Since being named general secretary of China's ruling Communist Party, Xi Jinping has exerted his power to control historical narratives in China. But in his new book, Sparks, Pulitzer Prize-winning reporter Ian Johnson profiles the people who've fought back to record – and report – the country's full history, including famines, virus outbreaks and ethnic conflicts. In today's episode, Johnson speaks with NPR's John Ruwitch about how the advancement of technologies like PDFs, digital cameras and VPNs have allowed journalists, filmmakers and artists to correct China's collective memory.

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Roman Stories, the new collection of short stories by Jhumpa Lahiri, captures the tensions of a rapidly-changing Rome, Italy. In today's episode, Lahiri speaks with NPR's Leila Fadel about how growing up as the daughter of immigrants in the U.S. and later moving to Italy as an adult has complicated ideas of home and belonging for her – and how ultimately, home might be of a mental state rather than a physical place.

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Today's episode is about two books that examine the United States' relationship with other countries during contentious moments in history. First, Here & Now's Robin Young speaks with Daniel James Brown about his book, The Boys in the Boat, which profiles the American rowing team that beat Germany during the 1936 Olympics. George Clooney's film adaptation comes out later this year. Then, NPR's Frank Stasio chats with Kai Bird and Martin J. Sherwin about American Prometheus, the biography of J. Robert Oppenheimer behind this summer's blockbuster.

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We can't do a week about books turned into films without speaking with John Grisham. In today's episode, the author of The Pelican Brief and The Innocent Man speaks with our host Andrew Limbong about writing a follow-up to his hit The Firm after three decades. The Exchange follows lawyer Mitch McDeere's work across the globe – and on a pro bono case. Here, Grisham gets frank about how his trust in the justice system has changed, and how his views on Hollywood have, too.

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The Color Purple is about the survival of Black women in a male-dominated world. Author Alice Walker said that she just wrote what happens in the real world. The book has been made into a film and a Broadway musical already – now it's being turned into a new musical film. In 1982, Walker told former NPR reporter Faith Fancher that "one of the reasons I wanted to have strong, beautiful, wonderful women loving each other is because I think that people can deal with that. [...] I think that the people who are uptight and bigoted and afraid in their own lives will have difficulty."

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Isabel Wilkerson followed her novel about The Great Migration, The Warmth of Other Suns, with another book that looks at why it happened. Caste – recently made into a film by director Ava DuVernay – argues that caste and not racism is actually what Black people were fleeing when they left the Jim Crow South. Wilkerson told Throughline's Ramtin Arablouei and Rund Abdelfatah that the term racism is rooted in hate but caste is about "power and how those other groups manage and navigate and seek to survive in a society that's created with this ranked hierarchy."

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This week, we're hearing from authors whose works have been adapted to the big screen. In this 2017 interview, NPR's Steve Inskeep asks David Grann about his nonfiction book Killers of the Flower Moon, which recounts how white settlers conspired to kill members of the Osage Nation in the 1920s in order to take over their oil-rich land in Oklahoma. The story – which also involves the FBI's first major homicide investigation – is at the center of Martin Scorsese's latest film.

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Poet Franny Choi knows that marginalized communities have been facing apocalypses forever. But in her new book, The World Keeps Ending and the World Goes On, she uses their survival as a way to look forward. In this episode, she tells NPR's Leila Fadel how understanding that pain and resilience can ultimately be a source of hope. Then, former U.S. poet laureate Billy Collins discusses his new collection of very short poems, Musical Tables, with NPR's Scott Simon – and gets into the complexities of how sometimes saying less can offer so much more.

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Charlayne Hunter-Gault is a trailblazing journalist. The first Black reporter for The New Yorker's "Talk of the Town" section, she's spent more than a half-century reporting on the lives of Black Americans. Her newest book, My People, is a collection of pieces written throughout her career that provide a nuanced look at Black communities across the U.S. In this episode, she speaks to NPR's Michel Martin about how our country's understanding of race has changed since she first began working as a journalist, but how some things – like the bans on books by certain authors – kind of stay the same.

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Bora Chung's collection of short stories, Cursed Bunny, jumps across different characters and genres, but there's something a little sinister in nearly all of them. In this episode, Chung speaks to NPR's Ayesha Rascoe about how bodily autonomy, social stigma and cultural norms played a big part in one particular horror story – which is actually rooted in something the author experienced in real life.

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