Poetry Centered

Chet’la Sebree leads us to acknowledge liminal spaces, those places that are not quite one thing or another, moments of transition and not-yet that have become so familiar to us throughout the pandemic. Sebree introduces Camille T. Dungy’s recognition that grief relentlessly intrudes on joy (“Notes on What Is Always with Us”), Brenda Shaughnessy’s reflection on the difficulties of understanding time (“Three Summers Mark Only Two Years”), and Ada Limón’s transformative rendering of relationships (“What I Didn’t Know Before”). Sebree closes with a new poem of her own on liminality, “Blue Opening.” 

 Watch the full recordings of Dungy, Shaughnessy, and Limón reading for the Poetry Center on Voca:
Camille T. Dungy (2016)
Brenda Shaughnessy (2005)
Ada Limón (2018)

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Anthony Cody selects poems that ask hard questions about war, borders, gender, power, US history, and ourselves—questions asked in order to remind us of the discomfort necessary for change on individual and collective levels. Cody shares Pat Mora’s inversion of relationships between speaker and audience, pursuer and pursued (“La Migra”), Michael S. Harper’s use of staccato repetition to sear atrocity into memory (“A White Friend Flies in from the Coast”), and Diana García’s revelation of truths that span generations (Excerpts from “Serpentine Voices”). Cody closes with his translation of Juan Felipe Herrera’s “Dudo las Luces / I Question the Lights,” which draws attention to the forgotten in our political landscape.

You can find the full recordings of Mora, Harper, and García reading for the Poetry Center on Voca:
Pat Mora (1996)
Michael S. Harper (1973)
Diana García (2002)

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Wendy Xu curates poems that underscore the necessity of attention for the writing of poems, reminding us that to write is to think, to look, and to be present. She introduces James Tate on bending reality through attention to everything (“Rescue”), Mei-mei Berssenbrugge on the connection between the spiritual and the somatic (“Hello, the Roses”), and Joyelle McSweeney on being unafraid of excess (“Percussion Grenade”). Xu closes with her poem “Why Write,” which engages with the past as a living, risky force.

You can find the full recordings of Tate, Berssenbrugge, and McSweeney reading for the Poetry Center on Voca:
James Tate (1968)
Mei-mei Berssenbrugge (2010)
Joyelle McSweeney (2012)

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Eduardo C. Corral introduces recordings by poets who create and encourage possibilities for others through their inquisitive teaching, their artistic commitment to mystery, or by being fully themselves. He celebrates Beckian Fritz Goldberg’s dedication to delight and surprise (“The Possibilities”), Bei Dao’s inscrutability for the way it affirms the human condition (“Landscape Over Zero”), and Francisco X. Alarcón’s generous spirit and embodiment of what a poet can look like (“Ode to Tomatoes”). To close, Corral reads his poem “To Francisco X. Alarcón,” delving into the impact this elder poet has had on his own writing life.

 You can find the full recordings of Goldberg, Dao, and Alarcón reading for the Poetry Center on Voca:
Beckian Fritz Goldberg (1994)
Bei Dao with Dennis Evans (1999)
Francisco X. Alarcón (2008)

 Watch a 2013 reading by Corral on Voca, as well as a reading given with Natalie Diaz at Tucson High Magnet School, which includes an extensive Q&A with students.

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Sumita Chakraborty curates poems that draw our attention to the overlooked: to the body’s cycles, to cruelty, to deep attention, to trauma and what comes after. She introduces Lucille Clifton on accepting change and growth (“to my last period”), Ai on the link between violence and loss (“Cruelty”), and Nora Naranjo Morse on vulnerability as potential blessing (“Sometimes I Am a Sponge”). Chakraborty closes by reading her own exploration of the complexities of PTSD, written to an extraterrestrial audience: “The B-Sides of the Golden Records, Track Five: ‘Post-Traumatic Stress Disorder.’”

