On the Media

Is it too ordinary to be afraid of your cat dying?

Jeff VanderMeer is an author based in Tallahassee, Florida. This week he is the featured guest on the podcast "10 things that scare me: a tiny podcast about our biggest fears," produced by WNYC Studios.

We spoke to Jeff a year ago about the impending climate change disaster for a show we called Apocalypse, Now. His award-winning Southern Reach trilogy has been published in over 35 languages. 

Join the 10 Things That Scare Me conversation, and tell them your fears here. And follow 10 Things That Scare Me on Instagram, Twitter and Facebook.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Just outside of Mobile, Alabama, sits the small community of Africatown, a town established by the last known slaves brought to America, illegally, in 1860. Decades after that last slave ship, The Clotilde, burned in the waters outside Mobile, Africatown residents are pushing back against the forces of industrial destruction and national amnesia. Local struggles over environmental justice, land ownership, and development could determine whether Africatown becomes an historical destination, a living monument to a lingering past — or whether shadows cast by highway overpasses and gasoline tanks will erase our country's hard-learned lessons. 

Brooke spoke with Deborah G. Plant, editor of a new book by Zora Neale Hurston about a founder of Africatown, Joe Womack, environmental activist and Africatown resident, Vickii Howell, president and CEO of the MOVE Gulf Coast Community Development Corporation, Charles Torrey, research historian for the History Museum of Mobile, and others about the past, present, and future of Africatown, Alabama. 

**This episode was originally aired in May of 2018.**

Songs:

Traditional African Nigerian Music of the Yoruba Tribe
Death Have Mercy by Regina Carter
Sacred Oracle by John Zorn and Bill Frisell
Passing Time by John Renbourn
The Thompson Fields by Maria Schneider Jazz Orchestra

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Joe Frank -- the radio producer’s radio producer, the ultimate acquired taste -- passed away a year ago this month. He was 79. For over four decades Frank hosted late-night shows that could float between hilarious dreams and suspenseful nightmares, between fact and fiction. And though his shows were rarely mainstream hits, cultural figures like Ira Glass of This American Life and film director Alexander Payne consider Frank a major influence on their own work.

Brooke discussed Joe Frank's life, style and legacy with Jad Abumrad, co-host of WNYC's Radiolab, and Mark Oppenheimer, host of Tablet magazine's Unorthodox podcast, who wrote an article in Slate titled "Joe Frank Signs Off."

Joe Frank -- the radio producer’s radio producer, the ultimate acquired taste -- died last January. He was 79. For over four decades Frank hosted late-night shows that could float between hilarious dreams and suspenseful nightmares, between fact and fiction. And though his shows were rarely mainstream hits, cultural figures like Ira Glass of This American Life and film director Alexander Payne consider Frank a major influence on their own work.

Brooke discussed Joe Frank's life, style and legacy with Jad Abumrad, co-host of WNYC's Radiolab, and Mark Oppenheimer, host of Tablet magazine's Unorthodox podcast, who wrote an article in Slate titled "Joe Frank Signs Off."

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After World War II, Germany and the Allied powers took pains to make sure that its citizens would never forget the country’s dark history. But in America, much of our past remains hidden or rewritten. This week, Brooke visits Montgomery, Alabama, home to The Legacy Museum and the National Memorial for Peace and Justice, a new museum and memorial created by the Equal Justice Initiative that aim to bring America’s history of segregation and racial terror to the forefront.

1. Brooke talks to the Equal Justice Initiative's [@eji_org] Bryan Stevenson about what inspired him to create The Legacy Museum and memorial and to historian Sir Richard Evans [@RichardEvans36] about the denazification process in Germany after World War II. Listen.

2. Brooke visits The Legacy Museum and National Memorial for Peace and Justice. Listen.

3. Brooke speaks again with Bryan Stevenson about his own history and America's ongoing struggle to confront our racist past and present. Listen.

This episode originally aired on June 1st, 2018. It was re-broadcast on December 28, 2018.

After World War II, Germany and the Allied powers took pains to make sure that its citizens would never forget the country’s dark history. But in America, much of our past remains hidden or rewritten. This week, Brooke visits Montgomery, Alabama, home to The Legacy Museum and the National Memorial for Peace and Justice, a new museum and memorial created by the Equal Justice Initiative that aim to bring America’s history of segregation and racial terror to the forefront.

1. Brooke talks to the Equal Justice Initiative's [@eji_org] Bryan Stevenson about what inspired him to create The Legacy Museum and memorial and to historian Sir Richard Evans [@RichardEvans36] about the denazification process in Germany after World War II. Listen.

2. Brooke visits The Legacy Museum and National Memorial for Peace and Justice. Listen.

3. Brooke speaks again with Bryan Stevenson about his own history and America's ongoing struggle to confront our racist past and present. Listen.

This episode originally aired on June 1st, 2018. It was re-broadcast on December 28, 2018.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Merry Christmas, to those who celebrate! To those who don't (and, aw heck, to those who do too) we offer a very special end-of-year gift: fear. More specifically, Brooke's greatest fears, courtesy of our WNYC colleagues, 10 Things That Scare Me. Fear is a subject — and experience — near and dear to our beloved Brooke, so we can assure you that this is not a conversation to skip. 

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Two weeks ago, a seven-year-old girl died in Customs and Border Patrol custody. This week, On the Media considers how coverage of her death has resembled previous immigration story cycles. Plus, we make an year-end review of cabinet officials shown the door as the result of investigative reporting — and we honor the 80 journalists killed around the globe this year. Also, we explore the subversive, revolutionary art of Hilma af Klint.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1971, federal investigators convened two grand juries to investigate, among other things, the publishing, by major newspapers, of thousands of pages of secret government documents reviewing the history from 1945 on, of the still ongoing war in Vietnam. 

The Pentagon Papers' consequences were vast — including that historic effort by the federal government to investigate — under the Espionage Act — staffers at the Washington Post, the New York Times, and the Boston Globe. As tends to be the case with sprawling grand jury cases, the investigators’ questions and methods remain a secret.

But Jill Lepore hopes to change that. On Monday of this week, Lepore — Harvard historian, New Yorker staff writer, and author of These Truths: A History of the United States — asked a federal court to order the release of documents related to those grand juries. “Why and when was the investigation opened?” Lepore demands in court documents. “Why was it closed? To what lengths did the government go in conducting the investigation?” A half-century after Pentagon analyst Daniel Ellsberg’s mammoth revelations, questions still linger. 

Earlier this year, Brooke spoke with Les Gelb, one of the drafters of the original papers, about what journalists and historians previously failed to understand about the Pentagon Papers.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It’s been 100 years since one of the deadliest diseases... well, ever. The 1918-1919 flu pandemic (usually and mistakenly called the “Spanish Flu”) infected roughly a third of the world’s population and killed somewhere on the order of 50-100 million people, leaving no corner of the world untouched. It came just as the world was beginning its recovery from the other global catastrophe of the time — the First World War. The pandemic is sometimes referred to as the “Forgotten Plague” because the extent of the devastation wasn’t realized at the time, and it’s been missing from most history books since.  

This week on On the Media, we look back at what happened and ask: could it, would it happen again?

This hour of On the Media is part of “Germ City” a series produced by the WNYC newsroom in collaboration with the Museum of the City of New York and the New York Academy of Medicine.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.