Phil Hester joins us to say he’s not chasing batgirl anymore. The artist has been a busy writer creating the Anchor for Boom Studios, writing The Darkness for top cow, and black terror for dynamite. We get the lowdown on al of these series, plus Phil talks about some deals brewing for The Coffin and Fire Breather, and we talk about the changing comics market, and why some creators may be holding onto their best ideas for their own exploitation. The conversation starts with Phil’s role as breakdown artist on Dynamite’s Green Hornet series adapted from an unfilmed screenplay by Kevin Smith