Outside Podcast

There are a lot of really tough endurance races out there, but perhaps none are harder—both mentally and physically—than the Sri Chinmoy Self-Transcendence 3100 Mile Race in Queens, New York. The whole thing takes place on a single city block, and in order to finish before the cutoff, runners have to run the equivalent of about two marathons a day for 52 days in a row. In the race’s first 22 years, only 43 people finished. This past summer producer Stephanie Joyce headed to Queens to talk with the competitors, including Israeli ultrarunner Kobi Oren, who was determined to win the race on his first attempt.

Almost everyone who’s used underarm crutches agrees: they are terrible. They’re hard on your wrists, they cause falls, they cause nerve damage. This is why almost every country in the world has abandoned them. Except the U.S., where if you go to the hospital with a leg injury, you’re most likely going to leave with adjustable aluminum crutches. In this third installment of our series exploring how gear gets made, we look at the fascinating history of why better designs for crutches haven’t caught on, and whether or not they ever will.

There’s no more painful pursuit for a cyclist than the hour record.It’s just you, by yourself, on a bike, going as far and as fast as you can in 60 minutes. Eddie Merckx, considered by many to be the greatest pro racer in history, called it the longest hour of his career and only attempted it once. Others describe it as death without dying. When her father passed away, Italian cyclist Vittoria Bussi decided she wanted this record for herself. For her father’s memory. For history. When she started training, other cyclists asked her, “Are you ready to die for the hour?” Soon she would discover that in order to succeed, she would have to completely change her relationship with pain.

For more than two decades, Ruffwear has been reinventing gear for dogs. The brand makes booties, jackets, collars, toys, and pretty much anything else you could want for your pup. But how do you design something when the end user can’t give you feedback other than incessant tail wagging? And don’t dogs get just as much enjoyment out of an old stick as the latest and greatest chew toy? In this second installment of our series exploring how gear gets made, producer Alex Ward reports on the unique process of crafting products for our best friends.

Pararescue specialists—known as PJ’s in the military—are the most elite unit in the Air Force. But if you want to be a PJ you have to make it through Indoc, a brutal nine-week training course that’s designed to test your motivation and resolve. And there’s no easier way to make someone uncomfortable than sending them underwater for a long, long time. Staff Sergeant Travis Morgan had spent what felt like his whole life preparing for Indoc. He knew that only a small percentage of candidates made it through the program, and that most people quit during pool training. What he wasn’t expecting was to find himself facing elimination because he could hold his breath way too long.

Wilderness therapy has been used for decades to help troubled teens and addicts, and recently all kinds of people are seeking out guided nature experiences to detox from their hyper-digital modern lives. The classic approach of such programs is to push participants to challenge their limits in order to build character. That can work great, but it’s not a smart recipe for those trying to recover from emotional trauma. Not long ago, contributing editor Florence Williams, author of the The Nature Fix, went backpacking with victims of sex trafficking, writing about it for Outside’s May 2018 issue. Now she’s adapted the story for The Three-Day Effect, a new series for Audible that explores what’s really happening in our brains when we head outdoors. This episode, an excerpt of that project, reveals the surprising ways we can find comfort in wilderness.

John Orth is a violin maker from Colorado. Andrew Shapiro is a college kid from Virginia. They have little in common except that for the last two years they’ve been trading back and forth the world record for the most pull-ups in 24 hours. Over the summer, they both set their sights on 10,000 pull-ups. It’s a number that would have been unthinkable two years ago; a number that seemed like it would reveal the very limits of what the human body can do. Instead, they found a different limit.

In this first episode of a new series exploring how gear gets made, we investigate the origin of arguably the most refined fork in history. When designer Owen Mesdag was a graduate student in the late-1990s, he fell in love with a particularly clever spoon. Engineered by outdoor brand MSR, it doubled as a stove repair tool. Mesdag was enamored with it and he thought, I want to make a matching fork. And how hard could that be, really? A fork is a fairly simple tool. Except Owen’s fork didn’t just have to be good, it had to be perfect. His obsessive attention to detail meant that he kept going back to do more testing, taking more trips to Asia, and redesigning the fork again and again, because it was never quite right. Producer Alex Ward has this story explaining why the business end of a fork tells us a great deal about the tireless designers who make our favorite things.

The new movie Free Solo is arguably the greatest film about climbing that’s ever been made. In just over 90 minutes, it chronicles Alex Honnold’s astonishing no-ropes ascent of the 3,000-foot sheer face of Yosemite’s El Capitan, which he completed one morning in June, 2017. Even more impressively, it captures the unique mindset of Honnold, a perfectionist whose years-long obsessive pursuit of his dream gets complicated by an ever-present camera crew and his growing love for his new girlfriend. As you might guess, being the focus of a deeply personal Oscar-caliber documentary and then answering probing questions by a constant stream of reporters and fans has had an impact on the guy. Outside executive editor Michael Roberts chased Honnold down on his film tour to ask about the risks and rewards of telling your whole story.

Journalist Laura Krantz doesn’t believe in Bigfoot. She’s trained to be skeptical, and all the best Sasquatch sightings and photos have been debunked. Except, then she heard about Grover Krantz, a serious academic and long lost relative who had spent his career researching the possibility that an upright, bi-pedal homonid had once roamed the forest. Some of the evidence was pretty compelling, and so Laura dove into the subject headfirst. The result is Wild Thing, a nine-part series that takes a good hard look at what exactly we know and what we don’t know about Bigfoot, and why some form of this legend persists all over the world.