New Books in Caribbean Studies

In A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being (Duke UP, 2021), Kaiama L. Glover champions unruly female protagonists who adamantly refuse the constraints of coercive communities. Reading novels by Marie Chauvet, Maryse Condé, René Depestre, Marlon James, and Jamaica Kincaid, Glover shows how these authors' women characters enact practices of freedom that privilege the self in ways unmediated and unrestricted by group affiliation. The women of these texts offend, disturb, and reorder the world around them. They challenge the primacy of the community over the individual and propose provocative forms of subjecthood. Highlighting the style and the stakes of these women's radical ethics of self-regard, Glover reframes Caribbean literary studies in ways that critique the moral principles, politicized perspectives, and established critical frameworks that so often govern contemporary reading practices. She asks readers and critics of postcolonial literature to question their own gendered expectations and to embrace less constrictive modes of theorization.

Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.

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In The Unexceptional Case of Haiti: Race and Class Privilege in Postcolonial Bourgeois Society (University Press of Mississippi, 2022), Philippe-Richard Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a “Black Republic.” It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations.

When Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. 

Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.

Philippe-Richard Marius is assistant professor in the Department of Sociology and Anthropology at the College of Staten Island (CUNY). Marius has conducted extensive fieldwork in Haiti. He is writer, producer, and codirector of the film A City Called Heaven.

Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica.

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Frantz Fanon (1925-1961) was a Caribbean and African psychiatrist, philosopher and revolutionary whose works, including Black Skin, White Masks and The Wretched of the Earth are hugely influential in the fields of post-colonial studies, critical theory, and post-Marxism. His legacy remains with us today, having inspired movements in Palestine, Sri Lanka, the US and South Africa.

Frantz Fanon: Philosopher of the Barricades (Pluto Press, 2015) is a critical biography of his extraordinary life. Peter Hudis draws on the expanse of his life and work - from his upbringing in Martinique and early intellectual influences to his mature efforts to fuse psychoanalysis and philosophy and contributions to the anti-colonial struggle in Algeria - to counter the monolithic assumption that Fanon's contribution to modern thought is defined by the advocacy of violence.

Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz.

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Pedro Lebrón Ortis's book The Philosophy of Marronage (Filosofía del cimarronaje) theorizes the broader context behind the notion of "cimarronaje," marronage. Usually conceived of as enslaved peoples' flight from the plantation during colonial times, cimarronaje is an expansive term referring to the mentality of living beyond oppressive societal norms. Lebrón Ortiz synthesizes philosophical notions behind cimarronaje to argue that we can see evidence of cimarronaje that continue today. 

Other praise:

"Comenzar por la experiencia de quienes no pueden librarse de nada –y mucho menos detener otra voluntad que no sea con los recursos de su propia fuerza– es partir de una experiencia totalmente distinta a la descrita habitualmente en los libros de filosofía política. Se trata de comenzar a pensar la libertad desde la perspectiva de quien experimenta el mundo como una molienda y del que no tiene más vínculos con el poder que una cita pautada con la muerte. Para el esclavizado, la libertad está en salir de esa condición impuesta que lo define todo. Es el camino a otro sitio. Una puerta que se abre cuando menos se espera."

-Anayra O. Santory Jorge

"La filosofía del cimarronaje que se elabora en este texto apunta a la necesidad de pensar la filosofía, no a la manera de admiración desinteresada con respecto a las simplicidades y misterios del mundo, sino como escándalo ante las violencias genocidas y las contradicciones profundas del mundo moderno/colonial."

-Nelson Maldonado-Torres

Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.

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Ariana Huberman's Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production (Academic Studies Press, 2022) delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. It introduces the work of Latin American authors and artists who have been inspired by Jewish Mysticism from the 1960s to the present focusing on representations of dybbuks (transmigratory souls), the presence of Eros as part of the experience of mystical prayer, reformulations of Zoharic fables, and the search for Tikkun Olam (cosmic repair), among other key topics of Jewish Mysticism. The purpose of this book is to open up these aspects of their work to a broad audience who may or may not be familiar with Jewish Mysticism.

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In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy’s “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger’s book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger’s own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger’s book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies.

Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Philip Nanton's new book Riff: The Shake Keane Story (Papillote Press, 2022) follows the life and work of Shake Keane, the peripatetic and creative poet and musician from St. Vincent. Keane was an influential figure in the 1960s London jazz scene, worked briefly for the government on his home island, and moved to New York where he built lasting relationships, all the while creating an extensive discography and numerous publications. Nanton's considerations of Keane's contributions to freeform jazz as well as his innovative approach to poetry will inspire readers to seek out the sounds and words he left behind.

Alejandra Bronfman is Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany.

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In the years leading up to the Second World War, increasingly desperate European Jews looked to far-flung destinations such as Barbados, Trinidad, and Jamaica in search of refuge from the horrors of Hitler’s Europe.

Joanna Newman's book Nearly the New World: The British West Indies and the Flight from Nazism, 1933–1945 (Berghahn Books, 2019) tells the extraordinary story of Jewish refugees who overcame persecution and sought safety in the West Indies from the 1930s through the end of the war. At the same time, it gives an unsparing account of the xenophobia and bureaucratic infighting that nearly prevented their rescue—and that helped to seal the fate of countless other European Jews for whom escape was never an option.

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Suspect Others: Spirit Mediums, Self-Knowledge, and Race in Multiethnic Suriname (U Toronto Press, 2021) explores how ideas of self-knowledge and identity arise from a unique set of rituals in Suriname, a postcolonial Caribbean nation rife with racial and religious suspicion. Amid competition for belonging, political power, and control over natural resources, Surinamese Ndyuka Maroons and Hindus look to spirit mediums to understand the causes of their successes and sufferings and to know the hidden minds of relatives and rivals alike. But although mediumship promises knowledge of others, interactions between mediums and their devotees also fundamentally challenge what devotees know about themselves, thereby turning interpersonal suspicion into doubts about the self.

Through a rich ethnographic comparison of the different ways in which Ndyuka and Hindu spirit mediums and their devotees navigate suspicion, Suspect Others shows how present-day Caribbean peoples come to experience selves that defy concepts of personhood inflicted by the colonial past. Stuart Earle Strange investigates key questions about the nature of self-knowledge, religious revelation, and racial discourse in a hyper-diverse society. At a moment when exclusionary suspicions dominate global politics, Suspect Others elucidates self-identity as a social process that emerges from the paradoxical ways in which people must look to others to know themselves.

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Haiti is the target of an overwhelming number of internationally funded health projects. While religious institutions sponsor a number of these initiatives, many are implemented within the secular framework of global health. In Where They Need Me: Local Clinicians and the Workings of Global Health in Haiti (Cornell UP, 2022), Pierre Minn illustrates the divergent criteria that actors involved in global health use to evaluate interventions' efficacy through examining the work of Haitian health professionals in humanitarian aid encounters.

Haitian physicians, nurses, and administrative staff are hired to carry out these global health programs, distribute or withhold resources, and produce accounts of interventions' outcomes. In their roles as intermediaries, Haitian clinicians are expected not only to embody the humanitarian projects of foreign funders and care for their impoverished patients but also to act as sources of support for their own kin networks, while negotiating their future prospects in a climate of pronounced scarcity and insecurity. Minn argues that a serious consideration of these local health care providers in the context of global health is essential to counter simplistic depictions of clinicians and patients as heroes, villains, or victims as well as to move beyond the donor-recipient dyad that has dominated theoretical work on humanitarianism and the gift.

Rachel Pagones is an acupuncturist, educator, and author. She was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego before moving to the UK in 2021.

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