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It was never Chris Redd’s dream to be on ‘Saturday Night Live.’ And yet the rapper-turned-comedian seemed to just be hitting his stride on that show when it was abruptly announced less than two weeks before the 48th season premiere that he was leaving the cast. In this episode, the comedian unpacks the mysterious circumstances surrounding his departure and talks about grabbing the spotlight for himself in his new HBO Max stand-up special ‘Why Am I Like This?’ Redd also shares the gory details from the attack outside of the Comedy Cellar in New York that recently landed him in the hospital and weighs in on the controversy surrounding Kanye West, who he memorably portrayed on SNL and was apparently not a fan of his impression.
Follow Chris Redd on Twitter @Reddsaidit and Instagram @chrisreddis
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
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In this preview of our upcoming episode with Chris Redd, dropping next Tuesday, the comedian and recent SNL alum opens up about the brutal attack outside of the Comedy Cellar in New York that left him bloodied and landed him in the hospital last week.
Subscribe to The Last Laugh now to hear our full conversation when it’s released next Tuesday, November 8th.
Follow Chris Redd on Twitter @Reddsaidit and Instagram @chrisreddis
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Nick Kroll is an actor, stand-up comedian and co-creator of one of the funniest shows on television, ‘Big Mouth.’ Season six of the Emmy-nominated animated series just dropped on Netflix and Kroll joins us to talk all about how it continues to push the envelope and how its themes led to his first real hour of stand-up, ‘Little Big Boy,’ also streaming on Netflix. He also explains why so-called “woke culture” has never stopped him from getting away with “crazy shit” on screen, shares the story of auditioning for SNL alongside John Mulaney, teases the ‘Big Mouth’ spinoff show ‘Human Resources’ and a lot more.
This episode was originally published on October 22, 2019
Follow Nick Kroll on Twitter @nickkroll and Instagram @nickkroll
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Comedian Fortune Feimster has had an incredibly busy two years. And she put as much of it as she could fit in her new Netflix stand-up special ‘Good Fortune.’ In this bonus episode, Feimster returns to the podcast to discuss how she wanted to move past her coming out story in her second Netflix hour, explain why she decided to respond to a particularly “nasty” Instagram message on stage and share stories from the set of the upcoming action series in which she co-stars with Arnold Schwazenegger.
Follow Fortune Feimster on Twitter @FortuneFeimster and Instagram @fortunefeimster
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Melissa Villaseñor was among the eight cast members to leave ‘Saturday Night Live’ after its most recent season. And in this episode, she opens up for the first time about everything that led her to the difficult decision to step away from the show that had become her home for the past six years. The comedian and author of the new book ‘Whoops… I’m Awesome’ also talks about how she got her start doing celebrity impressions on ‘America’s Got Talent,’ looks back at the most surreal highlights from her time on SNL and shares some thoughts about what she wants to do with her life now that she has left that high pressure job behind.
Follow Melissa Villaseñor on Twitter @melissavcomedy and Instagram @melissavcomedy
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Buy ‘Whoops… I’m Awesome: A Workbook with Activities, Art, and Stories for Embracing Your Wonderfully Awesome Self’
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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When Trevor Noah announced he would be stepping down as host of ‘The Daily Show,’ he cited a conversation with Roy Wood Jr. as part of what made him decide it was time to move on. In his return to the podcast, the longtime ‘Daily Show’ correspondent, who started the same day as Noah, talks about this huge moment of transition for the show and addresses the speculation that he is on the short list to take over as host. Wood also opens up about how Jerrod Carmichael’s ‘Rothaniel’ special lit a fire under him to put out his own deeply personal hour of stand-up and previews how he might cover Herschel Walker when ‘The Daily Show’ travels to Atlanta for the midterms.
Follow Roy Wood Jr. on Twitter @roywoodjr and Instagram @roywoodjr
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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It wasn’t until Judy Greer had more or less given up on becoming a Hollywood star that it finally started to happen for her. The perennial “best friend” in early aughts rom-coms like ‘13 Going on 30’ and ‘The Wedding Planner’ has spent the past few years popping up in huge franchise films like ‘Ant-Man,’ ‘Jurassic World’ and this month’s ‘Halloween Ends.’ Now, she is the co-lead—and the funniest part—of Hulu’s high-profile meta-sitcom ‘Reboot.’ In this episode, Greer opens up about her uniquely prolific career and explains why she no longer covets the type of massive fame she once desired. She also reflects on her big breakthrough comedy role on ‘Arrested Development’ and shares her reaction to the ugly drama behind the scenes.
Follow Judy Greer on Twitter @missjudygreer and Instagram @missjudygreer
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Hasan Minhaj has had a very busy five years between the release of his first big stand-up special ‘Homecoming King’ in 2017 and the premiere this week of his new hour The King’s Jester on Netflix. The former ‘Daily Show’ correspondent roasted Trump in absentia at the White House Correspondents Dinner, launched and ended his weekly Netflix series ‘Patriot Act’ and found himself in the crosshairs of the Saudis for his unflinching criticism of Crown Prince Mohammed bin Salman. All of it and more form the heart of his new special, which Minhaj discusses at length in this episode. The comedian also opens up about the moment he realized he may have crossed a line with his comedy, reveals an elaborate prank he pitched to Nathan Fielder, addresses the accusations of a toxic work environment at ‘Patriot Act’ and a lot more.
Follow Hasan Minhaj on Twitter @hasanminhaj and Instagram @hasanminhaj
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Jena Friedman is a former ‘Daily Show’ field producer, an uncompromising stand-up comedian and, as of this past year, an Oscar-nominated screenwriter for ‘Borat Subsequent Moviefilm.’ Now, she is headlining her own hour-long stand-up special ‘Ladykiller’ on Peacock and taking on the true crime industrial complex as the host of ‘Indefensible,’ which premieres its second season on SundanceTV and AMC+ next month. In her second appearance on the podcast, Friedman talks about exposing “crisis pregnancy centers” in ‘Borat,’ weighs in on “Missing White Woman Syndrome,” and shares her thoughts on the death of John McAfee, with whom she conducted the definitive interview for her previous show ‘Soft Focus.’
This episode was originally published on October 12, 2021
Read Matt Wilstein’s review of Jena Friedman’s new special ‘Ladykiller’
Follow Jena Friedman on Twitter @JenaFriedman and Instagram @jenafriedman
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Comedian Sheng Wang has spent much of his comedy career trying to hide in plain sight. Now, thanks to a boost from his longtime friend and colleague Ali Wong, he is reluctantly stepping into the spotlight. In this episode, Wang opens up about everything that led to his first hour-long stand-up special ‘Sweet and Juicy,’ which premiered on Netflix earlier this month and also marks Wong’s directorial debut. He breaks down how seeing the late, great Mitch Hedberg perform forever changed the way he thought about comedy and tells stories about getting judged by Norm Macdonald on ‘Last Comic Standing,’ channeling his own childhood as a writer on ‘Fresh Off the Boat,’ the origins of his most famous bit about ripe avocados and more.
Follow Sheng Wang on Twitter @shengwangtime and Instagram @shengwangtime
Follow Matt Wilstein on Twitter @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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