We live in a time of sensory overload and overwhelm. A global pandemic, an ongoing climate catastrophe, and online discourse run amok. And a sense that we are powerless to do anything about any of it. In response, artist and writer Jenny Odell has a curious prescription: do nothing. In her 2019 book How to Do Nothing: Resisting the Attention Economy, Odell advocates for occupying a space of "critical refusal": rejecting the terms of engagement as they're handed down to us and removing ourselves from the clamor and undue influence of public opinion. With lessons from ecology, art, history and beyond, Odell tells Brooke about her own journey toward more context and contemplation, and offers listeners an alternative way to think and be in relation to an overstimulating world.

This segment is from our July 12th, 2019 program, Uncomfortably Numb.

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A year and a half into the pandemic, we still don’t know how it began. This week, a look at how investigating COVID-19’s origins became a political and scientific minefield. Plus, how a mistake of microns caused so much confusion about how COVID spreads. And, making sense of the "metaverse."

1. Alina Chan [@Ayjchan], postdoctoral researcher at the Broad Institute of MIT and Harvard, on the lack of investigation into COVID's origins. Listen.

2. Megan Molteni [@MeganMolteni], science writer at Stat News, on the 60-year-old mix-up that helped COVID-10 kill. Listen.

3. Gene Park [@GenePark], gaming reporter for The Washington Post, on what the "metaverse" really means. Listen.

4. Margaret Atwood [@MargaretAtwood], novelist, on submitting a manuscript to a library of the future. Listen.

Music from this week's show:

Sacred Oracle - John Zorn
Eye Surgery - Thomas Newman   
The Old House  - Marcos Ciscar 
Tomorrow Never Knows -  Quartetto d’ Archi Dell'orchestra Sinfonica di Milano Giuseppe Verdi 
72 Degrees and Sunny - Thomas Newman
Viderunt Omnes - Kronos Quartet
Once in a Lifetime - Talking Heads

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The old US Steel building in Pittsburgh, PA is a black monolith, symbol and fortress of industrial power, soaring above the confluence of three mighty rivers. But its vista has changed. Gone is the golden, sulfurous haze. Gone are the belching smokestacks, blazing furnaces and slag-lined river valleys snaking along Appalachian foothills. The industry that sustained a region, girded the world’s infrastructure and underwrote a now-vanished way of life has long since crossed oceans. Steel City is now Healthcare City, representing almost 1 in 4 jobs in the region. Some 92,000 of them work for just one employer, the sprawling, omnivorous University of Pittsburgh Medical Center, whose logo now adorns the black-skyscraper sentinel of the Three Rivers.

But this is not just a case of a clean economy displacing a filthy one. To Gabriel Winant, author of The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America, the story of economic transformation in the Rust Belt is the story of disparity — of wealth, income and political power — that didn't vanish when the smokestacks came down. 

In this special hour, Winant tells Bob the real story behind the economic transformation that took place in the rust belt, and what it tells us about our economy, and our future, more broadly.

Music from this week's show:

Flugufrelsarinn — Kronos Quartet
Steel Mill Blues — Joe Glazer
Liquid Spear Waltz — Michael Andrews
Sacred Oracle — John Zorn (feat. Bill Frisell, Carol Emanuel & Kenny Wollesen)
Human Nature — Vijay Iyer
Pittsburgh—Joe Glazer

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Last Friday, the Department of Labor released its monthly jobs report, and the numbers were...disappointing. Expectations had rested around adding approximately a million jobs, and April yielded a meager 266,000. In a rare moment of genuine surprise in Washington, some economists said they didn’t know the exact cause of the drop. But for weeks prior to the report, the press had offered stories across the country with a simple explanation: there are jobs, but no one wants them. The great labor shortage. And as anecdotes of fast food chains begging for workers and local restaurants limiting hours poured in, so did theories of an alleged culprit keeping potential employees away: covid-era unemployment benefits were depressing America’s work ethic. Bob spoke with Heidi Shierholz, director of policy at the Economic Policy Institute, and former chief economist for the Department of Labor during the Obama administration, to find out what the numbers can really tell us, and what they can't.

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There’s a long history of campaigns to “save the children,” whether they need saving or not. This week, On the Media looks at the latest: an effort to block access to medical care for trans kids. Plus, how years of Hollywood representation — from The Crying Game to Transparent — have shaped the public’s ideas about trans people.

1. Katelyn Burns [@transscribe], freelance journalist and co-host of the "Cancel Me, Daddy!" podcast, on the the politics and propaganda behind the recent wave of anti-trans legislation, and Jack Turban [@jack_turban], fellow in child and adolescent psychiatry at Stanford University School of Medicine, on what the science tells us about gender affirming care in adolescence. Listen.

2. Jules Gill-Petersen [@gp_jls], professor of english and gender, sexuality, and women's studies at the University of Pittsburgh and author of Histories of the Transgender Child, on the long history of trans children. Listen. 

3. Imara Jones [@imarajones], creator of TransLash media and host of the TransLash podcast, on how trans visibility paves the way toward trans liberation. Listen.

