Sarah, Pannill, and Harvey respond to listener questions. We share some of our biggest writing influences, opine on peer-review, and offer advice for emerging scholars. Plus, one tweet makes Harvey giggle, and a lucky listener wins an On TAP coffee mug!

The co-hosts talk about Lisa Freeman's book, Antitheatricality and the Body Public, and MOOCs, plus Maaike Bleeker of University of Utrecht joins us to talk about TAPS in Europe.

Sarah Bay-Cheng talks to Oskar Eustis, Artistic Director of The Public Theater, about the state of non-profit theatres, market thinking in theatre and academia, and what stories should be the next to be told on American stages.

In this episode, Sarah, Pannill, and Harvey discuss Julia Walker and Glenn Odom's article about Performance Studies and Modernist Studies, the place of applied theatre in TAPS, and 2017-18 season announcements from regional theatres. We also end up talking about the movie Arrival.

The hosts welcome Jennifer Parker-Starbuck of the University of Roehampton in London to talk about TAPS in the UK. We also discuss arts funding in the Trump era, and David Hare's condemnation of European director's theatre.

In this first edition of 2017, Sarah, Pannill, and Harvey discuss Branislav Jakovljevic's book, Alienation Effects, the publication TheTheatreTimes.com, and uses of social media in theatre and performance academia.

With special guest Henry Bial of KU, the co-hosts talk about Theatre Studies vs. Performance Studies in 2016, the ramifications of the Presidential Election for the profession, and the statistical tools administrators use to gauge academic output.

Sarah, Pannill, and Harvey get together to discuss the 2016 job market, Emma Rice's departure from Shakespeare's Globe in London, and the ASTR conference in Minneapolis. This edition was recorded in Minneapolis, just before the 2016 election in the US.

Pannill Camp talks to P Carl of Emerson College and Howlround about gender and casting in academic theatre.

In this edition, Sarah, Pannill, and Harvey discuss Nicolas Ridout's book, Theatre and Ethics, trigger warnings in performance pedagogy, and issues related to race and casting in college theatre productions.