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Today on the 5: If rumors are to be believed, Apple is getting ready to bring back the beefier HomePod. Many are wondering why the company would revive a failed product, especially when the Mini is doing so well. I have a highly unlikely theory!
Today on the 5: My wife and I played through the recently released Teenage Mutant Ninja Turtles: Shredder's Revenge. The game aims to recreate the arcade experience of the classic TMNT arcade games, and I think it largely succeeds.
Today on the 5: Crimes Of The Future, the latest film from David Cronenberg, hit VOD last week. I rented the movie, and found it to be one of my favorites from this unique director.
Today on the 5: As part of the horror Tubi Tournament series, I watched a 1971 film titled The Shiver Of The Vampires. I'm not sure it should be classified it as a horror film, but it certainly was captivating!
This week we're talking How We Got To Now, Cloudpunk, and Alphabet City. Show music by HeartBeatHero and OGRE. Support the show!
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Today on the 5: A few nights ago I decided to try a sample of some recent Michael Bay material by watching Teenage Mutant Ninja Turtles: Out Of The Shadows. I didn't exactly expect it to be good, but I was truly impressed at how stupendously bad it is.
Today on the 5: I've been playing a game from a few years back called Cloudpunk. It'a wonderfully atmospheric game that mixed the modern visual strings of cyberpunk with the classic themes the genre often covered.
Today on the 5: Over the weekend I watched a movie that's been on my watch list for a while. It's 1984's Alphabet City, and while it took a little longer than usual to hook me, once it did I had a really good time with it.
This week we're talking LEGO Optimus Prime, Sniper Elite 5, Ms. Marvel, Elementary, Rupture, and The Unbearable Weight Of Massive Talent. Show music by HeartBeatHero and OGRE. Support the show!
Get up to 2 months free podcasting service with our Libsyn code OZONE
Today on the 5: Adobe is apparently going to release a "free" version of Photoshop on the web. This move is largely prompted by the increasingly polished alternatives to Photoshop, but it could also bring more people into the Adobe ecosystem.
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