New Books in Poetry

What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today. 

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this NBN episode, host Hollay Ghadery speaks with Jennifer LoveGrove about her poetry collection, The Tinder Sonnets (Book*hug Press, 2026).

From acclaimed writer Jennifer LoveGrove comes an electric poetry collection exploring female sexual desire, contemporary dating, misogyny, and middle age that reflects and embodies our social media-saturated times.

Unabashedly confessional and radically vulnerable, The Tinder Sonnets rallies against the long-standing demand that “women of a certain age” politely accept being rendered non-sexual. Each poem is based on a date, relationship, or contemporary dating insight, and highlights how misogyny impacts the way we connect in the modern world–or don’t.

Juxtaposing folklore and the natural world against the digital sphere of texting and dating apps, this is poetry that defies invisibility and instead confronts and subverts it through a discerning feminist lens. While experimenting with the traditional form of the sonnet, these sonically textured poems are playful and wry, erotic and joyful, all while refusing to shy away from palpable anger, frustration, and disappointment.

Centring strength and resilience in the face of a resurgence of misogynistic chauvinism, The Tinder Sonnets is a staunch refusal to recede from view, to cede sexual space, or to be quiet and polite.

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.  

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this NBN episode, host Hollay Ghadery speaks with Anna Veprinksa about her book of poetry, Wound Archive (Gordon Hill Press/The Porcupine's Quill, 2026).

Wound Archive is a collection of minimalist poems that archives the wound left by the concurrent ending of a relationship and the beginning of a chronic invisible illness. These poems comprise a fragmented archive in which woundedness turns language—figuratively and at times formally—upside down. The symbol of the wound recurs throughout, punctuating the ways both heartbreak and illness are experienced in the body. Find the book on the publisher's website here.

Anna Veprinska is the author of the poetry collections Bonememory (University of Calgary Press, 2025) and Sew with Butterflies (Steel Bananas Press, 2014), the chapbooks Stone Blossom (Anstruther Press, 2022) and Spirit-clenched (Gap Riot Press, 2020), and the monograph Empathy in Contemporary Poetry after Crisis (Palgrave Macmillan, 2020), which received Honourable Mention in the Memory Studies Association First Book Award. She won the 2025 Chinook Poetry Contest, was a finalist for the 2024 Ralph Gustafson Prize, and was shortlisted for the 2023 and 2021 Austin Clarke Prize in Literary Excellence. She is an Assistant Professor in the Department of English at the University of Calgary. Her collection of poetry Wound Archive was released spring 2026.

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Feeling worn out by the work of resistance? How do you persevere?

Today’s book is: Living Resistance: An Indigenous Vision for Seeking Wholeness Every Day, by Kaitlin B. Curtice. In an era in which "resistance" has become tokenized, Kaitlin Curtice reclaims it as a basic human calling. Kaitlin Curtice shows that we can learn to practice embodied ways of belonging and connection to ourselves and one another through everyday practices, such as getting more in touch with our bodies, resting, and remembering our ancestors. She explores four "realms of resistance"—the personal, the communal, the ancestral, and the integral—and shows how these realms overlap and why all are needed for our liberation. Readers will be empowered to seek wholeness in whatever spheres of influence they inhabit.

Guest: Kaitlin B. Curtice is an award-winning author, poet-storyteller, and public speaker. As an enrolled citizen of the Potawatomi nation, she writes on the intersections of spirituality and identity and how that shifts throughout our lives. She writes online for On Being, SELF Magazine, and more. Her work has been featured on CBS and in USA Today. Her books include Native, Living Resistance, and Everything Is A Story. She writes The Liminality Journal.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.

Listeners to this episode may also be interested in:

• How We Show Up
• Indigenous D.C.
• We Refuse: A Forceful History of Black Resistance
• What Might Be
• The Diné Reader
• Night of the Living Rez
• A Calm and Normal Heart
• Becoming the Writer You Already Are
• The Lost Journal of Sacajewea
• How can mindfulness help?

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

This episode was originally published on May 11, 2023

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader (Columbia University Press, 2026) is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

Yigal Bronner is a Sanskritist whose areas of interest include literature, literary theory, and South Asian intellectual history more generally. He worked on this volume while teaching in the Department of Asian Studies at the Hebrew University of Jerusalem and now teaches in the Department of History, Classics, and Religion at the University of Alberta. His books include Extreme Poetry: The South Asian Movement of Simultaneous Narration (2010) and A Lasting Vision: Dandin's Mirror in the World of Asian Letters (2023).