4. Sam Feder [@SamFederFilm], director of the Netflix documentary “Disclosure," on how Hollywood representations of trans lives have shaped the public understanding of who trans people are. Listen.

Music:

Prelude 7: Sign and Sigil - John Zorn

Totem Ancestor - John Cage

Blackbird - Brad Mehldau

Harpsichord - Four Tet

Peace Piece - Bill Evans - Kronos Quartet

Black Is the Color / Theme from "Spartacus" - Fred Hersch

After the Fact - John Scofield

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Last Friday, remains of at least one victim of the infamous 1985 MOVE bombing were turned over to a Philadelphia funeral home, capping more than a week of confusion and re-opened wounds. MOVE members claim the remains were those of 14-year-old Tree Africa and 12-year-old Delisha Africa, among the five children and six adults killed 36 years ago this month after an anti-government, pro-environment, Black liberation group called MOVE defied arrest warrants and barricaded themselves in a West Philadelphia rowhouse. On May 13, 1985, C-4 explosives dropped on that home by Philadelphia police led to a fire that destroyed 61 homes in a predominantly Black neighborhood. Though consciousness of the bombing seems to have grown in recent years, when native Philadelphian and NPR correspondent Gene Demby reported on the 30th anniversary of the bombing back in 2015, he got a reaction he wasn't expecting: much of his audience hadn't heard of it before. 

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

This week we take a close look at how the words we choose can unknowingly condemn people caught up in the criminal justice system. Plus, the costs and complications of working as a journalist while incarcerated. And, the overlooked, self-trained women journalists of the Vietnam War.

1. Brooke tracks the evolution of language in the early days of Biden's presidency. Listen.

2. Akiba Solomon [@akibasolomon], senior editor at The Marshall Project, explains how terms like "inmate" and "offender" can distract, dehumanize, and mislead, and why "people-first" language is more appropriate for journalists. Listen.

3. John J. Lennon [@johnjlennon1], contributing writer at The Marshall Project and contributing editor Esquire, tells us what it's like to read and report the news while inside prison. Listen.

4. Elizabeth Becker, author of You Don't Belong Here, on how women journalists covered the Vietnam War in groundbreaking ways, and yet were forgotten by history. Listen.

Music from this week's show:

Tilliboyo (“Sunset”) — Kronos Quartet
Bewitched, Bothered and Bewildered — Brad Mehldau  
The Butterfly — The Bothy Band
Clonycavan Man — Gerry O’Beirne
John’s Book Of Alleged Dances  — Kronos Quartet
Carmen Fantasy —  Anderson & Row

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International Workers' Day is celebrated with rallies and protests all over the world on May 1, but it's not a big deal in the United States. Back in 2018 , Brooke spoke with Donna Haverty-Stacke of Hunter College, CUNY about the American origin of May Day — and about how it has come to be forgotten. The first national turnout for worker's rights in the U.S. was on May 1, 1886; contrary to what you may have heard elsewhere, it wasn't the same thing as the Haymarket Affair. Haverty-Stacke is also author of America’s Forgotten Holiday: May Day and Nationalism, 1867–1960, and she explains that the fight over May 1, or May Day, is also about the fight for American identity and what it means to be radical and patriotic at the same time. 

 The OTM crew (in 2018) sings "Into The Streets May First," a never-before-professionally-recorded 1935 Aaron Copland anthem:

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A jury has found Derek Chauvin guilty in the case that sparked a historic wave of protests last summer. This week we examine how fears over those protests are being channeled into restrictive new legislation across the country. And, what it’s like to drive the Mars rover from your childhood bedroom. Plus, a former child actor grapples with how his character defined him.

1. Tami Abdollah [@latams], national correspondent for USA Today, on how Republican-controlled legislatures across the country have been introducing bills to criminalize protests — or as they put it, to stop the rioting. Listen.

2. Brendan Chamberlain-Simon, a robotics technologist at NASA's Jet Propulsion Laboratory, explains what it's like to live on Mars Time, and the questions that led him to space. Avi Loeb, Frank B. Baird, Jr., Professor of Science at Harvard University, makes a compelling case for intelligent life beyond Earth. Listen.

3. OTM Reporter Micah Loewinger [@micahloewinger] presents the case of Spencer Fox, the former child actor who played Dash in the first Incredibles film, but not the second. Listen.

Music from this week's show:

Equinox - John Coltrane
Night Thoughts - John Zorn
72 Degrees and Sunny - Thomas Newman
Horizon 12.2 - Thomas Newman
Eye Surgery - Thomas Newman
The Glory Days - Michael Giacchino

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Evidence-based medicine requires just that: evidence. Access to the collective pool of knowledge produced by clinical trials is what allows researchers to safely and effectively design future studies. It's what allows doctors to make the most informed decisions for their patients.

Since 2007, researchers have been required by law to publish the findings of any clinical trial with human subjects within a year of the trial's conclusion. Over a decade later, even the country's most well-renown research institutions sport poor reporting records. This week, Bob spoke with Charles Piller, an investigative journalist at Science Magazine who's been documenting this dismal state of affairs since 2015. He recently published an op-ed in the New York Times urging President Biden to make good on his 2016 "promise" to start withholding funds to force compliance.