Author James Finn Garner (Politically Correct Bedtime Stories) returns to discuss his latest satire, Politically Correct Peter Pan, and the difficulties of staying ahead of contemporary sensibilities. Garner reveals how his background as an actor informs his writing; how he gets to do what he loves; how he prefers editing what he's written to actually writing; the fun of playing in sandboxes other authors have created; the opportunities of his glorious Substack; and finally, the phenomenon of "Pansplaining." (Cover art by Lia Garner.) (Length 21:24)

What happens when you’re a five-person theatre company whose stage manager is too sick to fly and the shipping company won’t deliver your props and costumes? Reed Martin explains what happened last month when those hiccups affected our performances of The Ultimate Christmas Show (abridged) in Oregon and Washington. It’s a tale of improvisation; scrambling and calling on reserves; promoting from within; early mornings and late nights; the beauty of muscle memory; all hands being on deck all across the country; getting the chance to admire beautiful scenery; not panicking; the show going on; and the whole thing turning into a Christmas (ultimate) miracle. (Length 19:47)

Mary Hartman, the director of education at Bard on the Beach Shakespeare Festival in Vancouver, BC, Canada, shares her philosophy for Shakespeare education and its emphasis on play. Mary reveals why threads is a better term than themes; how Shakespeare’s plays should not be poetry readings; how she's developed the Discovery Zone, an extensive free resource for both students and educators; and how so much of Shakespeare’s power is not just in his words, but in the relationship of actors to each other and to the audience. NOTE: This conversation was recorded the night before we learned Tina Packer, the Founding Artistic Director of Shakespeare & Company in Lenox, Massachusetts and an acclaimed director, actor, writer, and teacher, died at the age of 87. Tina was a mentor to generations of artists, scholars, and educators, including Mary, and so this conversation is an unintentionally timely tribute to and celebration of the legacy of Tina Packer. (Length 19:30)

Cathy Sandrich is the Emmy-winning casting director of The Pitt, HBO's Emmy-winning outstanding drama beginning its second season this week. A veteran of various "big boy movies," Cathy reveals how she sees thousands of actors for hundreds of roles; the supreme importance of lists; how one starts over with every project; the importance of strong and truthful choices; how casting directors have to audition just like actors and, also like actors, don't like to be pegged; how good is always good but sometimes not quite right; and, most encouragingly, how great auditions are never wasted. (Length 22:09)

On its 30th anniversary, we present the complete audio of The Reduced Shakespeare Company Christmas, which walked so The Ultimate Christmas Show (abridged) could run, and was first recorded and broadcast on Public Radio International in 1995. Featuring conversations with both the crew of Yule-Sat and Charles Dickens; festive (and occasionally dated) partying at the RSC HQ in Northern California; the ten-minute "The Complete Christmas Carol (abridged);" and the original in-context version of that would-be holiday classic "Mrs. Santa Claus." (Length 47:35)

Jon Hudson Odom and Helen Jon Lee (above) reveal how they bring surprising joy to their portrayals of the iconic Mr. and Mrs. Cratchit in this year's Goodman Theatre production of A Christmas Carol. Jon and Helen share the various productions that have inspired them; how they keep the performances fresh; how their own families shape their instincts; how the Cratchits code-switch; the moving and very personal interactions they've had with audience members; the value of avoiding "toxic positivity;" the Shakespearean nature of this classic text; and the importance of scorning the kind of modern-day Scrooges who would find this kind of diversity too "woke." Also: a special appearance by Erin Allen, producer and host of the WBEZ podcast Curious City. (Length 22:52)

Gregory Hirte (above) reflects on the twenty-five years (!) he's been in the Goodman Theatre's annual production of A Christmas Carol, and how both he and the show have changed in that time. Hirte reveals the benefits of being both an actor and a musician; the challenge of going where the work is; how he got started with Chicago's famed Piven Theatre Workshop; tales of onstage mishaps; his vote for, not the best, but the fastest Scrooge; and finally, how the beauty of the story keeps bringing back actors – and audiences – year after year. (Length 18:35) (PICTURED, above: Gregory Hirte in the 2023 Goodman Theatre production of A Christmas Carol, directed by Jessica Thebus. Photo by Liz Lauren.)

Matt Croke, Reed Martin, and Austin Tichenor remember the creation of the RSC's second radio show The Reduced Shakespeare Company Christmas in 1995, and how it paved the way for the RSC's eighth stage show The Ultimate Christmas Show (abridged). Matt, Reed, and Austin reveal their audio inspirations (like Firesign Theatre and 'Weird Al' Yankovic); how the new golden age of radio is called podcasts; how we failed to achieve novelty hit status with "Mrs. Santa Claus;" how we incorporated inside-baseball Ringling Brothers jokes and personal holiday memories; and how the heart the recording is its ten-minute reduction A Little Dickens: The Complete Christmas Carol (abridged); and how Austin went from playing parody Scrooge to playing the real guy for Chicago's Goodman Theatre. (Length 15:02)

Friend of the pod Katherine Scheil is the author of Imagining Shakespeare’s Wife: The Afterlife of Anne Hathaway and the co-editor of the upcoming Palgrave Handbook of Shakespearean Biofiction, is the perfect person to talk about Chloé Zhao's film version of Hamnet, Maggie O’Farrell’s 2020 novel. Scheil highlights some of the differences between the novel and the film; some head-scratching marketing choices; how the novel and (especially) Jessie Buckley's performance, empower Shakespeare's wife in a way we've never seen before; and a curious similarity between Paul Mescal in Hamnet and Tim Allen in Galaxy Quest. (Length 23:21)

Folger Shakespeare Library director Farah Karim-Cooper's new book All the World's Your Stage explores for readers of all ages the life and times of William Shakespeare through eight of his most popular plays. Dr. Karim-Cooper discusses how this was one of her hardest books to write and reveals the surprising title of her favorite Shakespeare play; the relationship between profanity and a love of language; Shakespearean mythbusting; the confessions of a Texan sailor’s daughter; the value of Shakespeare – as well as museums, arts, and humanities – beyond their “relevance;” ; how Shakespeare wrote what may be the first Black power speech; and the importance of studying Shakespeare on the stage as well as on the page. (Length 27:37) (Photo of Farah Karim-Cooper above by Henri T.)