Sarah sits down with the secretary of the Metals Collective, Shelby Goldsmith. The two women discuss how the collective came to be, what it takes to be a member, and the value of creating your own community.

As a visual artist, Sarah understands the value of having high quality images of her work. The two artists sit down to discuss how Drew came to be a photographer, his mixed bag of jobs, and his affiliation with Maine Media Workshops + College.

Hiring a photographer can be intimidating and expensive; here Sarah seeks perspective from behind the lens.

In June Sarah received the news that she has been accepted as an Emerging Artist for this year's PMA Craft Show taking place November 9-12th. This will be Sarah's first craft show experience; she's a bit overwhelmed and is hoping Rea can clarify a few details for her.

The two jewelers discuss what exactly a craft show is, why they chose to apply, and how much money Sarah can plan on investing into this experience. Doing shows of this caliber is expensive - but the payoff can go far beyond one's bank account.

**Corrections: The Philadelphia Museum of Art Craft Show is a project of the Women’s Committee; all proceeds benefit the museum. Dates of this year’s show were incorrectly stated, the show runs from November 9th through the 12th – not the 17th. Lastly, Prize winners receive $1,000, a prize ribbon to hang in their booth and the option to have a place in the show the following year. Those artists still pay the application fee and a booth fee.

In the first episode of Perceived Value Sarah Rachel Brown discusses the adjunct hustle with one of the busiest individuals she knows, Emily Cobb.

The two women discuss what exactly an adjunct is, all the fancy terminology academics use to describe themselves, and how much money Emily is actually making from all this hustling. Being an adjunct is valuable experience for those wanting to teach in academia; here we break down what this experience entails.