You can find the full recordings of Clifton, Ai, and Naranjo Morse reading for the Poetry Center on Voca:
Lucille Clifton (2007)
Ai (1972)
Nora Naranjo Morse (1992)

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Silvina López Medin introduces poems that reflect on the writing process and the openings we encounter therein when boundaries blur between speaker and listener, creator and creation. She shares Robert Hass on going to the movies and Greek rhetorical devices (“Heroic Simile”), Adélia Prado on the earthy charms of poetry (“Seduction,” read by Prado’s translator Ellen Doré Watson), and Anne Carson on making marks (“Short Talk On Homo Sapiens”). López Medin concludes with her poem “I Am Writing This in My Head, My Hands Inside Gloves That Don’t Match,” which considers how the lost lingers in what remains.

You can find the full recordings of Hass, Prado as read by Watson, and Carson reading for the Poetry Center on Voca:
Robert Hass (1979)
Adélia Prado, read by her translator Ellen Doré Watson (1992)
Anne Carson (2001)

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Adam O. Davis selects and shares poems that engage with journeys—across time, through mystery, into the past, or to shape a future. He introduces Nathaniel Mackey meditating on eternal questions (“Glenn on Monk’s Mountain”), Maurya Simon reminding us that the dead surround and sustain us (“El Día de los Muertos”), and Robert Creeley poignantly speaking across time (“I Know a Man”). Davis closes by reading his poem “Interstate Highway System,” his own plea for living sparked by a 2015 road trip across America.

You can find the full recordings of Nathaniel Mackey, Maurya Simon, and Robert Creeley reading for the Poetry Center on Voca:
Nathaniel Mackey with jazz pianist Marilyn Crispell (2013)
Maurya Simon (2019)
Robert Creeley (1963)

Check out Davis’s Index of Haunted Houses Hotline by calling 619-329-5757.

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Adrian Matejka reflects on cruelty as manifested in American institutions, history, private lives, and the public realm of the past year. He opens with Ai’s invocation of the human hunger for violence (“Cruelty”), Lucille Clifton’s deft blending of imagery and wisdom (“cruelty. don’t talk to me about cruelty”), and Al Young’s meditation on American cruelty as it begins with slavery (“The Slave Ship Desire”). To close, Matejka reads his poem “Somebody Else Sold the World,” which considers the complexities of cruelty in the context of the pandemic and the Black Lives Matter protests of 2020.

Listen to the full recordings of Ai, Clifton, and Young reading for the Poetry Center on Voca:
Ai (1972)
Lucille Clifton (1983)
Al Young (1997) 

You can also watch a 2016 reading by Adrian Matejka on Voca.

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Joanna Klink curates poems that blend dream and waking, sparking ordinary life with visionary fire. She shares Jon Anderson wrestling with the desire to walk away (“In Autumn”), Sherwin Bitsui’s haunting epic of water (“Flood Song”), and Linda Gregg’s dreamscape of life without loneliness (“Alma to Her Sister”). Klink closes by reading her poem “On Diminishment,” an intimate, interior landscape of silences and withheld speech.

You can find the full recordings of Anderson, Bitsui, and Gregg reading for the Poetry Center on Voca:
Jon Anderson (1984)
Sherwin Bitsui, as part of “Multilingual Poetry of the Southwest” (2010)
Linda Gregg (1981)

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.

Rosa Alcalá curates poems in which the body plays a central role as a performing presence. She selects and shares Roberto Tejada’s exploration of control and surrender (“Sun bursting as in water beads”), Rosmarie and Keith Waldrop’s stereophonic collaborative poem (“Light Travels”), and Black Took Collective’s daring, experimental performance piece on race and racism (“Betraying Blackness”). Alcalá concludes by reading her poem “You in Cutoffs,” which looks back at the self in the past, a body lifted above a crowd.

Watch the full recordings of Roberto Tejada, Keith and Rosmarie Waldrop, and Black Took Collective on Voca:
Roberto Tejada (2013)
Keith and Rosmarie Waldrop (2011)
Black Took Collective (2012)

You can also watch several readings by Rosa Alcalá on Voca, including her most recent from 2020. 

Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode.

Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.