New Books in Caribbean Studies

In Streetwalking: LGBTQ Lives and Protest in the Dominican Republic (Rutgers University Press, 2020), Dr. Ana-Maurine Lara examines the dominant modes of power that seek to suppress LGBTQ lives and identities as well as the ways in which these communities and individuals push back. Lara details how Catholicism and Christianity attempt to delegitimize LGBTQ lives through an insistence on gender binaries and heteronormativity through power it yields in political and domestic life. LGBTQ people and groups enact Streetwalking , which Lara theorizes as the actions of LGBTQ people, such as walking in the street or hanging out in public, as a means to disrupt the Christian colonial gender and sexual order. Streetwalking includes different practices of resistance such as confratación, flipping the script, and cuentos, which people deploy to transform silence into power. Lara walks us through the strategies and tactics LGBTQ people employ to both assert their power and insist on their right to exist.

Ana-Maurine Lara is an Assistant Professor in the Department of Women’s, Gender and Sexuality Studies at the University of Oregon.

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.

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Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world.

But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities.

Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again.

Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies.

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In Radical Imagination, Radical Humanity: Puerto Rican Political Activism in New York (SUNY, 2017), Rose Muzio analyzes how structural and historical factors--including colonialism, economic marginalization, racial discrimination, and the Black and Brown Power movements of the 1960s--influenced young Puerto Ricans to reject mainstream ideas about political incorporation and join others in struggles against perceived injustices. This analysis provides the first in-depth account of the origins, evolution, achievements, and failures of El Comité-Movimiento de Izquierda Nacional Puertorriqueño, one of the main organizations of the Puerto Rican Left in the 1970s in New York City. El Comité fought for bilingual education programs in public schools, for access to quality jobs and higher education, and against health care budget cuts. The organization mobilized support nationally and internationally to end the US Navy's occupation of Vieques, denounced colonial rule in Puerto Rico, and opposed US aid to authoritarian regimes in Latin America and Africa. Muzio bases her project on dozens of interviews with participants as well as archival documents and news coverage, and shows how a radical, counterhegemonic political perspective evolved organically, rather than as a product of a priori ideology.

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Jump Up!: Caribbean Carnival Music in New York City (Oxford University Press, 2019) is a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Blending urban studies, oral history, archival research, and ethnography, Ray Allen examines how members of New York’s diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The book addresses the issues of music, migration, and identity, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York’s diasporic communities and the Caribbean.

Dr. Ray Allen is professor of music at Brooklyn College and the CUNY Graduate Center.

Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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Professor Andrew Grant Wood’s new edited volume, The Business of Leisure: Tourism History in Latin America and the Caribbean (University of Nebraska Press, 2021), explores the political, economic, and cultural dimensions of tourism in the region and its relationship to nationalism, imperialism, development, and many other themes. The volume also provides a new way of understanding the relationship between the United States and Latin America during the twentieth century, showing how Latin American and US elites used tourism to create lucrative business deals, shape domestic and international politics, and bolster exceptionalist national histories. On this episode of the podcast, I talk with Wood about the book, along with Anadelia Romo and Elizabeth Manley, two contributors to the volume.

Steven P. Rodriguez is a PhD candidate in history at Vanderbilt University. His research focuses on the history of Latin American student migration to the United States during the first half of the twentieth century. You can reach him at [email protected] and follow his twitter at @SPatrickRod.

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This is a Special Series on Third World Nationalism.

In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean.

Today my guest is James Siekmeier, author of Latin American Nationalism: Identity in a Globalizing World (Bloomsbury Academic, 2017).

With ethnic and class-based national movements taking center stage in countries like Bolivia and Venezuela, nationalism has proven to be one of the most durable and important movements in Latin America. In understanding the history of these nationalisms, we can understand how Latin America relates to the rest of the world.

As Latin America inserts itself into a rapidly globalizing world, understanding the changing nature of national identify and nationalism is key. By tracing the important historical origins of present-day Latin American nationalism, this book gives readers a thorough introduction to the subject. Only by understanding how nationalism came to be such an important social and political force, can we understand its significance today. In turn, understanding Latin American nationalism helps us understand how Latin America shapes, and is shaped by, a rapidly globalizing world.

Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.

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The University of Pennsylvania describes Mongey's work as follows. "When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simon Bolivar might come to mind. But Rogue Revolutionaries: The Fight for Legitimacy in the Greater Caribbean (U Pennsylvania Press, 2020) recovers the interconnected stories of now forgotten "foreigners of desperate fortune" who dreamed of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization." 

This book is an innovative transnational history drawn on multilingual sources. Review the digital companion that includes the cast of characters, original sources, maps, and an archive research guide available at https://mongey.fr/.

Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020).

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Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America.

Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race.

Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.”

Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

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In The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Makin (University of North Carolina Press 2020), Dr. Sharika Crawford tells the story of Caymanian turtle hunters, men that plied the sea in search of the green and the hawksbill turtles. Using the personal stories of turtlemen collected by the Oral History Programme at the Cayman Islands National Archive, and governmental and diplomatic documents collected in archives of Nicaragua, Costa Rica, Colombia, and the United States, Crawford presents the circum-Caribbean as a waterscape, a region where imperial polities (mostly the British but increasingly the United States) and national governments (Colombia, Costa Rica, Nicaragua) sought to control maritime frontiers. 

By focusing on turtle hunting, this book challenges the monolithic portrait of the Caribbean as rural and plantation-based and argues that turtlemen helped to redraw the boundaries of the region. By the late 19th century, these maritime harvesters had depleted local supplies of turtles and turned to hunt them across national waters. In doing so, they drew the ire of nation-builders in Nicaragua, Costa Rica, and Colombia, for they endangered the limits of sovereignty and outright refused to comply with the increasing legal restrictions imposed by these Latin American nations. This book resonates with broader stories about labor, conservation, kinship, and processes of nation-building. A transnational story in which local actors are at the center and that the NBN listeners will surely love to hear more about!

Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron

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Placing the West's failure to acknowledge the Haitian Revolution--the most successful slave revolt in history--alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.

Trouillot, Silencing the Past: Power and the Production of History (Beacon Press, 1995) is a modern classic. It resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and has become a staple in college classrooms around the country. In a new foreword, Hazel Carby explains the book's enduring importance to these fields of study and introduces a new generation of readers to Trouillot's brilliant analysis of power and history's silences.

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