A few weeks ago we welcomed Ottessa Moshfegh to Shakespeare and Company. That night we’re headed almost back to where it all began by revisiting Moshfegh’s second book Eileen, the small town noir that propelled this experimental writer into the bestseller charts and onto the Booker shortlist. Eileen has just been adapted into a Hollywood film—directed by William Oldroyd, starring Anne Hathaway and Thomasin McKenzie, and with a screenplay by Moshfegh and her partner Luke Goebel. So as well as diving into the book—reconnecting with the fresh, smart-mouthed, enchantingly twisted voice of our eponymous narrator—we also discussed the challenges of bringing that voice to the screen, what it felt like to see Eileen embodied, and the difficulty Moshfegh faced—if any— in handing her over to other artists…

Buy Eileen here: https://www.shakespeareandcompany.com/books/eileen-2

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Ottessa Moshfegh is a fiction writer from New England. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. My Year of Rest and Relaxation, Death in Her Hands, and Lapvona, her next three novels, were New York Times bestsellers. She is also the author of the short story collection Homesick for Another World and a novella, McGlue. She lives in Southern California.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Photo by Hugo Clair Torregrosa (c) Shakespeare and Company Paris 

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