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FEBRUARY 14, 2026 HOUR 4: In this Valentine’s Day hour, Peter Boyles continues his conversation with in-studio guests Deborah and Jonathan Flora, covering everything from the future of radio and independent filmmaking to the deep political divisions in Colorado and the country. Deborah reflects on stepping back from running for office and focusing on film projects, nonprofit work, and bringing people back to civil discourse, while Jonathan shares insights from their civic involvement and creative work. The conversation also turns to Hollywood, culture, and classic films, ending on a lighter note with favorite romantic movies and the Floras’ own love story.
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FEBRUARY 14, 2026 HOUR 3: In this Valentine’s Day episode, Peter Boyles sits down with in-studio guests Deborah and Jonathan Flora for a fun, wide-ranging conversation. Jonathan shares stories from his time working in professional wrestling, giving a behind-the-scenes look at the big personalities and business of the industry. Deborah talks about her experience in the Miss America world and what it was like navigating Hollywood as a conservative. The hour blends humor, personal memories, faith, and entertainment for an engaging and easygoing discussion.
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FEBRUARY 14, 2026 HOUR 2: Peter Boyles examines immigration policy, crime, and political accountability as tensions rise over border enforcement and public safety. The hour features a contentious call-in from Joe Oltmann, sparking debate over credibility, evidence, and political rhetoric. Listener calls and commentary expand the discussion to government responsibility, media narratives, and the real-world consequences of policy decisions.
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FEBRUARY 14, 2026 HOUR 1: Peter Boyles and Jon Caldara discuss how election denial, unproven accusations, and exaggerated personal claims from several Republican gubernatorial hopefuls— including Joe Oltmann, Scott Bottoms, and Victor Marx — are harming Republican credibility and competitiveness in Colorado.
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FEBRUARY 6, 2026 HOUR 4: Steve Keeney joins Peter Boyles on KNUS to discuss his radio career, including managing KIMN, working in Portland at KINK, and returning to Denver. They shared stories about legendary Denver radio personalities like Paxton Mills, Hal Moore, and others, highlighting their talent, wit, and influence. Keeney reflected on career highs, low points such as losing his job at KHOW, and early experiences in radio, including using pseudonyms and learning from iconic figures. The conversation emphasized the creativity, spontaneity, and evolution of radio over the decades.
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FEBRUARY 7, 2026 HOUR 3: This hour is a radio history hang with in-studio guest Steve Keeney, a behind-the-scenes legend of Denver radio. Peter and Steve swap stories about how they both stumbled into the business, early days in radio, crazy career breaks, and how stations actually used to run before everything went corporate and high-tech. They dig into old Denver stations, legendary personalities, management mistakes, ownership shakeups, and what local radio used to feel like when it was truly local. The highlight is Steve walking through how iconic ideas like the KIMN Chicken actually came to life — messy, risky, and completely unplanned — plus why that kind of creativity barely exists anymore.
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FEBRUARY 6, 2026 HOUR 2: The second hour dives hard into the latest Epstein file drop with investigative journalist Mike Connors, who tells a first-hand story about meeting Jeffrey Epstein and Ghislaine Maxwell in Denver during the G7 summit — including how they were recruiting women, name-dropping powerful people, and generally setting off every alarm bell imaginable. Connors then walks through newly released emails tying Epstein to Boulder, private jets, academics, and Hollywood names, with Peter reacting in real time and taking listener calls on what’s real, what’s coded, and who’s still being protected.
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FEBRUARY 7, 2026 HOUR 1: Peter Boyles' first hour is built around a long Zoom interview with “Free as Can Be,” a former Marine who’s been aggressively vetting Colorado’s Governor Candidates. They talk about his public feud with Victor Marx, the fight challenge, the sit-down that followed, and why he thinks the GOP keeps sabotaging itself. Peter then veers into commentary on the Olympic opening ceremony, political hype versus reality, and new noise around who Bill Owens actually endorsed.
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JANUARY 31, 2026 HOUR 4:
In the last hour of the show, Peter Boyles keeps digging into a story that just doesn’t feel right. The details don’t quite line up, and the more it gets repeated like it’s settled, the more questions come up.
Callers jump in with their own takes, doubts, and frustrations. Peter pushes back at times, agrees at others, and keeps bringing it back to the same point: what do we actually know, and what are we just assuming?
It turns into a pretty honest back-and-forth about narratives, missing information, and why it’s okay to be skeptical instead of just going along with whatever you’re told.
Unscripted, imperfect, and very much talk radio.
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JANUARY 31, 2026 HOUR 3:
In this hour, Peter Boyles digs into the latest Epstein document release and explains why it only deepens his belief that Epstein was murdered, not suicidal. Callers weigh in with theories about intelligence agencies, power elites, and why so many big names keep circling the same story.
The conversation then shifts — again — to the 2020 election. Listeners argue mail-in ballots, media bias, and local voting anomalies point to something bigger. Peter pushes back hard, drawing a clear distinction between suspicion and evidence, and refuses to call the election stolen without proof.
A tense, emotional hour that hits Epstein, elections, media trust, and the growing divide between belief and facts in American politics.
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The Voice of The People! Saturday 9AM-1PM
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*The opinions expressed by the hosts and guests on this program are their own and do not necessarily reflect the views of Salem Media Group, its management, employees, affiliates, or advertisers. This content is intended for commentary and discussion purposes only, and the perspectives shared during the broadcast belong solely to the individuals expressing them.*

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