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Assaph Mehr‘s Murder in Absentia: A Story of Togas, Daggers, and Magic (Purple Toga Publications, 2015) is Egretia, a town in a fantasy world modeled on the Roman Empire, and the occasion is the crime of murder. Felix the Fox, our narrator, is a detective with some extra talents. Not only is he good at winkling out information, watching people and drawing conclusions, but he’s also familiar with magic–both the kind thats allowed in his homeland, and the more dangerous, forbidden kind. Magic can be dangerous. Felix’s former best friend, now an uncanny beggar with frightening eyes, was a talented sorcerer, before things went wrong. When Felix investigates a secret ring of sorcerers that he suspects are responsible for the horrific death of a rich mans son, he is forced to rely on his old friend, as well as a network of associates, his loyal servant, and an alluring damsel or two.
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So many people hope to find the perfect soul mate, but suppose you do, only to lose the person you love just as your life together is getting off to a beautiful start? Faye Morgan reacts by tumbling into a new marriage with her first husband’s best friend. After all, the bills pile ever higher, and her husband’s unborn child can’t come into the world without health insurance. The best friend is eager to help, but as time goes by, they both realize it takes more than need and a shared but unexpressed grief to make a partnership. Faye leaps at the chance to resume her career as a photographer, and as she travels around South Carolina’s coastal island, her mourning finds an outlet and hope creeps back into her life.
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The tragic Tulsa Race Riots plus a smidgeon of romance equals to a compelling historical saga. Marlene Banks weaves fact and fiction together illustrating how law and culture may change but human nature remains the same in her historical novel series Son of a Preacher Man and Greenwood and Archer. Son of a Preacher Man takes place in 1920 Tulsa, Oklahoma, a strictly segregated oil boomtown. The preacher’s son, Billy Ray Matthias and Benny Freeman, daughter of an oil-rich rancher, befriend each other when both want to escape the shadows of their past. Billy Ray’s heart is open for love but Benny’s is fearfully shut. After the devastating race riot, Banks continues the narrative of restoration in the sequel Greenwood and Archer. Lives have been drastically changed since the riot and its citizens defiantly rebuild their piece of prosperity. Tulsa, Oklahoma is as segregated as ever but doesn’t want the whole nation watching. Additional tension festers as prohibition brings Chicago gangsters to settle in wealthy Tulsa. Now, Benny and Billy must navigate hurdles in their relationship. Marlene Banks is Kingdom writer/novelist with a unique style of storytelling. She blends engaging plots, standout characters, and memorable events from a Kingdom perspective. Although known for her historical romances, she likes to write multiple genres including contemporary, mystery, and nonfiction. ind out more about Banks’ novels here.
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Journalism, history, biography, memoirs, and historical fiction overlap to some degree. The first two focus on provable facts, but the facts must be arranged to form a coherent story, and that requires an element of interpretation, especially in history. Biography and memoirs demand even more of a story arc, although still devoted to a specific person who once lived or still lives. And historical fiction, although it departs from that fundamental reliance on what can be documented or evidenced by creating imaginary characters or putting words into the heads and mouths of real people, nonetheless relies on creating a you are there sense of authenticity that cannot exist without considerable research into how people in a given time and place dressed, talked, ate, traveled, and socialized.
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Once in a while, a novel comes along that is just extraordinary, in the best sense of that word. Bren McClain’s One Good Mama Bone (Story River Books, 2017) falls into this category. In little more than 250 pages, McClain brings to life in spare but lyrical prose an unforgettable cast of characters struggling with poverty, family, and reputation against the backdrop of the early 1950s rural US South. Perhaps her most remarkable creation is Mama Red, a cow near the end of her useful life whose dedication to her calf becomes a symbol of mother love.
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The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself, as re-created by scholars from the available evidence. This interview features Helen Rappaport, whose latest work reveals the historical background behind the Masterpiece Theater miniseries Victoria, due to air in the United States this month. Rappaport served as historical consultant to the show.
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Here at New Books in Historical Fiction, we don’t often interview the same author twice. Bernard Cornwell is an exception. As I note in my introduction to this podcast, since I last interviewed him in June 2014, he has published three new Saxon Stories (now renamed the Last Kingdom series) and a nonfiction history of the confrontation between Napoleon and Wellington at Waterloo. Meanwhile, the BBC and Netflix have released his first two Last Kingdom novels as a hit television series, again under the title The Last Kingdom. With so much new material to discuss, a second interview seemed like the least we could do.
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So far, this podcast has focused on straight historical fiction rather than historical romance. Although love stories have a way of creeping into novels whatever their genre, books that focus on instantaneous passion don’t always give equal weight to the historical element in historical fiction. The series written by the mother/daughter team that publishes under the pen name Ursula LeCoeur, however, takes place in the richly detailed, lavishly imagined, deeply researched world of 1880s New Orleans. The Devious Debutante (Royal Street Publishing, 2015), third in the series, follows its hero and heroine through docks and bayous, ballrooms and opium dens, back streets, taverns, and Mardi Gras floats.
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Paris, 1676. At the house of the fortuneteller Catherine Montvoisin (La Voisin), while two hooded forms watch, a wayward priest burns a piece of parchment in a spell designed to awaken the passions of Louis XIV of France. Three years later, those performing the ceremony become the target of a police investigation into the so-called Affair of the Poisons. Through interrogation, strategic imprisonment, and selective executions, the police gradually close in on La Voisin. But because of confessions exacted through torture, the widening scandal sweeps up more than four hundred suspects, including some of France’s most prestigious aristocrats. When a zealous young officer goes after La Voisin’s daughter and threatens to implicate Louis XIV’s official mistress, the marquise de Montespan, the police chief gets cold feet. But the young officer remains determined to bring those he considers guilty to justice, until in the end only the intervention of the Sun King himself can sort things out.
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It’s 1921, and Prohibition is in full swing, but you wouldn’t know it from the nightclubs and speakeasies of Chicago, where bathtub gin mingles with homemade bourbon distilled from trainloads of corn sugar shipped up from Southern farms. A young man named Al Capone is on his way up, the bar owners squabble over control of the sugar trade, and the police know to turn a blind eye. So when a drive-by shooting ends in murder, two young women–Eve, a black jazz pianist, and Lena, a white nurse–band together to find Eves missing stepsister and the killer of Lena’s brother in Sugarland: A Jazz Age Mystery (Noontime Books, 2016) a fast-paced, twisty, riveting journey through the seedy back alleys of the Windy City, where the Great Migration has only just begun to break down the barriers of racial segregation. Out of these disparate elements Martha Conway–the winner of numerous awards for her previous historical novel, Thieving Forest–blends a scintillating cocktail set to the thumping rhythms of jazz, directed by a mysterious kingpin known only as the Walnut.
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