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this NBN episode, host Hollay Ghadery speaks with Chris Banks about his poetry collection, The Bureau of Useless Splendor (ECW Press, 2026). 

Poet Chris Banks is immersed in what is wondrous and strange about human connection, pop culture, and most importantly, the elusive search for understanding and hope in an accelerating century marked by socioeconomic disparity and climate change.

Banks writes direct, accessible poems with strong allusions and 100% certified “fresh” images so seasoned poetry fans and those not accustomed to the genre can both find something to enjoy. He reminds readers that everyone needs “a bushel of smiles” or “a first aid / kit of laughing gas” to poison our anxieties with joy, and he does not shy away from difficult topics like toxic masculinity or mental health struggles. “Beauty is not beauty / without the ugliness surrounding it,” Banks says.

In Bureau of Useless Splendour, Banks lets his imagination roam across the science of DNA sequencing, internet memes, space-time physics, Canadian nationalism, a lunar discussion between Canadian poet Gwendolyn MacEwen and American poet Frank Stanford, and even reimagined fortune cookie “fortunes” — as if to illustrate that tucked away among the allusions to pop culture and Shakespeare, poems about Johannes Gutenberg and the Martian mountain Olympus Mons, there exists a dusty old office where the poet sits, creating vivid, delightful pieces and mischievous “invoices” dedicated to the beauty and wonder of this world.

Chris Banks is a Pushcart-nominated Canadian poet with eight collections of poems. He has won two national awards, and his poems have appeared across Canada and the United States. Banks runs The Woodlot, a Canadian poetry reviews and essays website. He lives and writes in Kitchener, ON.

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet (Academic Studies Press, 2025) makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.

Daria Smirnova holds a Ph.D. in Comparative Literature from the University of Oregon and a degree in Linguistics from Russia. Inspired by years of traveling between languages and cultures, her research explores literary translation, bilingualism, and transmediation. Daria's current archival research examines the role of translation in shaping literary canons.

Amber Nickell is Assistant Professor of History at Louisiana State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Night Breaks in the Garret: Poems and Peregrinations (Finishing Line Press, 2026), Yermiyahu Ahron Taub provides a meditation not so much on the search for home, but on the coming to terms with what is, here and now, home. The poet engages the distant past and the pressing present as well as various companionate figures. Taken as a whole, the book anchors the single queer figure within landscapes of desire, community, and politics, staking power, however fraught, in milieus long declared off limits or denied. Eight poems in the collection also have a Yiddish version.

Interviewee: Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. Taub earned a Master of Arts degree in history from Emory University and a Master of Library and Information Science degree from Queens College, City University of New York. 

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this NBN interview, host Hollay Ghadery speaks with Adriana Oniță about her poetry collection, Descântec For My Split Tongue (Palimpsest Press, 2026). This is Adriana Oniță’s first book of poetry, and it gathers English-Romanian poems that travel across generations, homelands, and dreamscapes to ask: what do we lose when we lose a language? Drawn from Oniță’s childhood and her immigration from Jilava to Edmonton, the poems explore dor—a Romanian word for deep longing—for her mother tongue. Along the way, Oniță unpacks “untranslatable” Romanian words and proverbs, each a compressed zip file of culture, humour, grief, and courage. The book itself becomes a descântec—part incantation, part prayer, part spell—summoning both the failures and the triumphs of translation into a ritual of healing.

Adriana Oniță is a poet, artist, educator, translator, and researcher with a PhD in arts-based language education. She writes and teaches in English, Romanian, Spanish, French, and Italian. Her multilingual poems appear in CBC Books, The Globe and Mail, The Ex-Puritan, Canthius, Tint Journal, and in her chapbooks: Misremembered Proverbs (above/ground press, 2023) and Conjugated Light (Glass Buffalo, 2019). As founder of The Polyglot, she is proud to have published more than 250 writers, translators, and artists working in over 60 languages. She lives between Edmonton and Italy. Discover her work at adrianaonita.com

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.  
 

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today.

Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.

Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM).

Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College.

Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter.

Playlist:

• Thanks to Life
• The Madres de la Plaza de Mayo
• The Things We Didn't Know
• In The Garden Behind The Moon
• The Common
• The Translators Daughter
• We Take Our Cities With Us
• A Calm and Normal Heart
• The Names of All the Flowers

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.