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Emilia Bassano loves many things: music, poetry, Latin, herbs. Born to a family of Italian musicians living in sixteenth-century London, Emilia benefits from early fostering in the household of a countess, where she acquires a love of books along with a top-flight education. A terrible assault leaves Emilia convinced she can never marry, and she becomes the mistress of a much older nobleman—Lord Hunsdon, the son of Mary Boleyn and King Henry VIII. Lord Hunsdon offers security, comfort, love, and protection from being dubbed a “masterless maid,” an illegal status in Elizabethan England. Emilia repays him with affection and respect, but it is when she meets the poet and playwright William Shakespeare that she discovers her passion: not only for the poet but for poetry itself.
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Even a novelist with thirty-five books under her belt would find it difficult to finish someone else’s series, set in a relatively unfamiliar part of the world and a century earlier than the fictional world one has created for oneself. More difficult still if the author was a close friend. So it’s no surprise that Joan Hess initially said no when the agent she shared with Elizabeth Peters suggested that Hess complete the manuscript for The Painted Queen (William Morrow, 2017). Fortunately for fans of Amelia Peabody, Radcliffe Emerson, and their numerous and ever-expanding family, the agent supplied enough vodka and carrot cake to swing the deal.
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The Blessings Series continue with a heartwarming novel, Chasing Down a Dream (William Morrow Paperbacks, 2017), about what makes a family when trials test relationships. And in Henry Adams, Kansas, there’s never a dull day. After a horrendous storm, Gemma finds a young boy and his little sister walking on the side of the road. She takes them in and quickly falls in love with the orphaned siblings. But when Gemma contacts Social Services to try to become their foster mother, she’s told a white woman cannot foster African-American children.
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When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over.
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Ragnvald Eysteinsson is returning from years raiding in Ireland under the leadership of Solvi and focused on winning a contest with his fellow sailors when Solvi attacks. Ragnvald falls into the fjord and is given up for dead. But a fisherman pulls him out, and when Ragnvald recovers enough from his wounds and near-drowning to reach his home in southern Norway, he learns that his own stepfather paid Solvi to ensure that Ragnvald would never survive to reclaim the lands left him by his father. Cut off from home and family, denied the bride he was promised, Ragnvald sets out to recoup his fortunes and avenge his wrongs by swearing service for a year to Hakon, lord of a neighboring kingdom.
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The State of Florida might have been designed for Prohibition. Its long coastline, its proximity to the Caribbean sources of rum, and (in 1922) its vast stretches of undeveloped coastline made it a perfect target for smuggling. No wonder that lines of ships lay just outside US waters waiting for the intrepid and criminally minded to ferry each cargo of illicit liquor to land.
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It’s A Love Story.
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Josie Flint, known as Jaybird, narrates her story of life in Atlanta during the turbulent South as Jim Crow laws come to an end. Her school desegregates. The country meanders through new ideas brought about by the Civil Rights movement. And the perfect childhood Jaybird treasured is shattered. The narrative alternates between Josie’s childhood and thirty-five years later when her grandmother, Annie Jo, dies. A family secret brings a new heartache for Josie as she struggles to rise against tragedy with grace while maintaining family loyalty.
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Peppa Mueller has a lot going for her. The daughter of a deceased Harvard professor who gave her an eclectic upbringing, she is heir to his fortune, and Radcliffe has accepted her application for undergraduate study in chemistry–her gift and her passion. Too bad that her conventional Swiss relatives cannot imagine why any young lady would want a college education in 1957.
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It’s January 1935. Prohibition has just ended, but the Great Depression has not, and much of Chicago remains under the grip of the crime lords who profited from the trade in illegal liquor. Eighteen-year-old Henrietta von Harmon, despite her aristocratic name, struggles to keep food on the table for her overwhelmed mother and seven younger siblings. After too many evenings spent cleaning, peddling drinks, and keeping score for dicers at a local bar, Henrietta jumps at the chance to double her income by taking a new job at a nightclub, where she dances with customers for hours. Too bad she cannot share the story with her family, who would be scandalized at the potential damage to her reputation if they knew. Then her boss turns up dead, and the customer to whom she is most attracted reveals that he works as a detective for the Chicago Police. The search for the murderer leads Henrietta into even more unsavory circumstances, and soon she’s wondering whether even the police can keep her safe.
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