently received adequate recognition as a precursor to contemporary experiments in magical autobiography and esoteric feminism.

After rejecting the hectic social expectations and magical orthodoxies of London's art and occult scenes, Colquhoun pursued a life of dedicated spiritual and artistic enquiry embodied in her retreat to Cornwall. Genius of the Fern Loved Gully balances engaging biography with art historical erudition and critical insight into the magical systems that underscored her art and writing.

Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

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When students gathered in a London coffeehouse and smoked tobacco; when Yorkshire women sipped sugar-infused tea; or when a Glasgow family ate a bowl of Indian curry, were they aware of the mechanisms of imperial rule and trade that made such goods readily available? 

In Eating the Empire: Food and Society in Eighteenth-Century Britain (Reaktion Books, 2020), Troy Bickham unfolds the extraordinary role that food played in shaping Britain during the long eighteenth century (circa 1660–1837), when such foreign goods as coffee, tea, and sugar went from rare luxuries to some of the most ubiquitous commodities in Britain—reaching even the poorest and remotest of households. Bickham reveals how trade in the empire’s edibles underpinned the emerging consumer economy, fomenting the rise of modern retailing, visual advertising, and consumer credit, and, via taxes, financed the military and civil bureaucracy that secured, governed, and spread the British Empire.

Troy Bickham is professor of history at Texas A & M University. He is the author of The Weight of Vengeance: The United States, the British Empire, and the War of 1812; Making Headlines: The American Revolution as Seen through the British Press; and Savages within the Empire.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Colonising Disability: Impairment and Otherness Across Britain and Its Empire, c. 1800-1914 (Cambridge UP, 2022) explores the construction and treatment of disability across Britain and its empire from the nineteenth to the early twentieth century. Drawing on a wide range of sources, Esme Cleall explores how disability increasingly became associated with 'difference' and argues that it did so through intersecting with other categories of otherness such as race. Philanthropic, legal, literary, religious, medical, educational, eugenistic and parliamentary texts are examined to unpick representations of disability that, overtime, became pervasive with significant ramifications for disabled people. Cleall also uses multiple examples to show how disabled people navigated a wide range of experiences from 'freak shows' in Britain, to missions in India, to immigration systems in Australia, including exploring how they mobilised to resist discrimination and constitute their own identities. By assessing the intersection between disability and race, Dr Cleall opens up questions about 'normalcy' and the making of the imperial self.

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In this innovative analytical account of the place of emotion and embodiment in nineteenth-century British surgery, Michael Brown examines the changing emotional dynamics of surgical culture for both surgeons and patients from the pre-anaesthetic era through the introduction of anaesthesia and antisepsis techniques. Drawing on diverse archival and published sources, Brown explores how an emotional regime of Romantic sensibility, in which emotions played a central role in the practice and experience of surgery, was superseded by one of scientific modernity, in which the emotions of both patient and practitioner were increasingly marginalised. Demonstrating that the cultures of contemporary surgery and the emotional identities of its practitioners have their origins in the cultural and conceptual upheavals of the later nineteenth century, this book challenges us to question our perception of the pre-anaesthetic period as an era of bloody brutality and casual cruelty. Emotions and Surgery in Britain, 1793-1912 (Cambridge UP, 2022) is available as open access.

Dr Michael Brown is a lecturer in Modern British History at Lancaster University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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If race is increasingly understood to be socially constructed, why does it continue to seem like a physiological reality? In Deadly and Slick: Sexual Modernity and the Making of Race (Verso, 2023), Sita Balani argues that the trickery of race comes down to how it is embedded in everyday life through the domain we take to be most intimate and essential: sexuality. Modernity inaugurates a new political subject made legible as an individual through the nuclear family, sexual adventure and the pursuit of romantic love. By examining the regulation of sexual life at Britain's borders, in colonial India, and through the functioning of the welfare state, marriage laws, education, and counterterrorism, Balani reveals that sexuality has become fatally intertwined with the making of race.

Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at [email protected].

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