When Adam Devine was in fourth grade, a bully turned the entire class against him, and it took Adam nailing his performance in that year’s school play for his social prospects to start looking up. One great scene made the entire audience laugh, and after the play, he was greeted by praise. “From that moment on, I realized that no matter what was happening in my life, I could be good at acting and that can be my thing.”The following year, Adam suffered a near fatal collision with a cement truck which broke most of the bones in his body. When he wasn’t relearning how to walk, he had plenty of time to himself to watch TV, movies, and old SNL clips. He began writing his own sketches and regularly calling in to the local radio station as his idol Chris Farley. By the time he recovered from the accident, Adam had taught himself how to write and had a natural instinct for comedy.When college came around, Adam opted to go to community college in California to pursue comedy instead of going to state school in his hometown of Omaha, Nebraska. It ended up being the right choice, because Orange Coast Community College is where he met likeminded creative friends Kyle Newacheck and Blake Anderson. They began writing and producing sketches together, and they eventually created the hit series Workaholics. Between acting, writing, and standup, Adam does it all. Right now, you can watch him in his Netflix standup special Best Time of Our Lives, the HBO series The Righteous Gemstones, and his new film Jexi.Adam joins Off Camera to talk about the value of relentlessness, practicing standup in front of an imaginary audience, and why a slap in the face might do you some good.

Ever since three-year-old Beth Behrs saw Julie Andrews in The Sound of Music, she knew she wanted to become an actor. Beth’s perfectionist nature and her professional approach to the craft resulted in a driving ambition that got her into UCLA’s acting program and eventually led to her first role on network television as the co-star of the CBS sitcom 2 Broke Girls.Success wasn't the answer to everything though, and it brought its own set of challenges, like navigating the gauntlet that is being an actress in Hollywood. As Beth says, “We’re told so many different things in the media about how we’re supposed to be and act. When 2 Broke Girls began, I went from having no money and working as a nanny to being on a hit television show. At some point, the schedule, the pressure, and the anxiety from all of that started to break down my body.” In order to be the best actress she could be, she had to learn how to manage stress and take care of herself.Beth soon discovered the therapeutic power of meditation, nature, and horses. She got back in touch with her inner “theater kid in pajama pants”—the person she used to be before the overwhelming social pressures of Hollywood, and with her newfound wisdom, Beth wrote a book about self-care called The Total Me-Tox. She’s the first to admit that she still has plenty of work to do, so now, in addition to acting, she’s found a new calling. “I want to empower people to be who they are and be okay with that.”Beth joins Off Camera to talk about the C that derailed her acting degree, why she’s more comfortable in a character’s skin than her own, and the audition where she was told to “cry prettier."

Zach Galifianakis had his big moment of success a bit later than most. Zach was a stand-up comedian with a small but loyal following, but when the massive hit comedy The Hangover came out, his life drastically changed. At 40 years old, Zach was unaccustomed to throngs of fans and perplexed by the attention brought by fame. As he says, “No one wanted to hear me speak or ask my opinion until I got into the movies. That doesn’t make any sense.”Zach’s down to earth approach to life likely originated with his family—a naturally funny and supportive crowd who encouraged Zach to follow his dreams of performing at an early age. After school, he moved to New York City to find an acting coach who could take him under their wing and provide an entrance into the business. Success wasn’t imminent though. As Zach says, “I worked for an uncle who managed a restaurant called Tequila Willie’s, where I had to wear a sombrero and pick up my tips off the kitchen room floor. Have you ever been on the kitchen floor on your hands and knees picking up quarters with a sombrero on? It’s very uplifting. Especially, when you’re still a busboy at 28.” Zach never found his long sought after acting coach but instead discovered stand up in the back of a burger restaurant, and never looked back.Even with his roles in big budget films, Zach continues to take on interesting, outside the box projects—whether it’s being a fake talk show host in the Netflix movie adaptation of Between Two Ferns or doing impromptu stand-up at a steakhouse in Pasadena. Over the course of our conversation, you’ll realize Zach’s honesty and modesty is as endearing as it is hilarious, as awkward as it is intimate.Zach joins Off Camera to talk about his favorite Between Two Ferns moment, his mission to take the piss out of “celebrity,” and why you should dress up as a witch and go find him on the streets of Venice if you want to have a nice ten-minute conversation.

