Abraham Lincoln made history in 1863 when he issued the Emancipation Proclamation, effectively freeing enslaved people across the U.S. But he expected it to cost him reelection. In his new book, And There Was Light, Pulitzer prize-winning biographer Jon Meacham dives into how Lincoln's moral vision allowed him to stand his ground, even in the face of great criticism. Meacham tells NPR's Steve Inskeep that Lincoln's views on God and morality can teach us a thing or two in today's political climate.

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In this episode, we share two interviews on novels that explore how horror can be found within – and beyond – the laws of nature. First, Megan Miranda takes NPR's Elissa Nadworny into the North Carolina woods to set the scene for her book, The Last to Vanish, about disappearing hikers. Then, Stephen King and his son Owen tell Mary Louise Kelly about the supernatural rage that overcomes the women in their novel, Sleeping Beauties.

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Pulitzer Prize winning-author Annie Proulx tells Leila Fadel that she learns by writing. So when she wanted to better understand the wetlands – and how they're being affected by the climate crisis – she dove into nonfiction. Her new book, Fen, Bog & Swamp, does not concern itself with how the natural world serves humans, but rather how it serves itself.

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Poet and filmmaker Fatimah Asghar lost their parents at a young age. But they tell Scott Simon that they didn't grow up with a lot of stories that accurately captured the experience of being an orphan. In their debut novel, When We Were Sisters, Asghar describes life on the margins for three Muslim-American siblings left to raise one another.

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Geena Davis is no stranger to the spotlight. But in her new memoir, Dying of Politeness, the Academy Award-winning actor remembers growing up full of insecurities and self-criticisms. She tells Rachel Martin that acting gave her the "ability to be somebody else" – and over time, she gained her confidence by watching none other than her Thelma and Louise co-star, Susan Sarandon, walk through the world with her head held high.

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April Ryan and Ayesha Rascoe both know what it's like to cover the White House as Black women. In this episode, the two journalists discuss the importance of taking up space and looking out for one another in that environment, including throughout the Trump presidency. Ryan's new book, Black Women Will Save the World, combines memoir, reporting and analysis to highlight the strength of trailblazers like Stacey Abrams, LaTosha Brown and herself – but she also opens up about the personal cost of always having to be resilient.

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In this episode, we share two interviews on books that look at the ways in which food and family go hand in hand. First, NPR's Scott Simon talks to singer Linda Ronstadt about her memoir Feels Like Home, in which she writes about living by the Mexican-American border and how food brought her closer to those around her. Then, Scott Simon visits French chef Jaques Pepin at his house to talk about his book Art of the Chicken. Pepin tells Simon that cooking a good meal at home helps him hold on to the memory of his late wife. Both books feature recipes close to the writers' hearts.

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Young adult author Emiko Jean is out with her first book for adults – Mika in Real Life. In this episode, we hear Jean in conversation with WBUR's Celeste Headlee about the book, in which a teen girl – Penny – tries to connect with her birth mother Mika. Jean says that just as Penny and Mika struggle to figure out who they are, much of the book mirrors the author's own identity struggle as a Japanese-American woman.

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In this episode, WBUR's Robin Young talks with author Andrew Sean Greer about his new novel Less is Lost, the sequel to his Pulitzer Prize-winning Less. This time, Greer's protagonist Arthur Less takes a tour of America in a van, and in the process learns about what it means to be an author today. Less is disappointed by how things are going, but doesn't realize how good things actually are for him. Greer says that he almost didn't write a second book, but by satirizing the literary crowd, he saw the importance of critiquing himself.

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In her memoir Making a Scene, actress Constance Wu writes about the sexual harassment and abuse she faced on her breakout show Fresh off the Boat, and why she hesitated to speak out at first. She tells WBUR's Scott Tong that "trauma and feelings don't go away simply because you will them to." And when she finally spoke up about that trauma on social media, she received a wave of online hate. A warning that this episode – and the book – includes descriptions of assault and a suicide attempt.

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