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Our conversation with Nina Ruscio, the production designer of The Pitt, continues this week with further details of how unprecedented her design for HBO's Emmy-winning Best Drama really is. Nina compares her work on this show with other large projects she's designed; reveals the incredible amount of interior and exterior detail she puts into her designs, and how shooting The Pitt is very much like filming a play that’s happening live; gives props to fellow Cal alum Cathy Sandrich Gelfond on her Emmy win for casting The Pitt; shares the pleasure of working with star and executive producer Noah Wyle; and revels at how highly regarded The Pitt is by the medical community they’re depicting. (Length 15:14)
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Our conversation with Nina Ruscio, the production designer of The Pitt, continues this week with further details of how unprecedented her design for HBO's Emmy-winning Best Drama really is. Nina compares her work on this show with other large projects she's designed; reveals the incredible amount of interior and exterior detail she puts into her designs, and how shooting The Pitt is very much like filming a play that’s happening live; gives props to fellow Cal alum Cathy Sandrich Gelfond on her Emmy win for casting The Pitt; shares the pleasure of working with star and executive producer Noah Wyle; and revels at how highly regarded The Pitt is by the medical community they’re depicting. (Length 15:14)
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