Obsessed: The Podcast

Alison Brie had one of the luckiest big breaks in the history of television. Before the age of 30, she managed to simultaneously co-star on TV’s most celebrated drama (‘Mad Men’) and most obsessed over comedy (‘Community’) before the age of 30. In the seven years since those two shows ended their iconic runs, she has gone toe-to-toe with both comedy stars like Will Ferrell and acting legends like Meryl Streep on the big screen and rose to the top of the call sheet in her beloved Netflix series ‘GLOW.’ In this episode, Brie talks about making the move to indie film screenwriting with ‘Horse Girl’ and now her Italy-set comedy ‘Spin Me Round.’ She also addresses whether fans can expect to see Chevy Chase in the eventual ‘Community’ movie, explains why she felt the need to apologize for her voice work on ‘Bojack Horseman’ and a lot more.

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Highlights from this episode and others at The Daily Beast

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Jay Duplass never wanted to be an actor. For years, he remained entirely behind the scenes of the intimate indie films he wrote and directed with younger brother Mark Duplass. Then, he was handed the role of Josh Pfefferman in ‘Transparent,’ which transformed his life and career more than he ever could have imagined when he still thought it was a little “web show” for Amazon. In this episode, Duplass reveals how his latest acting gig as “Mr. COVID” Jesse Bloom on HBO’s ‘Industry’ was inspired by Jeff Bezos, opens up about the difficult decision to separate from his brother professionally, explains why it would be “unthinkable” for a cis actor to play Jeffrey Tambor’s role on ‘Transparent’ today—even if that’s what viewers “needed” at the time—and a lot more. 

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Highlights from this episode and others at The Daily Beast

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Emmy-nominated comedian and actress Natasha Rothwell talks about her very big year, from facing off with Jennifer Coolidge in ‘The White Lotus’ to stealing scenes in the final season of ‘Insecure.’ And things are only looking up from here, with two new shows in development at HBO, a third in the works with Disney-ABC and a mysterious role in the upcoming ‘Wonka’ movie starring Timothée Chalamet. In this episode, Rothwell opens up about auditioning for ‘Saturday Night Live’ as part of that show’s “clunky” search for a Black female cast member and ending up as a writer instead, getting hired as a writer on ‘Insecure’ before landing her breakout role as Kelli and returning to her dramatic roots as Belinda in ‘The White Lotus,’ a role that became very different after she was cast.   

This episode was originally published on November 16, 2021

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Highlights from this episode and others at The Daily Beast

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Comedian Dave Foley is thankful to be the narrator and not one of the subjects of Vice TV’s ‘Dark Side of Comedy’ docuseries. The co-founder of the iconic sketch group ‘Kids in the Hall,’ which premiered its long-awaited sixth reunion season on Amazon Prime Video earlier this year, had his share of life-threatening troubles before cleaning up his act and finally getting sober a few years back. In this episode, Foley talks about why so many comedians have dark backstories, traces the contentious history of ‘Kids in the Hall,’ recalls the best audition of his career for the role of Michael Scott on ‘The Office’ and reflects on working with outsized personalities like Andy Dick, Joe Rogan and Phil Hartman on ‘Newsradio.’

Follow Dave Foley on Twitter @DaveSFoley and Instagram @davefoley

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Highlights from this episode and others at The Daily Beast

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Sharon Horgan can’t seem to stop creating television shows. From ‘Pulling’ to ‘Catastrophe’ to ‘Divorce’ to ‘Motherland’ to ‘Shining Vale’ to her latest, the Apple TV+ comedy thriller ‘Bad Sisters,’ she is one of the most prolific TV showrunners in the game. In this episode, Horgan talks about going outside of her comfort zone for her new show and creating her first truly villainous character after years of writing flawed but ultimately sympathetic figures. She also reflects on how she met her ‘Catastrophe’ co-creator and co-star Rob Delaney on Twitter, remembers her final dinner with the late Carrie Fisher (who just happened to bring along Salman Rushdie) and looks ahead to the even more personal show she’s hoping to create next.  