Writer, director, comedian and podcast host Scott Aukerman is a very busy man. He is perhaps best known for his hit podcast Comedy Bang! Bang! which has been introducing audiences to the most talented comedians and improv artists for the last ten years. And that’s just Scott’s “side gig.” He’s written for movies and television shows, like Mr. Show, and more recently, Between Two Ferns, a wonderfully awkward talk show hosted by Zach Galifianakis which is now a full length Netflix movie. Even with all of his success, Scott still marvels at the fact that he gets to be silly and make other people laugh for a living. He wonders, “At what point will people figure out it’s all a scam?”He grew up with comedy in his bones and an affinity for David Letterman. In high school, he hosted a Letterman-inspired news show on his town’s public access channel. And in college he frequently turned serious, academic assignments into sketches, including a particularly memorable ballet performance which got him into trouble with his teachers. As Scott says, “I heard my whole life that I didn’t take things seriously enough, and I finally realized I should go into comedy.”Scott joins Off Camera to talk about Bob Odenkirk’s role in jump starting his career, his Between Two Ferns guest pitch/disclaimer, and how on the Between Two Ferns film, he was almost too afraid to talk to, let alone direct, David Letterman.

If you haven’t seen Andrea Savage’s comedy series I’m Sorry, you should…just be prepared to laugh your butt off. As the creator, writer, and star of the series, Andrea does it all—which makes sense since the show is based on her own experiences being a comedian, wife and mom. But it is also a show about us. Andrea has found the universal truths of being a parent while being a working artist, and her observational powers reveal the absurdity and pathos in our own lives.For years, Andrea was stuck in development hell. She had a stable acting career with roles in Step Brothers, Episodes, and Veep, but true to her improv and Groundlings background, Andrea wanted to write and create as well. She was pumping out pilot scripts and selling them, but they weren’t getting made. As she says, “It was heartbreak after heartbreak of putting your all into a project, getting good notes, and then nothing. It was always the bridesmaid, never the bride.” When Andrea turned 40, the self-described “successful failure” decided to change her approach with I’m Sorry. She put together a crew with some help from her talented friends Judy Greer and Jason Mantzoukas, and she filmed her own pilot presentation.Andrea figured out that she needed to show her vision, because her story was nuanced and personal, not full of big jokes that jumped off the page. The approach worked like gangbusters. Her presentation became the first episode of the show and established her as a creator, showrunner, director, and a force to be reckoned with. As she says, “I literally just willed it to happen.”Andrea joins Off Camera to talk about why her writer’s room is better than therapy, why her lack of darkness makes her question her comedy bonafides, and her dedication to being a “joke shepherd.”

Before she became a household name from her work in projects like Fresh Off the Boat and Crazy Rich Asians, Constance Wu was a full-time waitress in credit card debt who was trying to break into the TV and film industry.Despite her BFA in acting, Constance struggled to get steady acting work for nearly a decade. Her love of the craft never wavered—no matter how tough it was to deal with the rejection. But times got so tough she finally had to ask herself, “Are you okay if you’re still waiting tables at 50 in order to supplement your income so you can do one or two plays a year?” Wholeheartedly, her answer was, “Yes.”Finally, when the creditors were stalking her, she got her big break. In 2015, she was cast opposite Randall Park in the groundbreaking and popular ABC sitcom Fresh Off the Boat, a hilarious look at life as an Asian immigrant in America. Another historic role followed with the film Crazy Rich Asians, which featured an entirely Asian cast. Most recently, she’s acting opposite J-Lo in the film Hustlers, a true story about a group of strip club employees who drugged and robbed their rich Wall Street clientele.Constance joins Off Camera to talk about how privileged she feels to have a voice in the discussion about racial diversity in Hollywood, why she still loves going to acting class, and she also reveals the joys of sucking at guitar.

Wyatt Russell was born into the film business as the son of Kurt Russell and Goldie Hawn, which can be a difficult way to grow up. But despite their massive success, Wyatt’s parents were a grounding presence who emphasized hard work. “They did a really good job of making us understand that what you get is earned, not given, and that there’s reward in earning it,” Wyatt told me. In light of that lesson and after an eye-opening trip to a hockey rink, Wyatt decided to deviate from the family way and forge his own path—he was going to be a professional hockey player.As Wyatt grew up, his NHL dream seemed more and more like a distinct possibility. He was a talented goalie, and his parents moved to Vancouver so Wyatt could compete with Canada’s best. Unfortunately, being born into a famous family brings its own unique challenges. “People were like, ‘Here comes this circus act from California. Kurt Russell and Goldie Hawn’s kid wants to be a hockey player in British Columbia.’ I had to prove myself by putting my head down, not talking, and doing the work to become the best goalie in the league.” His promising hockey career lasted into his early 20s, but a spate of injuries led to the end of his dream and the end of his identity as a hockey player. Sitting on a hospital bed after a particularly brutal hip injury, Wyatt asked himself: ““What do I do now? I have no idea what I am.”Wyatt reflected on his love of film, and despite the perilous nature of the business, he decided to pursue an acting career. But in typical headstrong fashion, he wasn’t going to ask his parents or siblings for advice. He was going to do it his own way. After getting work in a number of films such as Cowboys & Aliens, We Are What We Are, Folk Hero & Funny Guy, and more, Wyatt discovered that he not only has the chops for the business, but that he actually loves it. Wyatt’s recently made the transition to television. He’s the lead in AMC’s Lodge 49, a weird and whimsical show about an ex-surfer named Dud, who finds himself on a vision quest after the death of his father.Wyatt joins Off Camera to talk about the uncomfortable reality of fame, the mentor who helped him discover his independence, and why the locker room is the best place to learn about male vulnerability.