Follow Sharon Horgan on Twitter @SharonHorgan and Instagram @sharonhorgan

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Highlights from this episode and others at The Daily Beast

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Adam Scott is best known for his roles in workplace comedies like ‘Parks and Recreation’ and ‘Party Down,’ which makes him the perfect actor to subvert that genre in Ben Stiller’s new deeply disturbing workplace thriller ‘Severance.’ In this episode, Scott talks about the “mind fuck” of playing two versions of one character in the excellent new Apple TV+ series and looks back on highlights from his comedy career, from his game-changing role in ‘Step Brothers’ to his long-running stint on ‘Parks and Rec’ and a lot more.

This episode was originally published on February 22, 2022

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Highlights from this episode and others at The Daily Beast

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Abby Elliott had been holding out for a role like Sugar on a show like ‘The Bear.’ Despite four mostly successful seasons on ‘Saturday Night Live’—she is still the youngest woman ever hired and the only second generation cast member, following in her father, Chris Elliott’s, footsteps—the comedian and actress struggled a bit to find her footing in Hollywood in the 10 years since was cut loose from the show. In this episode, Elliott opens up about how meaningful it has been to be part of a show that has connected with viewers so intensely and what it was like to be thrust into the cutthroat world of SNL so young—something she says she’s still working through in therapy. She also reveals the Chicago-based actress she wants to see play Carmy and Sugar’s mother in season two of ‘The Bear’ and confirms that Jon Bernthal really is that charismatic in person. 

Follow Abby Elliott on Twitter @elliottdotabby and Instagram @lilcutieforever

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Highlights from this episode and others at The Daily Beast

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What’s the difference between challenging stereotypes and perpetuating those same stereotypes? That’s just one of the many questions international comedy superstar Jo Koy tries to get to the bottom of on this episode. Koy talks about putting the jokes aside to deal with the harsh realities of his childhood as a half-Filipino, half-white kid in his new memoir ‘Mixed Plate’ and breaks down how he forged his own comedy path, refusing to take no as an answer from Netflix and gaining Steven Spielberg, who’s producing a new movie based on his life, as a fan. He also tells stories about turning down the chance to be Chelsea Handler’s sidekick and shares his reaction to mentor Jay Leno’s recent apology for decades of anti-Asian jokes.

This episode was originally published on April 6th, 2021

Buy ‘Mixed Plate’ on Amazon

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Highlights from this episode and others at The Daily Beast.

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Before D’Arcy Carden landed the role of a lifetime as Janet on ‘The Good Place,’ she was starting to worry her comedy career might never take off. And yet, in the less than six years since that show premiered on NBC, she has earned an Emmy nomination, appeared with her former babysitting boss Bill Hader on ‘Barry’ and is now about to star opposite her best friend Abbi Jacobson in a high-profile reimagining of ‘A League of Their Own’ on Amazon Prime Video. In this episode, Carden opens up about how she turned things around and expresses her shock and disappointment at her ‘Barry’ co-star Sarah Goldberg’s Emmy snub. She also reminisces about the early days of UCB, shares the important lesson she learned about screen acting during her first TV gig on ‘Broad City’ and recalls the demoralizing experience of being an extra on ‘Saturday Night Live.’

Follow D’Arcy Carden on Twitter @DarcyCarden and Instagram @darcycarden

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Highlights from this episode and others at The Daily Beast

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Henry Winker has repeatedly doubted himself throughout his long and storied career. From landing the coveted role of Arthur Fonzarelli on ‘Happy Days’ to winning his first Emmy Award for playing Gene Cousineau on Bill Hader’s ‘Barry,’ the beloved actor has struggled to overcome what only became known as “imposter syndrome” in recent years. “I invented the syndrome!” Winkler says in this week’s episode. On the heels of his third consecutive Emmy nomination for ‘Barry,’ we break down that show’s “intense” season finale. Winkler also tells stories about his struggles to find work after The Fonz, explains how Adam Sandler helped revive his comedy career, reveals why he turned down hosting SNL, recalls his funniest line from ‘Arrested Development’ and so much more. 

Follow Henry Winkler on Twitter @hwinkler4real

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Highlights from this episode and others at The Daily Beast

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