Off Camera is back after a short summer break with all new episodes, and we’re kicking off the new season with a game of musical chairs. Writer, actor, and Saturday Night Live alum Jason Sudeikis takes over as host, and I take the hot seat for a change.The idea came to Jason while he was running on the treadmill a couple of months ago. Mid-exercise, he texted me to see if I was interested in celebrating 200 episodes of Off Camera by allowing him to interview me. I was incredibly flattered by the offer, but I’ve always gone off the assumption, “Who wants to hear about me?” As a director and photographer, I’ve spent most of my career behind the camera, trying to peel back the layers of the creative person in front of the lens. But as I thought about it, one thing occurred to me—I could for once see what it feels like in the other chair. And after seeing Jason make the rounds as guest host on talk shows like Ellen, it was clear I’m in good hands. Maybe too good, as it turned out. Jason surprised me with his thoughtfulness, deep research, and by connecting some dots in my own history that I had never thought about before. Dare I say I liked it?Jason and I sit down to talk about the similarities between multi-hyphenates and superheroes, how the smallest act of encouragement and praise can be the greatest gift for an aspiring artist, why we film Off Camera in a vast, white room, and more.

Good old Robert Downey Jr. is back for a second time, and his career has gone quite well since his last appearance, on episode 5 of Off Camera. It is now our 200th episode, and Robert is here to remind us that great conversations should be unconventional, surprising, and sometimes just downright weird. Check, check, and check.Since the last time he was here, Robert’s Iron Man legend has grown exponentially—thanks to the massive success of Marvel’s Avengers franchise and the recent release of the final installment, Avengers: Endgame.  But if we rewind the tape, Robert’s journey on the project, like director Jon Favreau’s, started at a low point. “We were two people who had a film we were passionate about come out on the same weekend and bomb. His was Zathura, and mine was Kiss Kiss Bang Bang.” Their mutual comeuppance led to a creative bond, a big brother relationship. As Robert explains, “If that kind of synergy happens when you’re doing a movie, it’s going to be great. End of story.”Finding people who encourage and legitimize his creativity has been a theme for Robert, who despite moments of personal turmoil, possesses a deep-seated work ethic. Growing up, he was “Bob Downey’s kid,” the son of a groundbreaking, counterculture filmmaker, whose view of the industry was the following: “Anybody can act. Few can direct, and nobody can write.” Talk about humble beginnings.Robert joins Off Camera to talk about quitting (not getting fired from) Saturday Night Live after a year, why he thought (and still thinks) he could write a better script than William Goldman, and the great life advice he got from Figueroa Slim in jail.

If Scoot McNairy hadn’t found acting, it’s possible he’d be mowing lawns for a living. Scoot grew up relishing the outdoors of his native Texas, and started his own landscaping company at age 13 to make some spending money. Towards the end of high school, he had some thinking to do about his future. Since he was dyslexic, college seemed out of the question, so one day, his father asked, “What is the one thing that you could do every single day, that would get you up and out of bed, that would make you want to go to work?” Scoot’s answer: being on a movie set.Aside from being outdoors, Scoot’s other great passion was watching movies. He was fascinated by the magic of it all. And as a kid who loved to take things apart, he wanted to know how everything worked. He decided to move to Los Angeles for film school but got relatively little out of it, and felt like he needed hands-on experience on a movie set. Scoot’s fastest way in was getting work as a background actor, also known as an extra. “I swear I learned more in two weeks as a background actor on The Practice than I did in the entire year I went to film school.”Background work turned to commercial work which eventually turned to acting in television and film—thanks to an acting teacher who politely kicked him out of class so he’d start auditioning for roles instead of compulsively going to class. Because of his unconventional education, he approaches his job from a unique angle, creating very real and emotional performances in projects like Halt and Catch Fire, True Detective, Narcos, and the upcoming Quentin Tarantino film Once Upon a Time in Hollywood.Scoot joins Off Camera to talk about the dark place he had to live in to embody his True Detective character, how growing up with a learning disability helped him embrace failure, and why the only time his heart beats at a normal rate is on a motorcycle.